COMPARATIVE ANALYSIS OF GIOVANNI BOTTESINI'S "ALLEGRO DI CONCERTO ALLA MENDELSSOHN" WORK WITH MENDELSSOHN'S "VIOLIN CONCERTO OP.64"

Hande Tokgöz; Melih Balçık

Makale detayları

COMPARATIVE ANALYSIS OF GIOVANNI BOTTESINI'S "ALLEGRO DI CONCERTO ALLA MENDELSSOHN" WORK WITH MENDELSSOHN'S "VIOLIN CONCERTO OP.64"

Yazarlar:

Hande Tokgöz | Melih Balçık

Yayıncı:

Hacettepe University

Ana Başlıklar:

Klasik Batı Müziğinde Kompozisyon

Dergi:

Sahne ve Müzik Vol.10 Issue 19, pp.48-65

Belge Tipi:

Makale

Yayın Tarihi:

7/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001323369

pISSN:

2149-7079

Anahtar kelimeler:

Özet:

 The aim of this study is to provide a better interpretation of the work by introducing the harmonic and technical features to the artists through comparative analysis of Giovanni Bottesinis Allegro di Concerto alla Mendelssohn and the 1st Movement of Mendelssohns Violin Concerto Op.64. This article was produced from G. Bottesinis Allegro di Concerto alla Mendelssohn work titled masters thesis. This study was carried out using the document analysis method, which is a qualitative data analysis method. The notes of the works were determined as documents and the analyzes were made based on these documents. This work is a single-movement concerto composed by Bottesini for double bass, preserving Mendelssohns aesthetic features. It was written in 44 time, in Allegro fast tempo, in the key of E minor, and in the form of a single-movement concerto. It has been determined that Bottesini was inspired by Mendelssohn melodically, but took the 1st Movement of the Violin Concerto Op.64 as a model without making any formal changes. Allegro di Concerto constitutes a very successful example among works composed on a formal and tonal model. Many composers after him composed works using some pieces as models.

 The aim of this study is to provide a better interpretation of the work by introducing the harmonic and technical features to the artists through comparative analysis of Giovanni Bottesinis Allegro di Concerto alla Mendelssohn and the 1st Movement of Mendelssohns Violin Concerto Op.64. This article was produced from G. Bottesinis Allegro di Concerto alla Mendelssohn work titled masters thesis. This study was carried out using the document analysis method, which is a qualitative data analysis method. The notes of the works were determined as documents and the analyzes were made based on these documents. This work is a single-movement concerto composed by Bottesini for double bass, preserving Mendelssohns aesthetic features. It was written in 44 time, in Allegro fast tempo, in the key of E minor, and in the form of a single-movement concerto. It has been determined that Bottesini was inspired by Mendelssohn melodically, but took the 1st Movement of the Violin Concerto Op.64 as a model without making any formal changes. Allegro di Concerto constitutes a very successful example among works composed on a formal and tonal model. Many composers after him composed works using some pieces as models.

 The aim of this study is to provide a better interpretation of the work by introducing the harmonic and technical features to the artists through comparative analysis of Giovanni Bottesinis Allegro di Concerto alla Mendelssohn and the 1st Movement of Mendelssohns Violin Concerto Op.64. This article was produced from G. Bottesinis Allegro di Concerto alla Mendelssohn work titled masters thesis. This study was carried out using the document analysis method, which is a qualitative data analysis method. The notes of the works were determined as documents and the analyzes were made based on these documents. This work is a single-movement concerto composed by Bottesini for double bass, preserving Mendelssohns aesthetic features. It was written in 44 time, in Allegro fast tempo, in the key of E minor, and in the form of a single-movement concerto. It has been determined that Bottesini was inspired by Mendelssohn melodically, but took the 1st Movement of the Violin Concerto Op.64 as a model without making any formal changes. Allegro di Concerto constitutes a very successful example among works composed on a formal and tonal model. Many composers after him composed works using some pieces as models.

 Bu çalışmanın amacı Giovanni Bottesininin Allegro di Concerto alla Mendelssohn adlı eseri ile Mendelssohnun Keman Konçertosu Op.64 eserinin 1. Bölümünün karşılaştırmalı analizleri ile sanatçılara armonik ve teknik özelliklerin tanıtılarak eserin daha iyi yorumlanmasını sağlamaktır. Bu makale G. Bottesininin Allegro di Concerto alla Mendelssohn adlı eseri başlıklı yüksek lisans tezinden üretilmiştir. Bu çalışma nitel bir veri analizi yöntemi olan doküman analizi yönteminden yararlanılarak gerçekleştirilmiştir. Eserlerin notaları doküman olarak belirlenmiş ve analizler bu dokümanlar üzerinden yapılmıştır. Bu eser Bottesininin, Mendelssohnun estetik özelliklerini koruyarak kontrabas için bestelediği tek bölümlü konçertosudur. 44lük zaman biriminde, Allegro hızlı tempoda, Mi minör tonunda ve tek bölümlü konçerto formunda yazılmıştır. Bottesininin Mendelssohndan melodik olarak esinlendiği ancak biçimsel olarak değişiklik yapmadan Keman Konçertosu Op.64 1. Bölümü model aldığı tespit edilmiştir. Allegro di Concerto biçimsel ve tonal açıdan model alınarak bestelenmiş eserler arasında çok başarılı bir örnek teşkil etmektedir. Kendisinden sonraki birçok besteci bazı parçaları model alarak eserler bestelemiştir.

Makale detayları

COMPARATIVE ANALYSIS OF GIOVANNI BOTTESINI'S "ALLEGRO DI CONCERTO ALLA MENDELSSOHN" WORK WITH MENDELSSOHN'S "VIOLIN CONCERTO OP.64"

Yazarlar:

Hande Tokgöz | Melih Balçık

Yayıncı:

Hacettepe University

Ana Başlıklar:

Klasik Batı Müziğinde Kompozisyon

Dergi:

Sahne ve Müzik Vol.10 Issue 19, pp.48-65

Belge Tipi:

Makale

Yayın Tarihi:

7/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001323369

pISSN:

2149-7079

Bottesini

Double Bass

Mendelssohn

Modeling

Music AnalysisBottesini

Eser Analizi

Kontrabas

Mendelssohn

Model Alma

Sayı

Makale detayları

Yazarlar: Hande Tokgöz | Melih Balçık

Yayıncı: Hacettepe University

Ana Başlıklar: Klasik Batı Müziğinde Kompozisyon

Dergi: Sahne ve Müzik Vol.10 Issue 19, pp.48-65

Belge Tipi: Makale

Yayın Tarihi: 7/2024

Belge Dili: Türkçe

Document ID (Org No.): 2001323369

pISSN: 2149-7079

Sayı

Yazarlar:

Hande Tokgöz | Melih Balçık

Yayıncı:

Hacettepe University

Ana Başlıklar:

Klasik Batı Müziğinde Kompozisyon

Dergi:

Sahne ve Müzik Vol.10 Issue 19, pp.48-65

Belge Tipi:

Makale

Yayın Tarihi:

7/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001323369

pISSN:

2149-7079