THE PHENOMENOLOGY OF THE GAZE: EXPLORING THE 'DISEMBODIED EYE' IMAGE IN ARTISTIC EXPRESSION

Ezgi Ararat Cüceoğlu; Seza Sinanlar Uslu

Makale detayları

THE PHENOMENOLOGY OF THE GAZE: EXPLORING THE 'DISEMBODIED EYE' IMAGE IN ARTISTIC EXPRESSION

Yazarlar:

Ezgi Ararat Cüceoğlu | Seza Sinanlar Uslu

Yayıncı:

Hacettepe University

Ana Başlıklar:

Plastik Sanatlar (Diğer)

Dergi:

Sanat Yazıları Issue 51, pp.429-440

Belge Tipi:

Makale

Yayın Tarihi:

11/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001332136

pISSN:

2458-8903

Anahtar kelimeler:

Özet:

 This article delves into artworks where the disembodied eye serves as a central theme, exploring its significance within the context of the connection between art and the phenomenology of gaze. The artworks discussed in the article are examined through the lenses of Heidegger and Merleau-Ponty, who reinterpreted Husserls notion of back to the things themselves by delving into the ontology of artworks within their own ontological frameworks of being. In artistic experience, phenomenological action is turning towards the world presented by the artwork, directly related with the phenomenon of gaze. In addition to the artists and viewers gaze, the gaze within eye imagery oﬀers a third perspective on the relationship between art and gaze. When the disembodied eye image is posited as the primary subject matter of artistic practice, it is apparent that this image exhibits a unique gaze phenomenon. In this context, the gaze of the disembodied eye image also becomes an object of perception. Based on the understanding that the act of seeing is a distinct, experiential reference, the ways we perceive and make sense of eye images, each with its unique appearance, benefits from the phenomenological understanding of the gaze associated with those eyes. The article investigates this subject matter with illustrative examples.

 This article delves into artworks where the disembodied eye serves as a central theme, exploring its significance within the context of the connection between art and the phenomenology of gaze. The artworks discussed in the article are examined through the lenses of Heidegger and Merleau-Ponty, who reinterpreted Husserls notion of back to the things themselves by delving into the ontology of artworks within their own ontological frameworks of being. In artistic experience, phenomenological action is turning towards the world presented by the artwork, directly related with the phenomenon of gaze. In addition to the artists and viewers gaze, the gaze within eye imagery oﬀers a third perspective on the relationship between art and gaze. When the disembodied eye image is posited as the primary subject matter of artistic practice, it is apparent that this image exhibits a unique gaze phenomenon. In this context, the gaze of the disembodied eye image also becomes an object of perception. Based on the understanding that the act of seeing is a distinct, experiential reference, the ways we perceive and make sense of eye images, each with its unique appearance, benefits from the phenomenological understanding of the gaze associated with those eyes. The article investigates this subject matter with illustrative examples.

 This article delves into artworks where the disembodied eye serves as a central theme, exploring its significance within the context of the connection between art and the phenomenology of gaze. The artworks discussed in the article are examined through the lenses of Heidegger and Merleau-Ponty, who reinterpreted Husserls notion of back to the things themselves by delving into the ontology of artworks within their own ontological frameworks of being. In artistic experience, phenomenological action is turning towards the world presented by the artwork, directly related with the phenomenon of gaze. In addition to the artists and viewers gaze, the gaze within eye imagery oﬀers a third perspective on the relationship between art and gaze. When the disembodied eye image is posited as the primary subject matter of artistic practice, it is apparent that this image exhibits a unique gaze phenomenon. In this context, the gaze of the disembodied eye image also becomes an object of perception. Based on the understanding that the act of seeing is a distinct, experiential reference, the ways we perceive and make sense of eye images, each with its unique appearance, benefits from the phenomenological understanding of the gaze associated with those eyes. The article investigates this subject matter with illustrative examples.

 Bedensiz göz imgesinin eserin temel konusu olarak sunulduğu sanatsal ifadelerin incelendiği bu makalede bedensiz göz imgesi, sanat ile bakış fenomenolojisi arasındaki ilişki bağlamında ele alınmaktadır. Araştırmadaki eserler, fenomenoloji okulunun kurucusu Husserlın şeylerin kendisine dönme çağrısını, kendilerine özgü varlık tanımlamaları çerçevesinde dönüştürerek sanat eserinin ontolojisine geçen Heidegger ve Merleau-Pontynin görüşleri bağlamında incelenmiştir. Sanatsal deneyimde fenomenolojik eylem, sanat eserinin sunduğu dünyaya yönelmektir; dolayısıyla bakış olgusu ile doğrudan ilişkilidir. Sanatçı ve izleyicinin bakışına ek olarak sanat ve bakış ilişkisinde bedensiz göz imgesi, üçüncü bir yol açmaktadır. Zira sanatsal pratiğin temel konusu bedensiz göz imgesi olarak verildiğinde bu imgenin kendine özgü bir bakış fenomeni ortaya koyduğu görülmektedir. Bu bağlamda bedensiz göz imgesine ait bakış da algı nesnesi haline gelmektedir. Bakış olgusunun benzersiz, deneyimsel bir göndergesi olduğu görüşünden hareketle her biri benzersiz bir görünüm sunan göz imgelerini algılama ve anlamlandırma süreçleri, bu gözlere ait bakışa ilişkin fenomenolojik tanımlamadan beslenmektedir. Makale örneklerle bu konuyu irdelemektedir.

Makale detayları

THE PHENOMENOLOGY OF THE GAZE: EXPLORING THE 'DISEMBODIED EYE' IMAGE IN ARTISTIC EXPRESSION

Yazarlar:

Ezgi Ararat Cüceoğlu | Seza Sinanlar Uslu

Yayıncı:

Hacettepe University

Ana Başlıklar:

Plastik Sanatlar (Diğer)

Dergi:

Sanat Yazıları Issue 51, pp.429-440

Belge Tipi:

Makale

Yayın Tarihi:

11/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001332136

pISSN:

2458-8903

Artwork

Phenomenology

Disembodied eye

Gaze phenomenon

ImageSanat eseri

Fenomenoloji

Bedensiz göz

Bakış fenomeni

İmge

Sayı

Makale detayları

Yazarlar: Ezgi Ararat Cüceoğlu | Seza Sinanlar Uslu

Yayıncı: Hacettepe University

Ana Başlıklar: Plastik Sanatlar (Diğer)

Dergi: Sanat Yazıları Issue 51, pp.429-440

Belge Tipi: Makale

Yayın Tarihi: 11/2024

Belge Dili: Türkçe

Document ID (Org No.): 2001332136

pISSN: 2458-8903

Sayı

Yazarlar:

Ezgi Ararat Cüceoğlu | Seza Sinanlar Uslu

Yayıncı:

Hacettepe University

Ana Başlıklar:

Plastik Sanatlar (Diğer)

Dergi:

Sanat Yazıları Issue 51, pp.429-440

Belge Tipi:

Makale

Yayın Tarihi:

11/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001332136

pISSN:

2458-8903