Distopic Surrealizm in Tetsuya Ishida’s Paintings in the Context of Japanese Surrealizm

Ferhat Kavas

Makale detayları

Distopic Surrealizm in Tetsuya Ishida’s Paintings in the Context of Japanese Surrealizm

Yazarlar:

Ferhat Kavas

Yayıncı:

Ordu University

Dergi:

Ordu Üniversitesi Sosyal Bilimler Enstitüsü Sosyal Bilimler Araştırmaları Dergisi Vol.13 Issue 1, pp.639-662

Belge Tipi:

Makale

Yayın Tarihi:

3/2023

Belge Dili:

Türkçe

Document ID (Org No.):

2001285574

pISSN:

1309-9302

Anahtar kelimeler:

Özet:

 Surrealism, which emerged as eurocentric in the early twentieth century, allows the artist to discover form and function through randomness and formal deformations in art, and to blend the human with the non-human in a grotesque way by using thought-provoking methods. French surrealism began to develop at the beginning of the twentieth century, and in this process, Japanese artists who were educated in Europe returned to their countries after being influenced by the movement. Surrealistic human images depicted in surrealism seem to resemble images that have existed in Japanese visual culture for a very long time. Distortion of the human body for artistic purposes is not uncommon in Japanese visual culture. Japanese woodblock prints were created using this theme to create fun and clever distortion. Yet, European Surrealism provided a way out for Japanese artists to make their ideas a recognizable movement. When considered historically, the starting and ending points of Surrealism in terms of Japanese art cover a very long period compared to Europe. In the research, it is aimed to provide a better understanding of the concept of Dystopic Surrealism, which emerged with the intersection of two different concepts, Dystopia and Surrealism, and also to reveal the traces of Dystopic Surrealism in the works of Japanese artist Tetsuya Ishida 1973-2005. Another aim of the research is to determine the emergence and development of Surrealism in Japanese Art with examples. In the research, nine images of different artists that can serve as an example of 19th and 20th-century Japanese Surrealist art were selected. In addition, nine images created by Tetsuya Ishida between 1995 and 2004 were included in the study. As a result, Surrealism in Japanese Art was defined with examples, the concept of Dystopic Surrealism was discussed, and in this context, the traces of Dystopic Surrealism in Tetsuya Ishidas works were revealed.

 Surrealism, which emerged as eurocentric in the early twentieth century, allows the artist to discover form and function through randomness and formal deformations in art, and to blend the human with the non-human in a grotesque way by using thought-provoking methods. French surrealism began to develop at the beginning of the twentieth century, and in this process, Japanese artists who were educated in Europe returned to their countries after being influenced by the movement. Surrealistic human images depicted in surrealism seem to resemble images that have existed in Japanese visual culture for a very long time. Distortion of the human body for artistic purposes is not uncommon in Japanese visual culture. Japanese woodblock prints were created using this theme to create fun and clever distortion. Yet, European Surrealism provided a way out for Japanese artists to make their ideas a recognizable movement. When considered historically, the starting and ending points of Surrealism in terms of Japanese art cover a very long period compared to Europe. In the research, it is aimed to provide a better understanding of the concept of Dystopic Surrealism, which emerged with the intersection of two different concepts, Dystopia and Surrealism, and also to reveal the traces of Dystopic Surrealism in the works of Japanese artist Tetsuya Ishida 1973-2005. Another aim of the research is to determine the emergence and development of Surrealism in Japanese Art with examples. In the research, nine images of different artists that can serve as an example of 19th and 20th-century Japanese Surrealist art were selected. In addition, nine images created by Tetsuya Ishida between 1995 and 2004 were included in the study. As a result, Surrealism in Japanese Art was defined with examples, the concept of Dystopic Surrealism was discussed, and in this context, the traces of Dystopic Surrealism in Tetsuya Ishidas works were revealed.

 Surrealism, which emerged as eurocentric in the early twentieth century, allows the artist to discover form and function through randomness and formal deformations in art, and to blend the human with the non-human in a grotesque way by using thought-provoking methods. French surrealism began to develop at the beginning of the twentieth century, and in this process, Japanese artists who were educated in Europe returned to their countries after being influenced by the movement. Surrealistic human images depicted in surrealism seem to resemble images that have existed in Japanese visual culture for a very long time. Distortion of the human body for artistic purposes is not uncommon in Japanese visual culture. Japanese woodblock prints were created using this theme to create fun and clever distortion. Yet, European Surrealism provided a way out for Japanese artists to make their ideas a recognizable movement. When considered historically, the starting and ending points of Surrealism in terms of Japanese art cover a very long period compared to Europe. In the research, it is aimed to provide a better understanding of the concept of Dystopic Surrealism, which emerged with the intersection of two different concepts, Dystopia and Surrealism, and also to reveal the traces of Dystopic Surrealism in the works of Japanese artist Tetsuya Ishida 1973-2005. Another aim of the research is to determine the emergence and development of Surrealism in Japanese Art with examples. In the research, nine images of different artists that can serve as an example of 19th and 20th-century Japanese Surrealist art were selected. In addition, nine images created by Tetsuya Ishida between 1995 and 2004 were included in the study. As a result, Surrealism in Japanese Art was defined with examples, the concept of Dystopic Surrealism was discussed, and in this context, the traces of Dystopic Surrealism in Tetsuya Ishidas works were revealed.

