Period Interventions of National Architecture in Topkapı Palace (until 1923)

Fatih Sarımeşe; Ahmet Vefa Çobanoğlu

Makale detayları

Period Interventions of National Architecture in Topkapı Palace (until 1923)

Yazarlar:

Fatih Sarımeşe | Ahmet Vefa Çobanoğlu

Yayıncı:

Istanbul University

Ana Başlıklar:

Din Araştırmaları

Dergi:

İslam Tetkikleri Dergisi Vol.13 Issue 1, pp.379-422

Belge Tipi:

Makale

Yayın Tarihi:

3/2023

Belge Dili:

Türkçe

Document ID (Org No.):

2001289262

pISSN:

2717-6967

Anahtar kelimeler:

Özet:

 After the conquest of Istanbul in 15th century, Fatih Sultan Mehmed had his second palace built in the area called the olive grove. The wooden Topkapı Palace was built on the slope of this grove overlooking the Marmara Sea. It was initially known as Saray-ı Cedid New Palace and was renamed Topkapı Palace in the 19th century. Topkapı Palace was expanded around four courtyards and used actively until the reign of Sultan Abdulmejid I, when the dynastys administration was moved to Dolmabahçe Palace, after which Topkapı Palace was left neglected. Some restoration activities were later carried out before the visits of sultans who wanted to visit the Hırka-i Saadet Dairesi Chamber of the Blessed Mantle, where the holy relics are located, especially during Ramadan. During the reign of Sultan Mehmed V in particular, repairs were carried out in Topkapı Palace to reflect the architectural style of the period. The architect Mehmet Vedat Tek was one of the architects assigned for these restoration works and one of the most important representatives of the national architecture style. In the buildings where restorations were carried out, both decorative and structural repairs were made. Some of these repairs were criticized in the Muhafaza-i Âsârı Atîka Encümeni Daimisi Permanent Council of the Conservation of Antique Monuments Report from October 10, 1915. The importance given to historical artifacts, museum activities, and restoration works during the reign of Sultan Mehmed V affected the repair and construction activities of the period.

 After the conquest of Istanbul in 15th century, Fatih Sultan Mehmed had his second palace built in the area called the olive grove. The wooden Topkapı Palace was built on the slope of this grove overlooking the Marmara Sea. It was initially known as Saray-ı Cedid New Palace and was renamed Topkapı Palace in the 19th century. Topkapı Palace was expanded around four courtyards and used actively until the reign of Sultan Abdulmejid I, when the dynastys administration was moved to Dolmabahçe Palace, after which Topkapı Palace was left neglected. Some restoration activities were later carried out before the visits of sultans who wanted to visit the Hırka-i Saadet Dairesi Chamber of the Blessed Mantle, where the holy relics are located, especially during Ramadan. During the reign of Sultan Mehmed V in particular, repairs were carried out in Topkapı Palace to reflect the architectural style of the period. The architect Mehmet Vedat Tek was one of the architects assigned for these restoration works and one of the most important representatives of the national architecture style. In the buildings where restorations were carried out, both decorative and structural repairs were made. Some of these repairs were criticized in the Muhafaza-i Âsârı Atîka Encümeni Daimisi Permanent Council of the Conservation of Antique Monuments Report from October 10, 1915. The importance given to historical artifacts, museum activities, and restoration works during the reign of Sultan Mehmed V affected the repair and construction activities of the period.

 After the conquest of Istanbul in 15th century, Fatih Sultan Mehmed had his second palace built in the area called the olive grove. The wooden Topkapı Palace was built on the slope of this grove overlooking the Marmara Sea. It was initially known as Saray-ı Cedid New Palace and was renamed Topkapı Palace in the 19th century. Topkapı Palace was expanded around four courtyards and used actively until the reign of Sultan Abdulmejid I, when the dynastys administration was moved to Dolmabahçe Palace, after which Topkapı Palace was left neglected. Some restoration activities were later carried out before the visits of sultans who wanted to visit the Hırka-i Saadet Dairesi Chamber of the Blessed Mantle, where the holy relics are located, especially during Ramadan. During the reign of Sultan Mehmed V in particular, repairs were carried out in Topkapı Palace to reflect the architectural style of the period. The architect Mehmet Vedat Tek was one of the architects assigned for these restoration works and one of the most important representatives of the national architecture style. In the buildings where restorations were carried out, both decorative and structural repairs were made. Some of these repairs were criticized in the Muhafaza-i Âsârı Atîka Encümeni Daimisi Permanent Council of the Conservation of Antique Monuments Report from October 10, 1915. The importance given to historical artifacts, museum activities, and restoration works during the reign of Sultan Mehmed V affected the repair and construction activities of the period.

