Provincial-Urban Presentation in Turkish Cinema: The Case of Nuri Bilge Ceylan's Winter Sleep Film

Kürşad Erkal

Makale detayları

Provincial-Urban Presentation in Turkish Cinema: The Case of Nuri Bilge Ceylan's Winter Sleep Film

Yazarlar:

Kürşad Erkal

Yayıncı:

Erciyes University

Ana Başlıklar:

Radyo-Televizyon

Dergi:

Erciyes İletişim Dergisi Vol.10 Issue 2, pp.819-844

Belge Tipi:

Makale

Yayın Tarihi:

7/2023

Belge Dili:

Türkçe

Document ID (Org No.):

2001296514

pISSN:

1308-3198

Anahtar kelimeler:

Özet:

 Urbanisation, which emerged with industrialisation, has also created a new character, the urban human type. While this new type differs from the provincial character, which is the representation of the traditional way of life, the interaction and conflicts between them have been the subject of interest in the field of art as well as social sciences. In this sense, cinema is a branch of art in which rural-urban comparisons are frequently made. This study aims to compare the provincial type of people, which has transformed due to communication and transportation technologies as well as socio-economic developments, with the urban type of people. In this context, the 2014 film Winter Sleep, one of the most recent examples of village-urban comparison in Turkish cinema, was analysed using the Multimodal Critical Discourse Analysis method developed by Machin and Mayr 2012, which offers the opportunity to examine texts and visuals together. As a result of the research, it was found that although some of the characters in the film such as Hidayet, Hamdi hoca, İsmail lead an urban life, their rural culture characters continue to predominate and this distinction is clearly processed in the film.

 Urbanisation, which emerged with industrialisation, has also created a new character, the urban human type. While this new type differs from the provincial character, which is the representation of the traditional way of life, the interaction and conflicts between them have been the subject of interest in the field of art as well as social sciences. In this sense, cinema is a branch of art in which rural-urban comparisons are frequently made. This study aims to compare the provincial type of people, which has transformed due to communication and transportation technologies as well as socio-economic developments, with the urban type of people. In this context, the 2014 film Winter Sleep, one of the most recent examples of village-urban comparison in Turkish cinema, was analysed using the Multimodal Critical Discourse Analysis method developed by Machin and Mayr 2012, which offers the opportunity to examine texts and visuals together. As a result of the research, it was found that although some of the characters in the film such as Hidayet, Hamdi hoca, İsmail lead an urban life, their rural culture characters continue to predominate and this distinction is clearly processed in the film.

 Urbanisation, which emerged with industrialisation, has also created a new character, the urban human type. While this new type differs from the provincial character, which is the representation of the traditional way of life, the interaction and conflicts between them have been the subject of interest in the field of art as well as social sciences. In this sense, cinema is a branch of art in which rural-urban comparisons are frequently made. This study aims to compare the provincial type of people, which has transformed due to communication and transportation technologies as well as socio-economic developments, with the urban type of people. In this context, the 2014 film Winter Sleep, one of the most recent examples of village-urban comparison in Turkish cinema, was analysed using the Multimodal Critical Discourse Analysis method developed by Machin and Mayr 2012, which offers the opportunity to examine texts and visuals together. As a result of the research, it was found that although some of the characters in the film such as Hidayet, Hamdi hoca, İsmail lead an urban life, their rural culture characters continue to predominate and this distinction is clearly processed in the film.

 Sanayileşme ile kırsaldan kentlere yönelen yoğun ilgi kontrolsüz göçleri ortaya çıkarmıştır. Farklı bölgelerden, kültürlerden gelen insanların oluşturduğu hızlı yığıntı, ekonomik, sosyal ve kültürel sorunları beraberinde getirirken, problemleri çözmeye, ortak bir yaşam kültürü oluşturmaya dönük düzenlemeleri de mecburi kılmıştır. Bu kentleşme olgusuyla beraber yeni bir karakter ve kavram olarak kentli insan tipi de ortaya çıkmıştır. Bu yeni tip, zamanla geleneksel yaşam biçiminin temsili olan köylü taşralı karakterden ayrışırken aralarındaki etkileşim ve çatışmalar sosyal bilimlerle birlikte sanat alanının da ilgi gösterdiği bir konu olmuştur. Bu anlamda sinema taşralı-kentli karşılaştırmalarının sıklıkla yapıldığı bir sanat dalı olarak öne çıkmaktadır. Çalışma, iletişim, ulaşım teknolojilerinin yanı sıra sosyo-ekonomik gelişmeler nedeniyle dönüşen taşralı insan tipinin kentli insan tipiyle güncel mukayesesini amaçlamaktadır. Bu bağlamda Türk sinemasının taşralı-kentli karşılaştırmasının yapıldığı en güncel örneklerinden olan 2014 yapımı Kış Uykusu filmi, Machin ve Mayr 2012 tarafından geliştirilen, metinleri ve görselleri birlikte inceleme fırsatı sunan çok modlu eleştirel söylem analizi yöntemi kullanılarak incelenmiştir. Araştırma sonucunda filmde yer alan Hidayet, Hamdi hoca, İsmail gibi karakterlerin bir kısmının kentli bir yaşam sürseler de kırsal kültür karakterlerinin baskın bir şekilde devam ettiği, bu ayrımın filmde net bir şekilde işlendiği bulgularına erişilmiştir.

Makale detayları

Provincial-Urban Presentation in Turkish Cinema: The Case of Nuri Bilge Ceylan's Winter Sleep Film

Yazarlar:

Kürşad Erkal

Yayıncı:

Erciyes University

Ana Başlıklar:

Radyo-Televizyon

Dergi:

Erciyes İletişim Dergisi Vol.10 Issue 2, pp.819-844

Belge Tipi:

Makale

Yayın Tarihi:

7/2023

Belge Dili:

Türkçe

Document ID (Org No.):

2001296514

pISSN:

1308-3198

Provincial

Urban

Turkish Cinema

Nuri Bilge CeylanNuri Bilge Ceylan

Taşralı

Kentli

Türk Sineması

Sayı

Makale detayları

Yazarlar: Kürşad Erkal

Yayıncı: Erciyes University

Ana Başlıklar: Radyo-Televizyon

Dergi: Erciyes İletişim Dergisi Vol.10 Issue 2, pp.819-844

Belge Tipi: Makale

Yayın Tarihi: 7/2023

Belge Dili: Türkçe

Document ID (Org No.): 2001296514

pISSN: 1308-3198

Sayı

Yazarlar:

Kürşad Erkal

Yayıncı:

Erciyes University

Ana Başlıklar:

Radyo-Televizyon

Dergi:

Erciyes İletişim Dergisi Vol.10 Issue 2, pp.819-844

Belge Tipi:

Makale

Yayın Tarihi:

7/2023

Belge Dili:

Türkçe

Document ID (Org No.):

2001296514

pISSN:

1308-3198