From Nature to Art: Some Examples of Button Buildings in the Villages of Akseki

Lokman Tay

Makale detayları

From Nature to Art: Some Examples of Button Buildings in the Villages of Akseki

Yazarlar:

Lokman Tay

Yayıncı:

Ege University

Ana Başlıklar:

Mimarlık Tarihi | Sanat Tarihi

Dergi:

Sanat Tarihi Dergisi Vol.32 Issue 1, pp.281-311

Belge Tipi:

Makale

Yayın Tarihi:

9/2023

Belge Dili:

Türkçe

Document ID (Org No.):

2001299167

pISSN:

1300-5707

Anahtar kelimeler:

Özet:

 This study covers some cases in various building types which are mostly encountered in Akseki, a town in the northeast of Antalya, and which were constructed through a local technique called button masonry. As known, the material choice in architecture is determined by architectural traditions and economic factors along with such environmental conditions as climate and geography. Situated on the slopes of Taurus Mountains, Akseki has a mountainous and forested geography. Thus, this situation features wood and rubble stone as construction materials much more than other potential components. The usage of wood and rubble stone together without any binding material does not seem to be possible at first glance. However, the local people, who are intertwined with nature and the environment, have managed to transform these two materials, which are incompatible with each other, into art with an extraordinary craftmanship. This solution produced by the local people can be defined as a dry masonry wall made of rubble stone, supported by longitudinal and vertical wooden beams. Since the edges of the beams protrude 20-25 cm outward, this technique is referred as button wall by the local people. The implementation of this masonry system in traditional domestic architecture in Akseki and its vicinity has laid the groundwork for the buildings mentioned to be called button houses. We also decided to call other buildings constructed with this technique as button buildings. The field survey conducted by us in a way that involves all the villages of Akseki has determined 24 edifices in total, which are of nine village chambers, six mosques, four school buildings, two mills, two inns and a madrassah, constructed with the technique button masonry. Since the main objective of this study is to attract attention to the usage of the technique button masonry on the various types of buildings in the region, six edifices, one case from each building group, are included in the catalogue. The rest of the buildings are referred in the discussion chapter. However, it was found out during the field survey that many mosques in button masonry were demolished and the ones were built instead. The situation is nearly similar for the village chambers. Thus, these edifices identified by us in the field survey constitute a very small part of the buildings constructed with the button masonry surviving to the present. Some of the edifices identified were published by us before. However, the mills, hans, madrassah and school buildings have been handled for the first time in this study. Thus, all the buildings which have been constructed in the region by the technique button masonry will be assessed collectively in this paper. The population living in the villages of Akseki has decreased considerably due to the economic reasons. Some of the villages are completely deserted. This situation leads the buildings to stay out of life and collapse. In the upcoming period, the village economy based on animal husbandry should be revived and these environmentally friendly local people should be returned to their villages. This will be one of the vital steps to suppor the health of button buildings in the villages. In addition, these cases unique to Akseki should be restored with traditional methods in accordance with their original form in order to be presented to the touristic activities, and thus be turned into a source of income for local people. The village life should be made attractive with the steps to be taken. The transfer of these unique representatives of Turkish folk architecture and culture in Akseki to the future generations can only be achieved in this way.

