The World of Uyghur Art Constructed by Simulation and Simulacra from the Perspective of Hyperrealism

Yaşar Özrili

Makale detayları

The World of Uyghur Art Constructed by Simulation and Simulacra from the Perspective of Hyperrealism

Yazarlar:

Yaşar Özrili

Yayıncı:

Ataturk University

Ana Başlıklar:

Sanat Tarihi | Teori ve Eleştiri (Diğer)

Dergi:

Edebiyat ve Beşeri Bilimler Dergisi Issue 71, pp.77-90

Belge Tipi:

Makale

Yayın Tarihi:

12/2023

Belge Dili:

Türkçe

Document ID (Org No.):

2001309489

pISSN:

2822-4779

Anahtar kelimeler:

Özet:

 The evaluation of the projections of Baudrillards theory of simularity and simulation on art and the hyporealistic practices in art according to cultural differences in the fields of individual, history, religion, art, geography, civilization, etc., reveals some interesting findings. Because the interpretation of different combinations and some technical stylizations in Uyghur art with surreal narratives evokes the variations of Baudrillards theory of simularity and simulation in art. Therefore, the main argument of this research is to analyze the comparative and iconographic implications of hyperrealist art and Uyghur art. it is very interesting that the extraordinary artistic data in the mystical Uyghur works of Turkish art, which is blended with the cultural interaction codes brought by the nomadic and then settled life of the Central Asian steppes, have similar results with the stylistic and iconographic determinations of hyperrealist art. The artificial, fraudulent, corruption, exploitation, social and political disinformation is criticized by the postmodern philosophys idea of simulacra and simulation. sOne of the aims of this research is to illuminate the developments of this theory in the context of hyperrealist art in Uyghur art with a refined evaluation of the motivation to produce works of similar style and content despite their temporal and cultural differences and the secrets in the intellectual background. This study, which is attempted to be structured with the survey, observation, literature, and document research methods of the qualitative method, is processed on a dialectical ground by making use of subdisciplines such as philosophy, sociology, history, technology, communication, and culture. Art structured by simulation and simulacra explores the boundaries between the real and the virtual. From the perspective of hyperreality, the simulation of Uyghur art and the art world constructed with simulacra question the concept of reality and offer the viewer the opportunity to reevaluate their own perceptions and have an enlightening experience. Because the close relationship between hyperrealist art and the examples of Uyghur culture and history reflected in art reveals interesting findings on behalf of art.

 The evaluation of the projections of Baudrillards theory of simularity and simulation on art and the hyporealistic practices in art according to cultural differences in the fields of individual, history, religion, art, geography, civilization, etc., reveals some interesting findings. Because the interpretation of different combinations and some technical stylizations in Uyghur art with surreal narratives evokes the variations of Baudrillards theory of simularity and simulation in art. Therefore, the main argument of this research is to analyze the comparative and iconographic implications of hyperrealist art and Uyghur art. it is very interesting that the extraordinary artistic data in the mystical Uyghur works of Turkish art, which is blended with the cultural interaction codes brought by the nomadic and then settled life of the Central Asian steppes, have similar results with the stylistic and iconographic determinations of hyperrealist art. The artificial, fraudulent, corruption, exploitation, social and political disinformation is criticized by the postmodern philosophys idea of simulacra and simulation. sOne of the aims of this research is to illuminate the developments of this theory in the context of hyperrealist art in Uyghur art with a refined evaluation of the motivation to produce works of similar style and content despite their temporal and cultural differences and the secrets in the intellectual background. This study, which is attempted to be structured with the survey, observation, literature, and document research methods of the qualitative method, is processed on a dialectical ground by making use of subdisciplines such as philosophy, sociology, history, technology, communication, and culture. Art structured by simulation and simulacra explores the boundaries between the real and the virtual. From the perspective of hyperreality, the simulation of Uyghur art and the art world constructed with simulacra question the concept of reality and offer the viewer the opportunity to reevaluate their own perceptions and have an enlightening experience. Because the close relationship between hyperrealist art and the examples of Uyghur culture and history reflected in art reveals interesting findings on behalf of art.

 The evaluation of the projections of Baudrillards theory of simularity and simulation on art and the hyporealistic practices in art according to cultural differences in the fields of individual, history, religion, art, geography, civilization, etc., reveals some interesting findings. Because the interpretation of different combinations and some technical stylizations in Uyghur art with surreal narratives evokes the variations of Baudrillards theory of simularity and simulation in art. Therefore, the main argument of this research is to analyze the comparative and iconographic implications of hyperrealist art and Uyghur art. it is very interesting that the extraordinary artistic data in the mystical Uyghur works of Turkish art, which is blended with the cultural interaction codes brought by the nomadic and then settled life of the Central Asian steppes, have similar results with the stylistic and iconographic determinations of hyperrealist art. The artificial, fraudulent, corruption, exploitation, social and political disinformation is criticized by the postmodern philosophys idea of simulacra and simulation. sOne of the aims of this research is to illuminate the developments of this theory in the context of hyperrealist art in Uyghur art with a refined evaluation of the motivation to produce works of similar style and content despite their temporal and cultural differences and the secrets in the intellectual background. This study, which is attempted to be structured with the survey, observation, literature, and document research methods of the qualitative method, is processed on a dialectical ground by making use of subdisciplines such as philosophy, sociology, history, technology, communication, and culture. Art structured by simulation and simulacra explores the boundaries between the real and the virtual. From the perspective of hyperreality, the simulation of Uyghur art and the art world constructed with simulacra question the concept of reality and offer the viewer the opportunity to reevaluate their own perceptions and have an enlightening experience. Because the close relationship between hyperrealist art and the examples of Uyghur culture and history reflected in art reveals interesting findings on behalf of art.

