A PHENOMENOLOGICAL PERSPECTIVE TO THE MUSIC PHENOMENON FROM THE FRAMEWORK OF PHENOMENOLOGY

Mehmet Emin Şen; Can Aydoğdu

Makale detayları

A PHENOMENOLOGICAL PERSPECTIVE TO THE MUSIC PHENOMENON FROM THE FRAMEWORK OF PHENOMENOLOGY

Yazarlar:

Mehmet Emin Şen | Can Aydoğdu

Yayıncı:

Inonu University

Dergi:

İnönü Üniversitesi Kültür ve Sanat Dergisi Vol.8 Issue 2, pp.50-56

Belge Tipi:

Makale

Yayın Tarihi:

11/2023

Belge Dili:

Türkçe

Document ID (Org No.):

2001281847

pISSN:

2458-7915

Anahtar kelimeler:

Özet:

 In this study, which presents a proposition based on the intuition of audible sound materials to phenomena seen in response to all kinds of objects, beings, qualities and events; while based on the assumption that the external world-which human beings directly experience and perceive through sense organs-is meaningful with our consciousness, the phenomenon of music is examined in terms of phenomenology evaluated from a factual descriptive-perceptual perspective. Recently, studies on sound substances with their phenomenological connection emerge as an important discipline in terms of the nature of music and the ontology of the musical object. Phenomenology is one of the dominant philosophies of our century with its different perspective in the analysis of researches. Questioning and research-oriented phenomenological approaches on phenomena can create a direct reference in music analyses by revealing a philosophical understanding that aims to describe things and objects. The main reason for handling the music phenomenon in the context of ontology and phenomenological framework is the relationship between the subjectivity, perception, structure and meaning of music. In this study, which is trying to find answers with the language of music, the philosophical status of the music phenomenon is interpreted within a phenomenological perspective.

 In this study, which presents a proposition based on the intuition of audible sound materials to phenomena seen in response to all kinds of objects, beings, qualities and events; while based on the assumption that the external world-which human beings directly experience and perceive through sense organs-is meaningful with our consciousness, the phenomenon of music is examined in terms of phenomenology evaluated from a factual descriptive-perceptual perspective. Recently, studies on sound substances with their phenomenological connection emerge as an important discipline in terms of the nature of music and the ontology of the musical object. Phenomenology is one of the dominant philosophies of our century with its different perspective in the analysis of researches. Questioning and research-oriented phenomenological approaches on phenomena can create a direct reference in music analyses by revealing a philosophical understanding that aims to describe things and objects. The main reason for handling the music phenomenon in the context of ontology and phenomenological framework is the relationship between the subjectivity, perception, structure and meaning of music. In this study, which is trying to find answers with the language of music, the philosophical status of the music phenomenon is interpreted within a phenomenological perspective.

 In this study, which presents a proposition based on the intuition of audible sound materials to phenomena seen in response to all kinds of objects, beings, qualities and events; while based on the assumption that the external world-which human beings directly experience and perceive through sense organs-is meaningful with our consciousness, the phenomenon of music is examined in terms of phenomenology evaluated from a factual descriptive-perceptual perspective. Recently, studies on sound substances with their phenomenological connection emerge as an important discipline in terms of the nature of music and the ontology of the musical object. Phenomenology is one of the dominant philosophies of our century with its different perspective in the analysis of researches. Questioning and research-oriented phenomenological approaches on phenomena can create a direct reference in music analyses by revealing a philosophical understanding that aims to describe things and objects. The main reason for handling the music phenomenon in the context of ontology and phenomenological framework is the relationship between the subjectivity, perception, structure and meaning of music. In this study, which is trying to find answers with the language of music, the philosophical status of the music phenomenon is interpreted within a phenomenological perspective.

 İnsanoğlunun aracısız bir şekilde doğrudan deneyimlediği ve duyu organları yoluyla algılayabildiği dış dünyanın bilincimizle anlamlı olduğu varsayımı üzerinden hareketle her türlü nesne, varlık, nitelik ve olaya karşılık olarak görülen fenomenlere işitilebilir ses özdeklerinin sezgisi art alınarak önerme sunan bu çalışmada müzik fenomeni, görüngübilim fenomenoloji açıdan olgusal betimleyici-algısal bakış açısıyla değerlendirilmiştir. Son zamanlarda fenomenolojik bağlantısı ile ses örüntüleri üzerine yapılan çalışmalar müziğin doğası ve müzikal nesnenin ontolojisi açısından önemli bir disiplin olarak karşımıza çıkmaktadır. Görüngübilim eş deyişle fenomenoloji, araştırmaların tahlilindeki farklı bakışı ile yüzyılımıza egemen felsefelerden biridir. Fenomenler üzerine gerçekleştirilen sorgulama ve araştırma odaklı fenomenolojik yaklaşımlar, şeyleri ve nesneleri betimleme amacı güden bir felsefi anlayışı ortaya çıkartarak müzik analizlerinde doğrudan referans oluşturabilmektedir. Müzik fenomeninin ontolojik bağlamı ile fenomenolojik açıdan ele alınmasının temel gerekçesini müziğin öznellik, algı, yapı ve anlam arasındaki ilişki oluşturmaktadır. Müziğin diliyle yanıt arama çabası içerisinde hazırlanan bu çalışmada müzik fenomeninin felsefi statüsü fenomenolojik bir bakışla yorumlanmıştır.

Makale detayları

A PHENOMENOLOGICAL PERSPECTIVE TO THE MUSIC PHENOMENON FROM THE FRAMEWORK OF PHENOMENOLOGY

Yazarlar:

Mehmet Emin Şen | Can Aydoğdu

Yayıncı:

Inonu University

Dergi:

İnönü Üniversitesi Kültür ve Sanat Dergisi Vol.8 Issue 2, pp.50-56

Belge Tipi:

Makale

Yayın Tarihi:

11/2023

Belge Dili:

Türkçe

Document ID (Org No.):

2001281847

pISSN:

2458-7915

Phenomenology

Phenomenon

Musical Element.

Phenomenology, Phenomenon, Musical Element.

Görüngübilim

Fenomenoloji

Fenomen

Müzik Ögesi

Phenomenology

Phenomenon

Musical Element.

Sayı

Makale detayları

Yazarlar: Mehmet Emin Şen | Can Aydoğdu

Yayıncı: Inonu University

Dergi: İnönü Üniversitesi Kültür ve Sanat Dergisi Vol.8 Issue 2, pp.50-56

Belge Tipi: Makale

Yayın Tarihi: 11/2023

Belge Dili: Türkçe

Document ID (Org No.): 2001281847

pISSN: 2458-7915

Sayı

Yazarlar:

Mehmet Emin Şen | Can Aydoğdu

Yayıncı:

Inonu University

Dergi:

İnönü Üniversitesi Kültür ve Sanat Dergisi Vol.8 Issue 2, pp.50-56

Belge Tipi:

Makale

Yayın Tarihi:

11/2023

Belge Dili:

Türkçe

Document ID (Org No.):

2001281847

pISSN:

2458-7915