 İstanbulun fethinden sonra Fatih Sultan Mehmed şehirdeki ikinci sarayını zeytinlik olarak adlandırılan bölgeye inşa ettirmiştir. Saray-ı Cedid Yeni Saray olarak anılan bu sarayın Marmara Denizine bakan yamacına inşa edilen ahşap Topkapı Sarayı zamanla adını Saray-ı Cedide bırakmış ve Saray-ı Cedid Topkapı Sarayı olarak anılmıştır. Dört avlu etrafında genişleyen Topkapı Sarayı Sultan Abdülmecid Dönemine kadar faal olarak kullanılmıştır. Söz konusu dönemden itibaren devletin yönetimi Dolmabahçe Sarayına taşındığı için Topkapı Sarayı bakımsız kalmıştır. Hanedanın Dolmabahçe Sarayına geçişinden sonra özellikle Ramazan Aylarında kutsal emanetlerin bulunduğu Hırka-i Saadet Dairesini ziyaret etmek isteyen padişahların ziyaretleri öncesinde bazı onarım faaliyetleri gerçekleşmiştir. Özellikle Sultan V. Mehmed Reşad döneminde Topkapı Sarayında gerçekleştirilen onarımlar dönemin mimari üslubunu yansıtacak şekilde yapılmıştır. Zira bu onarım çalışmaları için görevlendirilen mimarlar arasında Ulusal Mimarlık Üslubunun en önemli temsilcilerinden Mimar Vedad Bey de bulunmaktadır. Aşamalı bir şekilde gerçekleştirilen onarım çalışmaları belirli yapılarla sınırlı kalmıştır. Bu onarımların bir kısmı 10 Ekim 1915 tarihli Muhafaza-i Âsâr-ı Atîka Encümeni Dâimisinin raporunda eleştirilmiştir. Sultan V. Mehmed Reşad döneminde tarihi eserlere verilen önem, müzecilik faaliyetleri ve restorasyon çalışmaları dönemin onarım çalışmalarını ve inşa faaliyetlerini etkilemiştir.

Makale detayları

Period Interventions of National Architecture in Topkapı Palace (until 1923)

Yazarlar:

Fatih Sarımeşe | Ahmet Vefa Çobanoğlu

Yayıncı:

Istanbul University

Ana Başlıklar:

Din Araştırmaları

Dergi:

İslam Tetkikleri Dergisi Vol.13 Issue 1, pp.379-422

Belge Tipi:

Makale

Yayın Tarihi:

3/2023

Belge Dili:

Türkçe

Document ID (Org No.):

2001289262

pISSN:

2717-6967

National Architecture Period

Topkapi Palace

Restoration

Conservation

RepairUlusal Mimarlık Dönemi

Topkapı Sarayı

Restorasyon

Koruma

Onarım

Sayı

Makale detayları

Yazarlar: Fatih Sarımeşe | Ahmet Vefa Çobanoğlu

Yayıncı: Istanbul University

Ana Başlıklar: Din Araştırmaları

Dergi: İslam Tetkikleri Dergisi Vol.13 Issue 1, pp.379-422

Belge Tipi: Makale

Yayın Tarihi: 3/2023

Belge Dili: Türkçe

Document ID (Org No.): 2001289262

pISSN: 2717-6967

Sayı

Yazarlar:

Fatih Sarımeşe | Ahmet Vefa Çobanoğlu

Yayıncı:

Istanbul University

Ana Başlıklar:

Din Araştırmaları

Dergi:

İslam Tetkikleri Dergisi Vol.13 Issue 1, pp.379-422

Belge Tipi:

Makale

Yayın Tarihi:

3/2023

Belge Dili:

Türkçe

Document ID (Org No.):

2001289262

pISSN:

2717-6967