THE SYMBOLIC MEANINGS OF THE CHITF-HEADED EAGLE MOTIF AND ITS USE IN TEXTILES

Elif Tuğçe Tecir

Makale detayları

THE SYMBOLIC MEANINGS OF THE CHITF-HEADED EAGLE MOTIF AND ITS USE IN TEXTILES

Yazarlar:

Elif Tuğçe Tecir

Yayıncı:

Motif Yayıncılık

Ana Başlıklar:

Halı-Kilim ve Dokuma

Dergi:

Motif Akademi Halkbilimi Dergisi Vol.17 Issue 46, pp.951-969

Belge Tipi:

Makale

Yayın Tarihi:

6/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001319900

pISSN:

1308-4445

Anahtar kelimeler:

Özet:

 Throughout their cultural history, societies have depicted many things they saw from nature and their environment and attributed symbolic meanings to them. These depictions were developed in societies living with nomadic-steppe culture, with a strong animal cult, and works were produced in many fields from architecture to handicrafts. The double-headed eagle motif, dating back to Central Asia and Mesopotamia, draws attention with its use in different geographies and cultures and is still used today. The double-headed eagle depiction is derived from eagle and is used with the same meanings. This motif, which is directly attributed to the Seljuks without sufficient questioning, is, on the contrary, also seen in the centuries before the Seljuks. The imaginary entity adopted by almost every civilization has turned into a common value and has been passed on from generation to generation, gaining a national identity. In textile arts; This motif has become widespread in different cultures due to its use in products that are easy to carry and have commercial value, such as woven fabrics, carpets, rugs, clothing ornaments and textile accessories. Within the scope of the study, the iconography of the double-headed eagle motif seen on textile arts, woven fabric and carpet samples, the composition setup and motif variety in woven fabrics are detailed with technical drawings. The place of the double-headed eagle motif in textile arts, its examples and depiction features were researched and nine fabric images were examined. Motifs in carpet weavings were examined through five examples. The diversity of motifs is explained with technical drawings through a total of 14 examples. The findings of the double-headed eagle motif on fabric and carpet weavings were evaluated in the conclusion section.

 Throughout their cultural history, societies have depicted many things they saw from nature and their environment and attributed symbolic meanings to them. These depictions were developed in societies living with nomadic-steppe culture, with a strong animal cult, and works were produced in many fields from architecture to handicrafts. The double-headed eagle motif, dating back to Central Asia and Mesopotamia, draws attention with its use in different geographies and cultures and is still used today. The double-headed eagle depiction is derived from eagle and is used with the same meanings. This motif, which is directly attributed to the Seljuks without sufficient questioning, is, on the contrary, also seen in the centuries before the Seljuks. The imaginary entity adopted by almost every civilization has turned into a common value and has been passed on from generation to generation, gaining a national identity. In textile arts; This motif has become widespread in different cultures due to its use in products that are easy to carry and have commercial value, such as woven fabrics, carpets, rugs, clothing ornaments and textile accessories. Within the scope of the study, the iconography of the double-headed eagle motif seen on textile arts, woven fabric and carpet samples, the composition setup and motif variety in woven fabrics are detailed with technical drawings. The place of the double-headed eagle motif in textile arts, its examples and depiction features were researched and nine fabric images were examined. Motifs in carpet weavings were examined through five examples. The diversity of motifs is explained with technical drawings through a total of 14 examples. The findings of the double-headed eagle motif on fabric and carpet weavings were evaluated in the conclusion section.

 Throughout their cultural history, societies have depicted many things they saw from nature and their environment and attributed symbolic meanings to them. These depictions were developed in societies living with nomadic-steppe culture, with a strong animal cult, and works were produced in many fields from architecture to handicrafts. The double-headed eagle motif, dating back to Central Asia and Mesopotamia, draws attention with its use in different geographies and cultures and is still used today. The double-headed eagle depiction is derived from eagle and is used with the same meanings. This motif, which is directly attributed to the Seljuks without sufficient questioning, is, on the contrary, also seen in the centuries before the Seljuks. The imaginary entity adopted by almost every civilization has turned into a common value and has been passed on from generation to generation, gaining a national identity. In textile arts; This motif has become widespread in different cultures due to its use in products that are easy to carry and have commercial value, such as woven fabrics, carpets, rugs, clothing ornaments and textile accessories. Within the scope of the study, the iconography of the double-headed eagle motif seen on textile arts, woven fabric and carpet samples, the composition setup and motif variety in woven fabrics are detailed with technical drawings. The place of the double-headed eagle motif in textile arts, its examples and depiction features were researched and nine fabric images were examined. Motifs in carpet weavings were examined through five examples. The diversity of motifs is explained with technical drawings through a total of 14 examples. The findings of the double-headed eagle motif on fabric and carpet weavings were evaluated in the conclusion section.

