Fingerprint Texture as the Bearer of Identity and Language of Ceramic Material

Ayça Uğur; Meziyet Ayşe Balyemez

Makale detayları

Fingerprint Texture as the Bearer of Identity and Language of Ceramic Material

Yazarlar:

Ayça Uğur | Meziyet Ayşe Balyemez

Yayıncı:

Dokuz Eylul University

Dergi:

Yedi Issue 30, pp.109-121

Belge Tipi:

Makale

Yayın Tarihi:

7/2023

Belge Dili:

Türkçe

Document ID (Org No.):

2001285300

pISSN:

1307-9840

Anahtar kelimeler:

Özet:

 Production process with ceramic material involves direct contact with the material. Ceramic clay responds and reacts to every touch due to its nature and carries traces of every intervention. In this process the touch of the artist would inevitably appear on the surface of the work at the stage of hand shaping. In this study, by adopting the point of view that the bond established with the material is the source of art production, the fingerprint texture that emerges due to production in hand-shaped contemporary ceramic works is researched. Focusing on the fingerprints that formed during the production and shaping processes, the works in which the traces are added after the shaping phase are excluded from the scope. The study seeks an answer to the question of what is the meaning, concept and function of the fingerprint on the ceramic surface from the perspective of production, texture and perception. It was assumed that the fingerprint could be an identity mark belonging to the material and its shaper, or a decor item due to the texture it creates, but in the evaluation made on the examples, it was concluded that it carries much different expressions than these above. In addition, when current works are examined, a common visual language in recent artist productions can be seen.

 Production process with ceramic material involves direct contact with the material. Ceramic clay responds and reacts to every touch due to its nature and carries traces of every intervention. In this process the touch of the artist would inevitably appear on the surface of the work at the stage of hand shaping. In this study, by adopting the point of view that the bond established with the material is the source of art production, the fingerprint texture that emerges due to production in hand-shaped contemporary ceramic works is researched. Focusing on the fingerprints that formed during the production and shaping processes, the works in which the traces are added after the shaping phase are excluded from the scope. The study seeks an answer to the question of what is the meaning, concept and function of the fingerprint on the ceramic surface from the perspective of production, texture and perception. It was assumed that the fingerprint could be an identity mark belonging to the material and its shaper, or a decor item due to the texture it creates, but in the evaluation made on the examples, it was concluded that it carries much different expressions than these above. In addition, when current works are examined, a common visual language in recent artist productions can be seen.

 Production process with ceramic material involves direct contact with the material. Ceramic clay responds and reacts to every touch due to its nature and carries traces of every intervention. In this process the touch of the artist would inevitably appear on the surface of the work at the stage of hand shaping. In this study, by adopting the point of view that the bond established with the material is the source of art production, the fingerprint texture that emerges due to production in hand-shaped contemporary ceramic works is researched. Focusing on the fingerprints that formed during the production and shaping processes, the works in which the traces are added after the shaping phase are excluded from the scope. The study seeks an answer to the question of what is the meaning, concept and function of the fingerprint on the ceramic surface from the perspective of production, texture and perception. It was assumed that the fingerprint could be an identity mark belonging to the material and its shaper, or a decor item due to the texture it creates, but in the evaluation made on the examples, it was concluded that it carries much different expressions than these above. In addition, when current works are examined, a common visual language in recent artist productions can be seen.

 Seramik malzeme ile üretim süreci malzemeye doğrudan temas etmeyi içermektedir. Seramik çamuru, yapısı gereği her dokunuşa yanıt ve tepki verir, kendisine yapılan her müdahalenin izini taşır. Sanatçının dokunuşu el ile şekillendirme aşamasında, kaçınılmaz olarak çalışma yüzeyinde ortaya çıkar. Bu çalışmada malzeme ile kurulan bağın sanat üretimine kaynak edildiği bakış açısı benimsenerek, el ile şekillendirilmiş güncel seramik çalışmalarda üretime bağlı olarak ortaya çıkan parmak izi dokusu araştırılmaktadır. Üretim ve şekillendirme sürecinde oluşan parmak izine odaklanarak, şekillendirme aşamasından sonra eklenen izlerin kullanıldığı çalışmalar kapsam dışında bırakılmıştır. Bu araştırma, seramik yüzeydeki parmak izinin taşıdığı anlam, kavram ve işlevin ne olduğu sorusuna üretim, doku ve algılama penceresinden cevap aramaktadır. Parmak izinin, malzemeye ve onu şekillendirene ait bir kimlik işareti ya da oluşturduğu doku nedeniyle bir dekor öğesi olabileceği öngörüsü ile yola çıkılmış, ancak örnekler üzerinden yapılan değerlendirmede bundan çok daha farklı ifadeler taşıdığı sonucuna varılmıştır. Ayrıca güncel çalışmalar incelendiğinde yakın tarihli sanatçı üretimlerinde ortak bir görsel dil yakalandığı da görülmektedir.

Makale detayları

Fingerprint Texture as the Bearer of Identity and Language of Ceramic Material

Yazarlar:

Ayça Uğur | Meziyet Ayşe Balyemez

Yayıncı:

Dokuz Eylul University

Dergi:

Yedi Issue 30, pp.109-121

Belge Tipi:

Makale

Yayın Tarihi:

7/2023

Belge Dili:

Türkçe

Document ID (Org No.):

2001285300

pISSN:

1307-9840

ceramics

art

texture

fingerprint

material

medium

Seramik

Sanat

Doku

Parmak izi

Malzeme.

Sayı

Makale detayları

Yazarlar: Ayça Uğur | Meziyet Ayşe Balyemez

Yayıncı: Dokuz Eylul University

Dergi: Yedi Issue 30, pp.109-121

Belge Tipi: Makale

Yayın Tarihi: 7/2023

Belge Dili: Türkçe

Document ID (Org No.): 2001285300

pISSN: 1307-9840

Sayı

Yazarlar:

Ayça Uğur | Meziyet Ayşe Balyemez

Yayıncı:

Dokuz Eylul University

Dergi:

Yedi Issue 30, pp.109-121

Belge Tipi:

Makale

Yayın Tarihi:

7/2023

Belge Dili:

Türkçe

Document ID (Org No.):

2001285300

pISSN:

1307-9840