 Yirminci yüzyılın başlarında Avrupa merkezli olarak ortaya çıkan Sürrealizm, sanatta rastlantısallık ve biçimsel deformasyonlar aracılığı ile sanatçının biçim ve işlevi keşfetmesine, düşündürücü yöntemler kullanarak insanı insan olmayanla grotesk denilebilecek bir şekilde harmanlamasına olanak tanımıştır. Fransız sürrealizmi yirminci yüzyılın başında gelişirken, Avrupada eğitim gören Japon sanatçılar yurtdışından etkilenerek geri dönmüşlerdir. Sürrealizmde betimlenen gerçeküstü insan imgelerinin Japon görsel kültüründe çok uzun zamandan beri var olan imgelere benzediği görülmektedir. İnsan vücudunun sanatsal amaçlarla çarpıtılması, Japon görsel kültüründe bilinmedik bir durum değildir. Japon tahta baskıları, eğlenceli ve zekice çarpıtmalar yaratmak için bu temadan yararlanılarak oluşturulmuştur. Yine de Avrupa Sürrealizmi Japon sanatçıların fikirlerini tanınabilir bir hareket haline getirmeleri için onlara bir çıkış sağlamıştır. Tarihsel olarak düşünüldüğünde Japon sanatı açısından Sürrealizmin başlangıç ve bitiş noktaları Avrupaya kıyasla çok uzun bir süreci kapsamaktadır. Bu araştırmada, farklı iki kavram olan Distopya ve Sürrealizmin kesişmesiyle ortaya çıkan Distopik Sürrealizm kavramının daha iyi anlaşılmasını sağlamak, aynı zamanda Japon sanatçı Tetsuya Ishidanın 1973-2005 eserlerinde Distopik Sürrealizmin izlerini ortaya çıkarmak amaçlanmıştır. Bir diğer amaç ise, Japon Sanatında Sürrealizmin ortaya çıkışını ve gelişimini örnekler ile belirlemektir. Araştırmada, 19. ve 20 yy. Japon Sürrealist sanatına örnek teşkil edebilecek farklı sanatçılara ait dokuz görsel seçilmiştir. Ayrıca Tetsuya Ishidanın 1995-2004 yılları arasında oluşturduğu dokuz eser yer almıştır. Sonuç olarak Japon Sanatında Sürrealizm örnekler ile tanımlanmış, Distopik Sürrealizm kavramı tartışılmış ve bu bağlamda Tetsuya Ishidanın eserlerinde Distopik Sürrealizmin izleri ortaya çıkarılmıştır.

Makale detayları

Distopic Surrealizm in Tetsuya Ishida’s Paintings in the Context of Japanese Surrealizm

Yazarlar:

Ferhat Kavas

Yayıncı:

Ordu University

Dergi:

Ordu Üniversitesi Sosyal Bilimler Enstitüsü Sosyal Bilimler Araştırmaları Dergisi Vol.13 Issue 1, pp.639-662

Belge Tipi:

Makale

Yayın Tarihi:

3/2023

Belge Dili:

Türkçe

Document ID (Org No.):

2001285574

pISSN:

1309-9302

Tetsuya Ishida

Dystopian Surrealism

Japanese Art. Japanese Surrealism

Distopia.

Tetsuya İshida

Distopik Sürrealizm

Japon Sanatı

Japon Sürrealizmi

Distopya.

Sayı

Makale detayları

Yazarlar: Ferhat Kavas

Yayıncı: Ordu University

Dergi: Ordu Üniversitesi Sosyal Bilimler Enstitüsü Sosyal Bilimler Araştırmaları Dergisi Vol.13 Issue 1, pp.639-662

Belge Tipi: Makale

Yayın Tarihi: 3/2023

Belge Dili: Türkçe

Document ID (Org No.): 2001285574

pISSN: 1309-9302

Sayı

Yazarlar:

Ferhat Kavas

Yayıncı:

Ordu University

Dergi:

Ordu Üniversitesi Sosyal Bilimler Enstitüsü Sosyal Bilimler Araştırmaları Dergisi Vol.13 Issue 1, pp.639-662

Belge Tipi:

Makale

Yayın Tarihi:

3/2023

Belge Dili:

Türkçe

Document ID (Org No.):

2001285574

pISSN:

1309-9302