 Toplumlar kendi kültür tarihleri içerisinde doğadan ve çevrelerinden gördükleri birçok şeyi tasvir edip, bunlara sembolik anlamlar yüklemişlerdir. Bu tasvirler, göçebe-bozkır kültürü ile yaşayan toplumlarda, güçlü bir hayvan kültü ile geliştirilmiş ve mimariden, el sanatlarına birçok alanda eserler verilmiştir. Çift başlı kartal motifi, Orta Asya ve Mezopotamyaya dayanan, farklı coğrafyalarda ve farklı kültürlerde yer edinerek halen günümüzde kullanılması ile dikkat çekmektedir. Çift başlı kartal tasviri, kartaldan türetilmiş ve aynı anlamlar ile kullanılmıştır. Yeterince sorgulanmadan, doğrudan Selçuklulara atfedilen bu motif, aksine Selçuklulardan önceki yüzyıllarda da görülmektedir. Neredeyse her uygarlığın benimsediği hayali varlık, ortak değere dönüşerek nesilden nesile taşınarak, milli bir kimlik kazanmıştır. Tekstil sanatlarında; içinde dokuma kumaş, halı, kilim, giysi süsleri tekstil aksesuarları gibi taşınması rahat, kolay ve ticari değere sahip ürünlerde kullanılması nedeniyle, bu motifin, farklı kültürlere geçişinde yaygınlık sağlanmıştır. Çalışma kapsamında, çift başlı kartal motifinin tekstil sanatları, dokuma kumaş ve halı örnekleri üzerinde görülen ikonografisi, dokuma kumaşlardaki kompozisyon kurgusu ve motif çeşitliği teknik çizimler ile detaylandırılmıştır. Çift başlı kartal motifinin tekstil sanatlarındaki yeri, örnekleri, tasvir özellikleri araştırılmış olup sekiz adet kumaş görseli üzerinden incelemeler yapılmıştır. Halı dokumalarında beş adet örnek üzerinden motif incelenmiştir. Toplamda 13 örnek üzerinden motif çeşitliliği teknik çizimleri ile açıklanmıştır. Çift başlı kartal motifinin kumaş ve halı dokumaları üzerindeki bulguları sonuç bölümünde değerlendirilmiştir.

Makale detayları

THE SYMBOLIC MEANINGS OF THE CHITF-HEADED EAGLE MOTIF AND ITS USE IN TEXTILES

Yazarlar:

Elif Tuğçe Tecir

Yayıncı:

Motif Yayıncılık

Ana Başlıklar:

Halı-Kilim ve Dokuma

Dergi:

Motif Akademi Halkbilimi Dergisi Vol.17 Issue 46, pp.951-969

Belge Tipi:

Makale

Yayın Tarihi:

6/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001319900

pISSN:

1308-4445

Symbol

double-headed eagle

motif

weavingSembol

çift başlı kartal

motif

tekstil

dokuma

Sayı

Makale detayları

Yazarlar: Elif Tuğçe Tecir

Yayıncı: Motif Yayıncılık

Ana Başlıklar: Halı-Kilim ve Dokuma

Dergi: Motif Akademi Halkbilimi Dergisi Vol.17 Issue 46, pp.951-969

Belge Tipi: Makale

Yayın Tarihi: 6/2024

Belge Dili: Türkçe

Document ID (Org No.): 2001319900

pISSN: 1308-4445

Sayı

Yazarlar:

Elif Tuğçe Tecir

Yayıncı:

Motif Yayıncılık

Ana Başlıklar:

Halı-Kilim ve Dokuma

Dergi:

Motif Akademi Halkbilimi Dergisi Vol.17 Issue 46, pp.951-969

Belge Tipi:

Makale

Yayın Tarihi:

6/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001319900

pISSN:

1308-4445