A Song Translation from Ottoman Turkish into Italian: Nedim's Song with a Refrain as “Gidelim Serv-i Revânım Yürü Sa'd-âbâda”

Eshabil Bozkurt

Makale detayları

A Song Translation from Ottoman Turkish into Italian: Nedim's Song with a Refrain as “Gidelim Serv-i Revânım Yürü Sa'd-âbâda”

Yazarlar:

Eshabil Bozkurt

Yayıncı:

Yusuf ÇETİN

Ana Başlıklar:

Çeviri ve Yorum Çalışmaları

Dergi:

Söylem Filoloji Dergisi Issue Çeviribilim Özel Sayısı II, pp.40-55

Belge Tipi:

Makale

Yayın Tarihi:

3/2025

Belge Dili:

Türkçe

Document ID (Org No.):

2001332498

pISSN:

2548-0502

Anahtar kelimeler:

Özet:

 This article aims to analyse a song rendered from Ottoman Turkish into Italian. The eighteenth century poet Nedim gave the most ideal examples of song, a genre specific to Turkish culture. The source text of the study is the song of Nedim, who brought some innovations to the culture of Divan poetry despite being a Divan poet, known with the refrain Gidelim serv-i revânım yürü Sad-âbâda. The poem, which consists of five stanzas and is written in the pattern of aruz meter, feilâtün feilâtün feilâtün feilâtün feilün, reflects the sense of pleasure and entertainment of both the poet and the period in which he lived, namely the Tulip Era. Alessio Bombaci, an Italian Turcologist, wrote a history of Turkish literature in Italian titled La letteratura Turca 1969. In this work, which is of particular importance for the Western cultural and literary system and for being the first history of Turkish literature published in a Western language, the famous Turcologist translated fragments  stanzas from some poets poems and translated some poets poems not partially but completely and included these translations in his work. The aforementioned poem of Nedim is one of the poems completely translated by Bombaci. The target text of the analysis is this poem translated by Bombaci from Ottoman Turkish into Italian. What kind of a poetry translation strategy the translator adopted while transferring the source text to the target text and what kind of translation he made were analysed within the framework of the approaches of translation scholars who express their opinions on poetry translation. In the article, the source text, which is Nedims poem in Ottoman Turkish, was labelled as ST KM, the target text, which is Bombacis translation into Italian, was labelled as TT EM.

 This article aims to analyse a song rendered from Ottoman Turkish into Italian. The eighteenth century poet Nedim gave the most ideal examples of song, a genre specific to Turkish culture. The source text of the study is the song of Nedim, who brought some innovations to the culture of Divan poetry despite being a Divan poet, known with the refrain Gidelim serv-i revânım yürü Sad-âbâda. The poem, which consists of five stanzas and is written in the pattern of aruz meter, feilâtün feilâtün feilâtün feilâtün feilün, reflects the sense of pleasure and entertainment of both the poet and the period in which he lived, namely the Tulip Era. Alessio Bombaci, an Italian Turcologist, wrote a history of Turkish literature in Italian titled La letteratura Turca 1969. In this work, which is of particular importance for the Western cultural and literary system and for being the first history of Turkish literature published in a Western language, the famous Turcologist translated fragments  stanzas from some poets poems and translated some poets poems not partially but completely and included these translations in his work. The aforementioned poem of Nedim is one of the poems completely translated by Bombaci. The target text of the analysis is this poem translated by Bombaci from Ottoman Turkish into Italian. What kind of a poetry translation strategy the translator adopted while transferring the source text to the target text and what kind of translation he made were analysed within the framework of the approaches of translation scholars who express their opinions on poetry translation. In the article, the source text, which is Nedims poem in Ottoman Turkish, was labelled as ST KM, the target text, which is Bombacis translation into Italian, was labelled as TT EM.

 This article aims to analyse a song rendered from Ottoman Turkish into Italian. The eighteenth century poet Nedim gave the most ideal examples of song, a genre specific to Turkish culture. The source text of the study is the song of Nedim, who brought some innovations to the culture of Divan poetry despite being a Divan poet, known with the refrain Gidelim serv-i revânım yürü Sad-âbâda. The poem, which consists of five stanzas and is written in the pattern of aruz meter, feilâtün feilâtün feilâtün feilâtün feilün, reflects the sense of pleasure and entertainment of both the poet and the period in which he lived, namely the Tulip Era. Alessio Bombaci, an Italian Turcologist, wrote a history of Turkish literature in Italian titled La letteratura Turca 1969. In this work, which is of particular importance for the Western cultural and literary system and for being the first history of Turkish literature published in a Western language, the famous Turcologist translated fragments  stanzas from some poets poems and translated some poets poems not partially but completely and included these translations in his work. The aforementioned poem of Nedim is one of the poems completely translated by Bombaci. The target text of the analysis is this poem translated by Bombaci from Ottoman Turkish into Italian. What kind of a poetry translation strategy the translator adopted while transferring the source text to the target text and what kind of translation he made were analysed within the framework of the approaches of translation scholars who express their opinions on poetry translation. In the article, the source text, which is Nedims poem in Ottoman Turkish, was labelled as ST KM, the target text, which is Bombacis translation into Italian, was labelled as TT EM.

