A COMPARATIVE STUDY OF OTTOMAN AND JOSEON CERAMIC ARTS: CULTURAL INTERACTIONS AND TECHNICAL APPROACHES

Jongee Park; Eunmi Yu; Seren Özer

Makale detayları

A COMPARATIVE STUDY OF OTTOMAN AND JOSEON CERAMIC ARTS: CULTURAL INTERACTIONS AND TECHNICAL APPROACHES

Yazarlar:

Jongee Park | Eunmi Yu | Seren Özer

Yayıncı:

Hacettepe University

Ana Başlıklar:

Seramik Tasarımı

Dergi:

Sanat Yazıları Issue 52, pp.122-140

Belge Tipi:

Makale

Yayın Tarihi:

5/2025

Belge Dili:

Türkçe

Document ID (Org No.):

2001349180

pISSN:

2458-8903

Anahtar kelimeler:

Özet:

 This study provides a comprehensive analysis of the production techniques of ceramics from the Ottoman and Joseon periods, emphasizing the impact of cultural interactions with other dynasties. Both periods integrated knowledge from previous dynasties with their own cultural heritage. Early Ottoman ceramics reinterpret Anatolian Seljuk patterns, reflecting Islamic traditions. Contrastly, Early Joseon Buncheong ceramics were inspired by Goryeo celadons but diverged from the Buddhist influences, adopting a minimalist design rooted in Confucian values. Over time, both dynasties were influenced by blue-and-white porcelain through their relations with China, adapting their production accordingly. Ottoman blue-and-white ceramics, produced in İznik and Kütahya, primarily used cobalt blue, alongside various color tones, while Joseon-period Cheonghwa Baekja ceramics combined patterns with blue-and-white palette. Both periods used similar production methods, but notable differences exist in materials and firing processes. Additionally, the Milet and Sangam techniques represent distinctive artistic approaches specific to the Ottoman and Joseon dynasties, respectively.

 This study provides a comprehensive analysis of the production techniques of ceramics from the Ottoman and Joseon periods, emphasizing the impact of cultural interactions with other dynasties. Both periods integrated knowledge from previous dynasties with their own cultural heritage. Early Ottoman ceramics reinterpret Anatolian Seljuk patterns, reflecting Islamic traditions. Contrastly, Early Joseon Buncheong ceramics were inspired by Goryeo celadons but diverged from the Buddhist influences, adopting a minimalist design rooted in Confucian values. Over time, both dynasties were influenced by blue-and-white porcelain through their relations with China, adapting their production accordingly. Ottoman blue-and-white ceramics, produced in İznik and Kütahya, primarily used cobalt blue, alongside various color tones, while Joseon-period Cheonghwa Baekja ceramics combined patterns with blue-and-white palette. Both periods used similar production methods, but notable differences exist in materials and firing processes. Additionally, the Milet and Sangam techniques represent distinctive artistic approaches specific to the Ottoman and Joseon dynasties, respectively.

 This study provides a comprehensive analysis of the production techniques of ceramics from the Ottoman and Joseon periods, emphasizing the impact of cultural interactions with other dynasties. Both periods integrated knowledge from previous dynasties with their own cultural heritage. Early Ottoman ceramics reinterpret Anatolian Seljuk patterns, reflecting Islamic traditions. Contrastly, Early Joseon Buncheong ceramics were inspired by Goryeo celadons but diverged from the Buddhist influences, adopting a minimalist design rooted in Confucian values. Over time, both dynasties were influenced by blue-and-white porcelain through their relations with China, adapting their production accordingly. Ottoman blue-and-white ceramics, produced in İznik and Kütahya, primarily used cobalt blue, alongside various color tones, while Joseon-period Cheonghwa Baekja ceramics combined patterns with blue-and-white palette. Both periods used similar production methods, but notable differences exist in materials and firing processes. Additionally, the Milet and Sangam techniques represent distinctive artistic approaches specific to the Ottoman and Joseon dynasties, respectively.

 Bu çalışmada, Osmanlı ve Joseon dönemlerine ait seramiklerin üretim teknikleri ve diğer hanedanlıklarla olan kültürel etkileşimlerinin seramiklerin gelişimine etkisi ayrıntılı olarak incelenmiştir. Her iki dönemin seramik sanatçıları, önceki hanedanlıklardan edindikleri bilgileri kendi kültürel miraslarıyla harmanlayarak özgün eserler yaratmıştır. Erken Osmanlı seramikleri, Selçuklu desenlerini İslam kültürüne uygun şekilde yorumlarken, Erken Joseon Buncheong seramikleri, Goryeo Seladonlarından esinlenmiş, ancak Budizm etkisinden uzaklaşarak minimalist bir tasarıma ve Konfüçyüsçü değerlere yönelmiştir. Zamanla, her iki hanedanlık Çin ile kurdukları ilişkiler doğrultusunda Mavi-beyaz porselenlerden etkilenmiş ve üretimlerini buna göre uyarlamıştır. Osmanlı Mavi-beyaz seramikleri, İznik ve Kütahya merkezlerinde üretilmiş olup, kobalt mavisi başta olmak üzere farklı renk tonlarıyla zenginleştirilmiştir. Joseon dönemi Cheonghwa Baekja seramiklerinde ise, desenler mavi-beyaz paletle birleşerek sade bir estetik anlayışı yaratmıştır. Üretim teknikleri açısından, her iki dönemde de benzer yöntemler kullanılsa da, malzeme ve fırınlama süreçlerinde belirgin farklılıklar bulunmaktadır. Ayrıca, Milet işi ve Sangam teknikleri, sırasıyla Osmanlı ve Joseona ait özgün sanatsal yaklaşımlardır.

Makale detayları

A COMPARATIVE STUDY OF OTTOMAN AND JOSEON CERAMIC ARTS: CULTURAL INTERACTIONS AND TECHNICAL APPROACHES

Yazarlar:

Jongee Park | Eunmi Yu | Seren Özer

Yayıncı:

Hacettepe University

Ana Başlıklar:

Seramik Tasarımı

Dergi:

Sanat Yazıları Issue 52, pp.122-140

Belge Tipi:

Makale

Yayın Tarihi:

5/2025

Belge Dili:

Türkçe

Document ID (Org No.):

2001349180

pISSN:

2458-8903

Ottoman Ceramics

Joseon Ceramics

Blue-and-white Porcelains

Cultural Interactions

Ceramic ProductionOsman Seramikleri

Joseon Seramikleri

Mavi-beyaz Porselenler

Kültürel Etkileşimler

Seramik Üretimi

Sayı

Makale detayları

Yazarlar: Jongee Park | Eunmi Yu | Seren Özer

Yayıncı: Hacettepe University

Ana Başlıklar: Seramik Tasarımı

Dergi: Sanat Yazıları Issue 52, pp.122-140

Belge Tipi: Makale

Yayın Tarihi: 5/2025

Belge Dili: Türkçe

Document ID (Org No.): 2001349180

pISSN: 2458-8903

Sayı

Yazarlar:

Jongee Park | Eunmi Yu | Seren Özer

Yayıncı:

Hacettepe University

Ana Başlıklar:

Seramik Tasarımı

Dergi:

Sanat Yazıları Issue 52, pp.122-140

Belge Tipi:

Makale

Yayın Tarihi:

5/2025

Belge Dili:

Türkçe

Document ID (Org No.):

2001349180

pISSN:

2458-8903