THE TRADITION OF LAMENT IN TURKISH CULTURE AND THE MOURNERS AVŞAR WOMEN OF KAYSERİ

Yasemin Karataş

Makale detayları

THE TRADITION OF LAMENT IN TURKISH CULTURE AND THE MOURNERS AVŞAR WOMEN OF KAYSERİ

Yazarlar:

Yasemin Karataş

Yayıncı:

Ege University

Ana Başlıklar:

Müzik

Dergi:

Eurasian Journal of Music and Dance Issue 22, pp.20-36

Belge Tipi:

Makale

Yayın Tarihi:

6/2023

Belge Dili:

Türkçe

Document ID (Org No.):

2001285651

pISSN:

2651-4818

Anahtar kelimeler:

Özet:

 Lamentations can be used to describe how people suffer. Passing through the past, revising laments, it has been used in a painful situation such as death, and is typically traditionally continued. Avşar women, who came from Avşar as the narrator of the continuation of the lament writing and still continues, preserve and perpetuate this song. In the research, Avşar focuses on how the network continues in this way and how it is designed musically. It was aimed to attack the examination teams related to Avşar, who lives in the districts of Pınarbaşı, Sarız and Tomarza in Kayseri, which is tried to be carried out in accordance with the descriptive model, one of the qualitative research methods. The obtained training material consists of training, themes and codes, and expression-declaring programs. From the research datt, information about what was written about Avşardade was obtained from the data obtained from the relevant families and the cremated ones, because of this, it was directed by the relevant person.

 Lamentations can be used to describe how people suffer. Passing through the past, revising laments, it has been used in a painful situation such as death, and is typically traditionally continued. Avşar women, who came from Avşar as the narrator of the continuation of the lament writing and still continues, preserve and perpetuate this song. In the research, Avşar focuses on how the network continues in this way and how it is designed musically. It was aimed to attack the examination teams related to Avşar, who lives in the districts of Pınarbaşı, Sarız and Tomarza in Kayseri, which is tried to be carried out in accordance with the descriptive model, one of the qualitative research methods. The obtained training material consists of training, themes and codes, and expression-declaring programs. From the research datt, information about what was written about Avşardade was obtained from the data obtained from the relevant families and the cremated ones, because of this, it was directed by the relevant person.

 Lamentations can be used to describe how people suffer. Passing through the past, revising laments, it has been used in a painful situation such as death, and is typically traditionally continued. Avşar women, who came from Avşar as the narrator of the continuation of the lament writing and still continues, preserve and perpetuate this song. In the research, Avşar focuses on how the network continues in this way and how it is designed musically. It was aimed to attack the examination teams related to Avşar, who lives in the districts of Pınarbaşı, Sarız and Tomarza in Kayseri, which is tried to be carried out in accordance with the descriptive model, one of the qualitative research methods. The obtained training material consists of training, themes and codes, and expression-declaring programs. From the research datt, information about what was written about Avşardade was obtained from the data obtained from the relevant families and the cremated ones, because of this, it was directed by the relevant person.

 Ağıtlar ağıt yakan kişinin acılarını ifade biçimi olarak kullandığı müzikal yapıya uygun olarak gerçekleştirilen bir araçtır. Geçmişten bugüne, ağıtlar insan yaşamında özlem, ayrılık, ölüm gibi acılı olan birçok durumda kullanılmıştır ve günümüzde de gelenek olarak varlığını devam ettirmektedir. Ağıt yakma geleneğinin aktarıcısı olarak Avşar toplumu ve özellikle Avşar kadınlar, bu geleneği korumakta ve devam ettirmektedir. Araştırmada ağıt yakan Avşar kadınların bu geleneği nasıl sürdürdükleri ve müzikal üretimi nasıl gerçekleştirdikleri belirlenmeye çalışılmıştır. Nitel araştırma yöntemlerinden betimsel modele uygun olarak gerçekleştirilmeye çalışılan araştırmada Kayserinin Pınarbaşı, Sarız ve Tomarza ilçelerinde yaşayan ve Ağıt yakan Avşar kadınlara yarı yapılandırılmış görüşme soruları sorularak veriler elde edilmeye çalışılmıştır. Elde edilen veriler içerik analizi tekniği kullanılarak, tema ve kodlar oluşturulmuş, ifade bildiren katılımcıların basit frekans f ve yüzdelik değerleri  alınarak bulgular tablolaştırılmıştır. Araştırma sonucunda, Avşar kültüründe ağıt yakmanın kısmen günah kabul edildiğini, bu geleneğin erkekler tarafından da gerçekleştirildiği, kadınların bu geleneği kısmen ailelerinden öğrendiği ve yakılan ağıtların müzikal yapıya uygun olarak gerçekleştirildiği sonuçlarına ulaşılmıştır.

Makale detayları

THE TRADITION OF LAMENT IN TURKISH CULTURE AND THE MOURNERS AVŞAR WOMEN OF KAYSERİ

Yazarlar:

Yasemin Karataş

Yayıncı:

Ege University

Ana Başlıklar:

Müzik

Dergi:

Eurasian Journal of Music and Dance Issue 22, pp.20-36

Belge Tipi:

Makale

Yayın Tarihi:

6/2023

Belge Dili:

Türkçe

Document ID (Org No.):

2001285651

pISSN:

2651-4818

Lamentation

Women's Music

Avşar women

the mourning Avşar women of Kayseri

Ağıt yakma geleneği

Kadın müziği

Avşar kadınlar

Kayseri’nin ağıtçı Avşar kadınları

Sayı

Makale detayları

Yazarlar: Yasemin Karataş

Yayıncı: Ege University

Ana Başlıklar: Müzik

Dergi: Eurasian Journal of Music and Dance Issue 22, pp.20-36

Belge Tipi: Makale

Yayın Tarihi: 6/2023

Belge Dili: Türkçe

Document ID (Org No.): 2001285651

pISSN: 2651-4818

Sayı

Yazarlar:

Yasemin Karataş

Yayıncı:

Ege University

Ana Başlıklar:

Müzik

Dergi:

Eurasian Journal of Music and Dance Issue 22, pp.20-36

Belge Tipi:

Makale

Yayın Tarihi:

6/2023

Belge Dili:

Türkçe

Document ID (Org No.):

2001285651

pISSN:

2651-4818