Beauty and Meaning: Bâğ-ı Irem and Its Usage in Classical Turkish Literature

Hilal Yiğit

Makale detayları

Beauty and Meaning: Bâğ-ı Irem and Its Usage in Classical Turkish Literature

Yazarlar:

Hilal Yiğit

Yayıncı:

Selcuk University

Ana Başlıklar:

Osmanlı Sahası Klasik Türk Edebiyatı

Dergi:

Selçuk Üniversitesi Türkiyat Araştırmaları Dergisi Issue 64, pp.207-234

Belge Tipi:

Makale

Yayın Tarihi:

4/2025

Belge Dili:

Türkçe

Document ID (Org No.):

2001345676

pISSN:

1300-5766

Anahtar kelimeler:

Özet:

 This study discusses the meanings in which Bağ-ı Irem is used and the poets approaches to Irem. Classical Turkish literature poets use Irem, the owner of columns, as the subject of their poems, based on the Holy Quran. Irem has been used by poets since the beginning of classical Turkish literature and has been the subject of various similes on a wide range of lines. Bâğ-ı Irem as heaven, a flourishing garden on all sides, and a place that increases joy are an element of simile used to describe the beauty and magnificence of the beloved in the themes around the beloved. Irem, which describes the world in Bahariyes, is used to describe the beauties of cities and for construction activities and death dates in historical dates. In Fahriyes, poets either describe themselves as Irems nightingale or consider their poems superior to Irem. In the couplets about Sufism, Irem is the garden of truth, the meeting place with God, the world of meaning, and the assembly of secrets. In the verses where Memduh is compared to Irem, The Prophet, and his tomb are also mentioned with the beauties of the garden of Irem. Compared to the Absolute Beauty, Irem is nothing but all creatures except God. In a limited number of couplets written with a theological approach, Irem and the idea of Irem are criticized.

 This study discusses the meanings in which Bağ-ı Irem is used and the poets approaches to Irem. Classical Turkish literature poets use Irem, the owner of columns, as the subject of their poems, based on the Holy Quran. Irem has been used by poets since the beginning of classical Turkish literature and has been the subject of various similes on a wide range of lines. Bâğ-ı Irem as heaven, a flourishing garden on all sides, and a place that increases joy are an element of simile used to describe the beauty and magnificence of the beloved in the themes around the beloved. Irem, which describes the world in Bahariyes, is used to describe the beauties of cities and for construction activities and death dates in historical dates. In Fahriyes, poets either describe themselves as Irems nightingale or consider their poems superior to Irem. In the couplets about Sufism, Irem is the garden of truth, the meeting place with God, the world of meaning, and the assembly of secrets. In the verses where Memduh is compared to Irem, The Prophet, and his tomb are also mentioned with the beauties of the garden of Irem. Compared to the Absolute Beauty, Irem is nothing but all creatures except God. In a limited number of couplets written with a theological approach, Irem and the idea of Irem are criticized.

 This study discusses the meanings in which Bağ-ı Irem is used and the poets approaches to Irem. Classical Turkish literature poets use Irem, the owner of columns, as the subject of their poems, based on the Holy Quran. Irem has been used by poets since the beginning of classical Turkish literature and has been the subject of various similes on a wide range of lines. Bâğ-ı Irem as heaven, a flourishing garden on all sides, and a place that increases joy are an element of simile used to describe the beauty and magnificence of the beloved in the themes around the beloved. Irem, which describes the world in Bahariyes, is used to describe the beauties of cities and for construction activities and death dates in historical dates. In Fahriyes, poets either describe themselves as Irems nightingale or consider their poems superior to Irem. In the couplets about Sufism, Irem is the garden of truth, the meeting place with God, the world of meaning, and the assembly of secrets. In the verses where Memduh is compared to Irem, The Prophet, and his tomb are also mentioned with the beauties of the garden of Irem. Compared to the Absolute Beauty, Irem is nothing but all creatures except God. In a limited number of couplets written with a theological approach, Irem and the idea of Irem are criticized.

 Bu çalışmada Bağ-ı İremin kullanıldığı anlam örgüleri ve şairlerin İreme yaklaşım tarzları ele alınmıştır. Klasik Türk edebiyatı şairleri Kuran-ı Kerîmden hareketle sütunlar sahibi İremi şiire konu edinir. İrem, klasik Türk edebiyatının başlangıcından beri şairler tarafından kullanılmış ve çok geniş bir eksende çeşitli teşbihlere konu olmuştur. Cennet, her yanı mamur bahçe, sevinç artıran bir mekân olarak bâğ-ı İrem sevgili etrafında işlenen temalarda sevgilinin güzellik ve ihtişamını anlatmak için kullanılan bir teşbih unsurudur. Bahariyelerde âlemi niteleyen İrem, şehirlerin güzelliklerini anlatmak için, tarih düşürmelerde imar faaliyetleri ve vefat tarihleri için kullanılır. Fahriyelerde şairler ya kendilerini İrem bülbülü olarak niteler ya da şiirlerini İremden üstün tutarlar. Tasavvufu konu alan beyitlerde ise İrem hakikat bahçesi, Tanrıyla buluşma yeri, mana âlemi ve sırlar meclisidir. Memduhun İreme teşbih edildiği beyilerde Hz. Peygamber ve ravzası da bâğ-ı İremin güzellikleriyle zikredilir. Mutlak Güzelin yanında İrem ancak masivadır. Sınırlı sayıdaki teolojik yaklaşımla söylenmiş beyitlerde ise İrem ve İrem fikri tenkid edilir.

Makale detayları

Beauty and Meaning: Bâğ-ı Irem and Its Usage in Classical Turkish Literature

Yazarlar:

Hilal Yiğit

Yayıncı:

Selcuk University

Ana Başlıklar:

Osmanlı Sahası Klasik Türk Edebiyatı

Dergi:

Selçuk Üniversitesi Türkiyat Araştırmaları Dergisi Issue 64, pp.207-234

Belge Tipi:

Makale

Yayın Tarihi:

4/2025

Belge Dili:

Türkçe

Document ID (Org No.):

2001345676

pISSN:

1300-5766

Classical Türkish Literature

Bâğ-ı İrem

Beloved

Paradise

GardenKlasik Türk Edebiyatı

Bâğ-ı İrem

Sevgili

Cennet

Bahçe

Sayı

Makale detayları

Yazarlar: Hilal Yiğit

Yayıncı: Selcuk University

Ana Başlıklar: Osmanlı Sahası Klasik Türk Edebiyatı

Dergi: Selçuk Üniversitesi Türkiyat Araştırmaları Dergisi Issue 64, pp.207-234

Belge Tipi: Makale

Yayın Tarihi: 4/2025

Belge Dili: Türkçe

Document ID (Org No.): 2001345676

pISSN: 1300-5766

Sayı

Yazarlar:

Hilal Yiğit

Yayıncı:

Selcuk University

Ana Başlıklar:

Osmanlı Sahası Klasik Türk Edebiyatı

Dergi:

Selçuk Üniversitesi Türkiyat Araştırmaları Dergisi Issue 64, pp.207-234

Belge Tipi:

Makale

Yayın Tarihi:

4/2025

Belge Dili:

Türkçe

Document ID (Org No.):

2001345676

pISSN:

1300-5766