 This study covers some cases in various building types which are mostly encountered in Akseki, a town in the northeast of Antalya, and which were constructed through a local technique called button masonry. As known, the material choice in architecture is determined by architectural traditions and economic factors along with such environmental conditions as climate and geography. Situated on the slopes of Taurus Mountains, Akseki has a mountainous and forested geography. Thus, this situation features wood and rubble stone as construction materials much more than other potential components. The usage of wood and rubble stone together without any binding material does not seem to be possible at first glance. However, the local people, who are intertwined with nature and the environment, have managed to transform these two materials, which are incompatible with each other, into art with an extraordinary craftmanship. This solution produced by the local people can be defined as a dry masonry wall made of rubble stone, supported by longitudinal and vertical wooden beams. Since the edges of the beams protrude 20-25 cm outward, this technique is referred as button wall by the local people. The implementation of this masonry system in traditional domestic architecture in Akseki and its vicinity has laid the groundwork for the buildings mentioned to be called button houses. We also decided to call other buildings constructed with this technique as button buildings. The field survey conducted by us in a way that involves all the villages of Akseki has determined 24 edifices in total, which are of nine village chambers, six mosques, four school buildings, two mills, two inns and a madrassah, constructed with the technique button masonry. Since the main objective of this study is to attract attention to the usage of the technique button masonry on the various types of buildings in the region, six edifices, one case from each building group, are included in the catalogue. The rest of the buildings are referred in the discussion chapter. However, it was found out during the field survey that many mosques in button masonry were demolished and the ones were built instead. The situation is nearly similar for the village chambers. Thus, these edifices identified by us in the field survey constitute a very small part of the buildings constructed with the button masonry surviving to the present. Some of the edifices identified were published by us before. However, the mills, hans, madrassah and school buildings have been handled for the first time in this study. Thus, all the buildings which have been constructed in the region by the technique button masonry will be assessed collectively in this paper. The population living in the villages of Akseki has decreased considerably due to the economic reasons. Some of the villages are completely deserted. This situation leads the buildings to stay out of life and collapse. In the upcoming period, the village economy based on animal husbandry should be revived and these environmentally friendly local people should be returned to their villages. This will be one of the vital steps to suppor the health of button buildings in the villages. In addition, these cases unique to Akseki should be restored with traditional methods in accordance with their original form in order to be presented to the touristic activities, and thus be turned into a source of income for local people. The village life should be made attractive with the steps to be taken. The transfer of these unique representatives of Turkish folk architecture and culture in Akseki to the future generations can only be achieved in this way.

 This study covers some cases in various building types which are mostly encountered in Akseki, a town in the northeast of Antalya, and which were constructed through a local technique called button masonry. As known, the material choice in architecture is determined by architectural traditions and economic factors along with such environmental conditions as climate and geography. Situated on the slopes of Taurus Mountains, Akseki has a mountainous and forested geography. Thus, this situation features wood and rubble stone as construction materials much more than other potential components. The usage of wood and rubble stone together without any binding material does not seem to be possible at first glance. However, the local people, who are intertwined with nature and the environment, have managed to transform these two materials, which are incompatible with each other, into art with an extraordinary craftmanship. This solution produced by the local people can be defined as a dry masonry wall made of rubble stone, supported by longitudinal and vertical wooden beams. Since the edges of the beams protrude 20-25 cm outward, this technique is referred as button wall by the local people. The implementation of this masonry system in traditional domestic architecture in Akseki and its vicinity has laid the groundwork for the buildings mentioned to be called button houses. We also decided to call other buildings constructed with this technique as button buildings. The field survey conducted by us in a way that involves all the villages of Akseki has determined 24 edifices in total, which are of nine village chambers, six mosques, four school buildings, two mills, two inns and a madrassah, constructed with the technique button masonry. Since the main objective of this study is to attract attention to the usage of the technique button masonry on the various types of buildings in the region, six edifices, one case from each building group, are included in the catalogue. The rest of the buildings are referred in the discussion chapter. However, it was found out during the field survey that many mosques in button masonry were demolished and the ones were built instead. The situation is nearly similar for the village chambers. Thus, these edifices identified by us in the field survey constitute a very small part of the buildings constructed with the button masonry surviving to the present. Some of the edifices identified were published by us before. However, the mills, hans, madrassah and school buildings have been handled for the first time in this study. Thus, all the buildings which have been constructed in the region by the technique button masonry will be assessed collectively in this paper. The population living in the villages of Akseki has decreased considerably due to the economic reasons. Some of the villages are completely deserted. This situation leads the buildings to stay out of life and collapse. In the upcoming period, the village economy based on animal husbandry should be revived and these environmentally friendly local people should be returned to their villages. This will be one of the vital steps to suppor the health of button buildings in the villages. In addition, these cases unique to Akseki should be restored with traditional methods in accordance with their original form in order to be presented to the touristic activities, and thus be turned into a source of income for local people. The village life should be made attractive with the steps to be taken. The transfer of these unique representatives of Turkish folk architecture and culture in Akseki to the future generations can only be achieved in this way.

