Can We Mention About an Idea Called “Abstract Symbolic Style” in Turkish Art?

N.A.

Makale detayları

Can We Mention About an Idea Called “Abstract Symbolic Style” in Turkish Art?

Yazarlar:

N.A.

Yayıncı:

Istanbul University

Ana Başlıklar:

Selçuklu Arkeolojisi

Dergi:

Art-Sanat Issue 22, pp.199-226

Belge Tipi:

Makale

Yayın Tarihi:

8/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001326605

pISSN:

2148-3582

Anahtar kelimeler:

Özet:

 Symbols play a crucial role in various domains, serving as conveyors of meaning through concrete signs with abstract significance. In some periods, it is seen that certain symbols stand out uniquely to that period and some symbols are used repeatedly or transformed throughout history. It is very difficult to reach definite conclusions about the origin of symbols in the history of art. However, the external and internal factors that influence the art, of course, shape the symbols that the work contains, as well as the work. A work of art, which is the product of a collective process is affected by many conditions such as the social environment, economy, material supply, geographical variables, the government, the wishes of the administrator and the artist, the understanding and style of art of the period, religion and sacred elements, the artists experience and inner world. The work, which is formed by selection among all these variables is a cornerstone of the general art style. Anatolian Medieval art can be interpreted as the art of societies, not the art of individuals like modern art. In this respect, in Turkish art and symbolism, where the state, religion and social powers come to the fore, these mentioned elements appear as the dominant and guiding power. Should the idea of abstract symbolic style be mentioned in Turkish art? Which factors influenced art and style? What is the place of stamps in the transformation of ancient symbols into art? In this study, answers to these questions and problems are sought.

 Symbols play a crucial role in various domains, serving as conveyors of meaning through concrete signs with abstract significance. In some periods, it is seen that certain symbols stand out uniquely to that period and some symbols are used repeatedly or transformed throughout history. It is very difficult to reach definite conclusions about the origin of symbols in the history of art. However, the external and internal factors that influence the art, of course, shape the symbols that the work contains, as well as the work. A work of art, which is the product of a collective process is affected by many conditions such as the social environment, economy, material supply, geographical variables, the government, the wishes of the administrator and the artist, the understanding and style of art of the period, religion and sacred elements, the artists experience and inner world. The work, which is formed by selection among all these variables is a cornerstone of the general art style. Anatolian Medieval art can be interpreted as the art of societies, not the art of individuals like modern art. In this respect, in Turkish art and symbolism, where the state, religion and social powers come to the fore, these mentioned elements appear as the dominant and guiding power. Should the idea of abstract symbolic style be mentioned in Turkish art? Which factors influenced art and style? What is the place of stamps in the transformation of ancient symbols into art? In this study, answers to these questions and problems are sought.

 Symbols play a crucial role in various domains, serving as conveyors of meaning through concrete signs with abstract significance. In some periods, it is seen that certain symbols stand out uniquely to that period and some symbols are used repeatedly or transformed throughout history. It is very difficult to reach definite conclusions about the origin of symbols in the history of art. However, the external and internal factors that influence the art, of course, shape the symbols that the work contains, as well as the work. A work of art, which is the product of a collective process is affected by many conditions such as the social environment, economy, material supply, geographical variables, the government, the wishes of the administrator and the artist, the understanding and style of art of the period, religion and sacred elements, the artists experience and inner world. The work, which is formed by selection among all these variables is a cornerstone of the general art style. Anatolian Medieval art can be interpreted as the art of societies, not the art of individuals like modern art. In this respect, in Turkish art and symbolism, where the state, religion and social powers come to the fore, these mentioned elements appear as the dominant and guiding power. Should the idea of abstract symbolic style be mentioned in Turkish art? Which factors influenced art and style? What is the place of stamps in the transformation of ancient symbols into art? In this study, answers to these questions and problems are sought.

 Simgeler birer anlam aktarıcısı olarak genellikle soyut anlama sahip somut işaretler şeklinde, sanattan günlük yaşama kadar her alanda kullanılmaktadır. Bazı dönemlerde belli simgelerin o döneme has olarak öne çıktığı, bazı simgelerin ise tarihî süreçte tekrar ederek veya dönüşerek kullanıldığı görülmektedir. Sanat tarihi içerisinde simgelerin kökeni konusunda kesin sonuçlara ulaşmak oldukça güçtür. Fakat sanatı yönlendiren dış ve iç etkenler meydana gelen eser kadar, eserin barındırdığı simgeleri de şekillendirmektedir. Kolektif bir sürecin ürünü olan sanat eseri, toplumsal çevre, ekonomi ve malzeme temini, coğrafi değişkenler, devlet yapılanması, yöneticinin ve baninin istekleri, dönemin sanat anlayışı ve üslubu, din ve kutsal unsurlar, sanatçının deneyimleri ve iç dünyası gibi pek çok koşuldan etkilenmektedir. Bunca değişken içerisinden seçilimle meydana gelen eser, genel sanat üslubunu oluşturan bir temel taşı niteliğindedir. Anadolu Orta Çağ sanatı, modern sanat gibi bireylerin sanatı değil, toplumların sanatı şeklinde anlamlandırılabilir. Bu bakımdan devlet, din ve toplum erklerinin öne çıktığı Türk sanatında ve simgeciliğinde, bu bahsi geçen unsurlar, söz sahibi ve yönlendirici güç olarak karşımıza çıkmaktadır. Türk sanatında soyut simgesel üslup diye bir düşünceden bahsedebilir miyiz? Sanata ve üsluba hangi faktörler etki etmiştir? Kadim simgelerin sanata dönüşümünde damgaların yeri nedir? Bu çalışmada bu soru ve sorunlara cevap aranmaktadır.

Makale detayları

Can We Mention About an Idea Called “Abstract Symbolic Style” in Turkish Art?

Yazarlar:

N.A.

Yayıncı:

Istanbul University

Ana Başlıklar:

Selçuklu Arkeolojisi

Dergi:

Art-Sanat Issue 22, pp.199-226

Belge Tipi:

Makale

Yayın Tarihi:

8/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001326605

pISSN:

2148-3582

Intangible

Symbol

Style

Turkish-Islamic Arts

Seljuk ArtSoyut

Simge

Üslup

Türk-İslam Sanatları

Selçuklu Sanatı

Sayı

Makale detayları

Yazarlar: N.A.

Yayıncı: Istanbul University

Ana Başlıklar: Selçuklu Arkeolojisi

Dergi: Art-Sanat Issue 22, pp.199-226

Belge Tipi: Makale

Yayın Tarihi: 8/2024

Belge Dili: Türkçe

Document ID (Org No.): 2001326605

pISSN: 2148-3582

Sayı

Yazarlar:

N.A.

Yayıncı:

Istanbul University

Ana Başlıklar:

Selçuklu Arkeolojisi

Dergi:

Art-Sanat Issue 22, pp.199-226

Belge Tipi:

Makale

Yayın Tarihi:

8/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001326605

pISSN:

2148-3582