Reading the Music Revolution through the “The Song of the Nations” Film (1930) and “The Nightingale of Türkiye” (1931) Vocal Contests

Ceyhun Öğreten

Makale detayları

Reading the Music Revolution through the “The Song of the Nations” Film (1930) and “The Nightingale of Türkiye” (1931) Vocal Contests

Yazarlar:

Ceyhun Öğreten

Yayıncı:

Istanbul University

Ana Başlıklar:

Genel Türk Tarihi (Diğer)

Dergi:

Yakın Dönem Türkiye Araştırmaları Issue 44, pp.323-358

Belge Tipi:

Makale

Yayın Tarihi:

5/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001311796

pISSN:

1304-9720

Anahtar kelimeler:

Özet:

 Music is a cultural phenomenon with an important place in daily life practices. The Westernization movement that started with the Tanzimat during the Ottoman era was also reflected in the field of music and then placed on an academic basis during Türkiyes Republican period. In the first years of the Republic, various ideas emerged about the content of the reforms to be made in the field of music. Atatürk stated that Turkish music should be based on folk music and that other reform efforts would be incomplete if no reform was made to music. In this context, Western-based institutional steps were taken in the field of music. Vocal competitions were held in 1930 and 1931 in order to internalize the targeted musical revolution for the public. This study examines and evaluates the sound competitions held in 1930 and 1931 through the press of the time and the literature on this field within the framework of the music revolution.

 Music is a cultural phenomenon with an important place in daily life practices. The Westernization movement that started with the Tanzimat during the Ottoman era was also reflected in the field of music and then placed on an academic basis during Türkiyes Republican period. In the first years of the Republic, various ideas emerged about the content of the reforms to be made in the field of music. Atatürk stated that Turkish music should be based on folk music and that other reform efforts would be incomplete if no reform was made to music. In this context, Western-based institutional steps were taken in the field of music. Vocal competitions were held in 1930 and 1931 in order to internalize the targeted musical revolution for the public. This study examines and evaluates the sound competitions held in 1930 and 1931 through the press of the time and the literature on this field within the framework of the music revolution.

 Music is a cultural phenomenon with an important place in daily life practices. The Westernization movement that started with the Tanzimat during the Ottoman era was also reflected in the field of music and then placed on an academic basis during Türkiyes Republican period. In the first years of the Republic, various ideas emerged about the content of the reforms to be made in the field of music. Atatürk stated that Turkish music should be based on folk music and that other reform efforts would be incomplete if no reform was made to music. In this context, Western-based institutional steps were taken in the field of music. Vocal competitions were held in 1930 and 1931 in order to internalize the targeted musical revolution for the public. This study examines and evaluates the sound competitions held in 1930 and 1931 through the press of the time and the literature on this field within the framework of the music revolution.

 Gündelik yaşam pratiklerinde önemli yer tutan müzik, kültürel bir olgudur. Osmanlı döneminde Tanzimatla başlayan Batılılaşma hareketi müzik alanına da yansımış ancak akademik anlamda bir temele Cumhuriyet döneminde oturtulmuştur. Cumhuriyetin ilk yıllarında müzik alanında yapılacak inkılâpların içeriğiyle ilgili çeşitli düşünceler ortaya çıkmıştır. Atatürk, Türk müziğinin halk müziği temelli olması gerektiğini, müzikte reformun yapılmaması halinde diğer reform çalışmalarının eksik kalacağını ifade etmiştir. Bu kapsamda, müzik alanında Batı temelli kurumsal adımlar atılmıştır. Halkın da hedeflenen müzik inkılâbını içselleştirmesi maksadıyla 1930 ve 1931 tarihlerinde ses yarışmaları düzenlenmiştir. Bu çalışmada 1930 ve 1931 yıllarında düzenlenen ses yarışmaları dönemin basını ve alanla ilgili yazın üzerinden incelenmiş ve müzik inkılâbı çerçevesinde değerlendirilmiştir.

Makale detayları

Reading the Music Revolution through the “The Song of the Nations” Film (1930) and “The Nightingale of Türkiye” (1931) Vocal Contests

Yazarlar:

Ceyhun Öğreten

Yayıncı:

Istanbul University

Ana Başlıklar:

Genel Türk Tarihi (Diğer)

Dergi:

Yakın Dönem Türkiye Araştırmaları Issue 44, pp.323-358

Belge Tipi:

Makale

Yayın Tarihi:

5/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001311796

pISSN:

1304-9720

Westernization

Music Revolution

Hudadat Şakir Hanım

Alaturka

AlafrancaBatılılaşma

Müzik İnkılâbı

Hudadat Şakir Hanım

Alaturka

Alafranga

Sayı

Makale detayları

Yazarlar: Ceyhun Öğreten

Yayıncı: Istanbul University

Ana Başlıklar: Genel Türk Tarihi (Diğer)

Dergi: Yakın Dönem Türkiye Araştırmaları Issue 44, pp.323-358

Belge Tipi: Makale

Yayın Tarihi: 5/2024

Belge Dili: Türkçe

Document ID (Org No.): 2001311796

pISSN: 1304-9720

Sayı

Yazarlar:

Ceyhun Öğreten

Yayıncı:

Istanbul University

Ana Başlıklar:

Genel Türk Tarihi (Diğer)

Dergi:

Yakın Dönem Türkiye Araştırmaları Issue 44, pp.323-358

Belge Tipi:

Makale

Yayın Tarihi:

5/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001311796

pISSN:

1304-9720