 Bu çalışmada, Antalyanın Akseki ilçesinde görülen ve yöreye özgü geleneksel bir inşa tekniği olan düğmeli duvar ile inşa edilmiş farklı yapı türlerinden örnekler incelenmiştir. Batı Toros Dağlarının güney yamacına kurulu olan Akseki, dağlık ve ormanlık bir coğrafyaya sahiptir. Bu sebeple ilçe genelinde inşa malzemesini ağırlıklı olarak ahşap ve moloz taş oluşturmaktadır. Arada bağlayıcı başka bir malzeme olmadan ahşap ve moloz taşın birlikte kullanımı ilk bakışta pek mümkün görünmemektedir. Ancak yöre sakinleri, birbiriyle uyumsuz bu iki malzemeyi olağanüstü bir işçilikle sanata dönüştürmeyi bilmişlerdir. Düğmeli duvar olarak adlandırılan bu sistem, boyuna ve dikine ahşap hatıllarla takviyeli, moloz taş malzemeli kuru yığma duvar olarak tanımlanabilir. Hatılların uçları dışarıya doğru 20-25 cm taşıntı yaptığı için bu teknik yöre halkı tarafından düğmeli duvar olarak adlandırılmıştır. Akseki ve çevresinin geleneksel konut mimarisinde genellikle bu duvar örgü sisteminin uygulanması, söz konusu yapıların düğmeli evler olarak adlandırılması sonucunu doğurmuştur. Aksekide yürütülen arazi çalışması sonucunda, geleneksel konut mimarisi dışında dokuz köy odası, altı cami, dört okul, iki değirmen, iki han ve bir medrese olmak üzere altı farklı yapı türünde toplam 24 eserin düğmeli duvar ile inşa edildiği tespit edilmiştir. Ancak çalışmanın asıl amacı düğmeli duvarın yöredeki farklı yapı grupları üzerindeki kullanımına dikkat çekmek olduğu için her bir yapı grubundan birer örnek olmak üzere altı yapı kataloğa dâhil edilmiştir. Diğer 18 yapı ise değerlendirme bölümünde zikredilmiştir. Bununla birlikte düğmeli duvarla inşa edilmiş çok sayıda yapının yıkılarak yerine yenilerinin yapıldığı bilgisine ulaşılmıştır. Günümüze ulaşan yapıların ise çoğunluğu yıkılmaya yüz tutmuştur. Söz konusu yapılar bir an önce geleneksel yöntemlerle aslına uygun şekilde onarılarak koruma altına alınmalıdır.

Makale detayları

From Nature to Art: Some Examples of Button Buildings in the Villages of Akseki

Yazarlar:

Lokman Tay

Yayıncı:

Ege University

Ana Başlıklar:

Mimarlık Tarihi | Sanat Tarihi

Dergi:

Sanat Tarihi Dergisi Vol.32 Issue 1, pp.281-311

Belge Tipi:

Makale

Yayın Tarihi:

9/2023

Belge Dili:

Türkçe

Document ID (Org No.):

2001299167

pISSN:

1300-5707

Akseki

Wood

Rubble Stone

Button Masonry

Folk Architecture

Vernacular ArchitectureAkseki

Ahşap

Moloz Taş

Düğmeli Duvar

Halk Mimarisi

Yöresel Mimari

Sayı

Makale detayları

Yazarlar: Lokman Tay

Yayıncı: Ege University

Ana Başlıklar: Mimarlık Tarihi | Sanat Tarihi

Dergi: Sanat Tarihi Dergisi Vol.32 Issue 1, pp.281-311

Belge Tipi: Makale

Yayın Tarihi: 9/2023

Belge Dili: Türkçe

Document ID (Org No.): 2001299167

pISSN: 1300-5707

Sayı

Yazarlar:

Lokman Tay

Yayıncı:

Ege University

Ana Başlıklar:

Mimarlık Tarihi | Sanat Tarihi

Dergi:

Sanat Tarihi Dergisi Vol.32 Issue 1, pp.281-311

Belge Tipi:

Makale

Yayın Tarihi:

9/2023

Belge Dili:

Türkçe

Document ID (Org No.):

2001299167

pISSN:

1300-5707