 Baudrillardın simulark ve simülasyon kuramının sanata dönük izdüşümlerinin ve sanattaki hipregerçekçi pratiklerinin birey, tarih, din, sanat, coğrafya, uygarlık vb. alanlardaki kültürel farklılıklara göre değerlendirilmesi bazı ilginç tespitler ortaya koymaktadır. Zira Uygur sanatındaki farklı kombinasyonların ve bazı teknik stilizasyonların gerçeküstü anlatılarla yorumu, Baudrillardın simulark ve simülasyon kuramının sanattaki varyasyonlarını çağrıştırmaktadır. Dolayısıyla bu araştırmadaki ana argüman, hipergerçekçi sanat ile Uygur sanatının mukayeseli ve ikonografik açıdan nasıl sonuçlar doğurduğunun çözümlenmesi konusudur. Orta Asya steplerinin önceleri göçebe daha sonra yerleşik hayatının getirdiği kültürel etkileşim kodları ile harmanlanan Türk sanatının mistik Uygur eserlerindeki olağan dışı sanatsal verilerinin hipergeçekçi sanatın üslup ve ikonografik belirlenimleriyle benzer sonuçlar doğurması son derece ilginçtir. Postmodern felsefenin simülasyon ve simulark teorisi daha çok yapay, sahte, yozlaşma, istismar, sosyal ve politik dezenformasyona yönelik oluşumları tenkit eder. Bu teorinin hipergerçekçi sanat bağlamındaki gelişmelerinin Uygur sanatı ile teması zamansal, kültürel farklılıklarına rağmen birbirine yakın üslup, içerik kesitinden eserler ortaya koyma motivasyonu ve fikirsel arka planındaki sırların olabildiğine rafine bir değerlendirmeyle aydınlatılması bu araştırmadaki amaçlardan biridir. Nitel yöntemin tarama, gözlem, alan yazın ve doküman araştırması metodu ile yapılandırılmaya çalışılan bu inceleme, felsefe, sosyoloji, tarih, teknoloji, iletişim, kültür gibi yan disiplinlerden de faydalanılarak diyalektik bir zeminde işlenmektedir. Simülasyon ve simülakrlarla yapılandırılan sanat, gerçek ile sanal arasında uzanan sınırları keşfeder. Hipergerçeklik perspektifinden, Uygur sanatının simülasyonu ve simülakrlarla inşa edilen sanat dünyası gerçeklik kavramını sorgulayarak, izleyiciye kendi algılarını yeniden değerlendirmek ve aydınlatıcı bir deneyim yaşamak fırsatı sunar. Zira hipergerçekçi sanat ile Uygur kültürünün, tarihinin sanata yansıyan örneklerinin yakın ilişkisi, sanat adına ilginç tespitler ortaya koymaktadır.

Makale detayları

The World of Uyghur Art Constructed by Simulation and Simulacra from the Perspective of Hyperrealism

Yazarlar:

Yaşar Özrili

Yayıncı:

Ataturk University

Ana Başlıklar:

Sanat Tarihi | Teori ve Eleştiri (Diğer)

Dergi:

Edebiyat ve Beşeri Bilimler Dergisi Issue 71, pp.77-90

Belge Tipi:

Makale

Yayın Tarihi:

12/2023

Belge Dili:

Türkçe

Document ID (Org No.):

2001309489

pISSN:

2822-4779

Art history

hyperreal

simulacrum

simulation

UyghurSanat tarihi

hipergerçek

simülakr

simülasyon

Uygur

Sayı

Makale detayları

Yazarlar: Yaşar Özrili

Yayıncı: Ataturk University

Ana Başlıklar: Sanat Tarihi | Teori ve Eleştiri (Diğer)

Dergi: Edebiyat ve Beşeri Bilimler Dergisi Issue 71, pp.77-90

Belge Tipi: Makale

Yayın Tarihi: 12/2023

Belge Dili: Türkçe

Document ID (Org No.): 2001309489

pISSN: 2822-4779

Sayı

Yazarlar:

Yaşar Özrili

Yayıncı:

Ataturk University

Ana Başlıklar:

Sanat Tarihi | Teori ve Eleştiri (Diğer)

Dergi:

Edebiyat ve Beşeri Bilimler Dergisi Issue 71, pp.77-90

Belge Tipi:

Makale

Yayın Tarihi:

12/2023

Belge Dili:

Türkçe

Document ID (Org No.):

2001309489

pISSN:

2822-4779