 Bu makalede Osmanlı Türkçesinden İtalyancaya yapılan bir şarkı çevirisini incelemek amaçlanmaktadır. Türk kültürüne özgü bir tür olan şarkının en güzel örneklerini on sekizinci yüzyıl şairi Nedim vermiştir. Divan şairi olmasına rağmen Divan şiiri geleneğine birtakım yenilikler getiren Nedimin Gidelim serv-i revânım yürü Sad-âbâda nakaratıyla bilinen şarkısı çalışmanın kaynak metnidir. Beş bentten oluşan ve aruz vezninin feilâtün feilâtün feilâtün feilün kalıbıyla yazılan şiir, hem şairin hem de yaşadığı dönem olan Lale Devrinin zevk ve eğlence anlayışını yansıtmaktadır. İtalyan bir Türkolog olan Alessio Bombaci İtalyan dilinde, La letteratura Turca 1969 adlı bir Türk edebiyatı tarihi kitabı yazmıştır. Batı kültür ve edebiyat dizgesi için ve bir Batı diliyle yayımlanan ilk Türk edebiyatı tarihi olması bakımından ayrı bir önem taşıyan bu eserinde ünlü Türkolog, bazı şairlerin şiirlerinden parçalar  bentler çevirerek bazı şairlerin şiirlerini ise kısmen değil de tamamen çevirerek bu çevirilere eserinde yer vermiştir. Nedimin adı geçen şiiri de Bombaci tarafından tamamı çevrilen şiirlerden biridir. İncelemenin erek metni Bombacinin Osmanlı Türkçesinden İtalyancaya çevirdiği şiirdir. Çevirmenin kaynak metni erek metne aktarırken nasıl bir çeviri stratejisi benimsediği ve nasıl bir çeviri yaptığı, şiir çevirisi üzerine görüş bildiren çeviribilimcilerin yaklaşımları çerçevesinde incelenmiştir. Makalede Nedimin Osmanlı Türkçesindeki şiiri olan kaynak metin KM, Bombacinin İtalyancaya çevirisi olan erek metin ise EM olarak gösterilmiştir.

Makale detayları

A Song Translation from Ottoman Turkish into Italian: Nedim's Song with a Refrain as “Gidelim Serv-i Revânım Yürü Sa'd-âbâda”

Yazarlar:

Eshabil Bozkurt

Yayıncı:

Yusuf ÇETİN

Ana Başlıklar:

Çeviri ve Yorum Çalışmaları

Dergi:

Söylem Filoloji Dergisi Issue Çeviribilim Özel Sayısı II, pp.40-55

Belge Tipi:

Makale

Yayın Tarihi:

3/2025

Belge Dili:

Türkçe

Document ID (Org No.):

2001332498

pISSN:

2548-0502

Nedim

song

Alessio Bombaci

translation from Ottoman Turkish into ItalianNedim

şarkı

Alessio Bombaci

Osmanlı Türkçesinden İtalyancaya çeviri

Sayı

Makale detayları

Yazarlar: Eshabil Bozkurt

Yayıncı: Yusuf ÇETİN

Ana Başlıklar: Çeviri ve Yorum Çalışmaları

Dergi: Söylem Filoloji Dergisi Issue Çeviribilim Özel Sayısı II, pp.40-55

Belge Tipi: Makale

Yayın Tarihi: 3/2025

Belge Dili: Türkçe

Document ID (Org No.): 2001332498

pISSN: 2548-0502

Sayı

Yazarlar:

Eshabil Bozkurt

Yayıncı:

Yusuf ÇETİN

Ana Başlıklar:

Çeviri ve Yorum Çalışmaları

Dergi:

Söylem Filoloji Dergisi Issue Çeviribilim Özel Sayısı II, pp.40-55

Belge Tipi:

Makale

Yayın Tarihi:

3/2025

Belge Dili:

Türkçe

Document ID (Org No.):

2001332498

pISSN:

2548-0502