The Evolution of Piet Mondrian's Perception of Form and Interaction with Abstract Art

Mehtap Kurt; Ali Ertuğrul Küpeli

Makale detayları

The Evolution of Piet Mondrian's Perception of Form and Interaction with Abstract Art

Yazarlar:

Mehtap Kurt | Ali Ertuğrul Küpeli

Yayıncı:

Kyrgyz-Turkish Manas University

Ana Başlıklar:

Resim

Dergi:

MANAS Sosyal Araştırmalar Dergisi Vol.14 Issue 1, pp.228-243

Belge Tipi:

Makale

Yayın Tarihi:

1/2025

Belge Dili:

Türkçe

Document ID (Org No.):

2001339089

pISSN:

1694-7215

Anahtar kelimeler:

Özet:

 The unique dynamics of the 20th century facilitated the emergence of diverse artistic understandings. Artists discovered the existence of alternative realities beyond the visible nature, contributing to the spirit of innovation. One of the periods most significant developments was the advent of abstraction, which represented an effort to transform the accepted reality of the world through interpretations that go beyond the surface. The sensory and imaginary dimensions of abstraction have been attempted to be framed within a logical structure through art. The study profoundly focuses on Piet Mondrians perception of color and form in his works. Mondrians reality in art is examined, expressing universal harmony, balance, and unity through the purest and simplest forms of objects and their horizontal and vertical relationships. The research aims to illuminate the process of discovering the fundamental principle in his works, how it evolved, and its transformation. The impact of Mondrians theoretical and practical work on abstract and modern art maintains its significance in the context of the 21st century. The analysis of the evolutionary processes of the artists works, examining color, shape, and fundamental concepts at each stage, is crucial for understanding Neo-Plasticism and the Abstract Art movement. The research was conducted through a literature review method, and the sources used include academic publications, articles, theses, and online materials about the artist. An in-depth examination of the era in which the artist interacted, art movements, philosophical streams, and relationships with art circles is required to fully understand his artistic development stages. Moreover, the influence of theosophy and other philosophies on the artists artistic understanding and how the reductionist approach brought by Cubist tendencies to the process of abstraction reflects on artworks and its effects on both his era and subsequent periods are also addressed. In conclusion, the impact created by Mondrians art and theory is felt in various fields today contributing to a rich and profound system of meaning. His approach to abstract art, with its visual and conceptual dimensions, encompasses comprehensive and ongoing relevance, leading to the originality of creative processes by shedding dependencies on objectivity.

 The unique dynamics of the 20th century facilitated the emergence of diverse artistic understandings. Artists discovered the existence of alternative realities beyond the visible nature, contributing to the spirit of innovation. One of the periods most significant developments was the advent of abstraction, which represented an effort to transform the accepted reality of the world through interpretations that go beyond the surface. The sensory and imaginary dimensions of abstraction have been attempted to be framed within a logical structure through art. The study profoundly focuses on Piet Mondrians perception of color and form in his works. Mondrians reality in art is examined, expressing universal harmony, balance, and unity through the purest and simplest forms of objects and their horizontal and vertical relationships. The research aims to illuminate the process of discovering the fundamental principle in his works, how it evolved, and its transformation. The impact of Mondrians theoretical and practical work on abstract and modern art maintains its significance in the context of the 21st century. The analysis of the evolutionary processes of the artists works, examining color, shape, and fundamental concepts at each stage, is crucial for understanding Neo-Plasticism and the Abstract Art movement. The research was conducted through a literature review method, and the sources used include academic publications, articles, theses, and online materials about the artist. An in-depth examination of the era in which the artist interacted, art movements, philosophical streams, and relationships with art circles is required to fully understand his artistic development stages. Moreover, the influence of theosophy and other philosophies on the artists artistic understanding and how the reductionist approach brought by Cubist tendencies to the process of abstraction reflects on artworks and its effects on both his era and subsequent periods are also addressed. In conclusion, the impact created by Mondrians art and theory is felt in various fields today contributing to a rich and profound system of meaning. His approach to abstract art, with its visual and conceptual dimensions, encompasses comprehensive and ongoing relevance, leading to the originality of creative processes by shedding dependencies on objectivity.

 The unique dynamics of the 20th century facilitated the emergence of diverse artistic understandings. Artists discovered the existence of alternative realities beyond the visible nature, contributing to the spirit of innovation. One of the periods most significant developments was the advent of abstraction, which represented an effort to transform the accepted reality of the world through interpretations that go beyond the surface. The sensory and imaginary dimensions of abstraction have been attempted to be framed within a logical structure through art. The study profoundly focuses on Piet Mondrians perception of color and form in his works. Mondrians reality in art is examined, expressing universal harmony, balance, and unity through the purest and simplest forms of objects and their horizontal and vertical relationships. The research aims to illuminate the process of discovering the fundamental principle in his works, how it evolved, and its transformation. The impact of Mondrians theoretical and practical work on abstract and modern art maintains its significance in the context of the 21st century. The analysis of the evolutionary processes of the artists works, examining color, shape, and fundamental concepts at each stage, is crucial for understanding Neo-Plasticism and the Abstract Art movement. The research was conducted through a literature review method, and the sources used include academic publications, articles, theses, and online materials about the artist. An in-depth examination of the era in which the artist interacted, art movements, philosophical streams, and relationships with art circles is required to fully understand his artistic development stages. Moreover, the influence of theosophy and other philosophies on the artists artistic understanding and how the reductionist approach brought by Cubist tendencies to the process of abstraction reflects on artworks and its effects on both his era and subsequent periods are also addressed. In conclusion, the impact created by Mondrians art and theory is felt in various fields today contributing to a rich and profound system of meaning. His approach to abstract art, with its visual and conceptual dimensions, encompasses comprehensive and ongoing relevance, leading to the originality of creative processes by shedding dependencies on objectivity.

 20. yüzyılın kendine özgü dinamikleri, farklı sanat anlayışlarının filizlenmesine olanak tanımıştır. Sanatçılar, görünen doğanın ötesinde alternatif gerçekliklerin varlığını keşfetmiş ve bu yeni keşifler, yenilikçilik ruhunun doğuşuna katkıda bulunmuştur. Bu dönemin en önemli gelişmelerinden biri, soyutlamanın ortaya çıkışıdır; bu da kabul edilmiş dünyanın sabit gerçekliğini, yüzeyin ötesine geçen yeni yorumlarla dönüştürme çabasını ifade eder. Soyutlamanın duyusal ve hayali boyutu, sanat aracılığıyla mantıksal bir çerçeveye oturtulmaya çalışılmıştır. Araştırmada, Piet Mondrianın eserlerindeki renk ve form algısına derinlemesine odaklanılmıştır. Mondrianın sanatındaki gerçeklik, nesnelerin en temiz ve basit formları aracılığıyla, yatay ve dikey ilişkilerle evrensel uyum, denge ve birliği ifade eden bir anlayış olarak incelenmiştir. Araştırmanın amacı, onun eserlerindeki temel prensibin keşif sürecini, bu sürecin nasıl ilerlediğini ve dönüşümünü aydınlatmaktır. Mondrianın teorik ve pratik çalışmalarının soyut ve modern sanat üzerindeki etkisi, 21. yüzyılın bağlamında da önemini korumaktadır. Sanatçının eserlerinin evrimsel süreçlerinin analizi, her aşamadaki renk, biçim ve temel kavramların incelenmesi, Neo-Plasticizm ve Soyut Sanat akımının anlaşılması açısından kritik önem taşımaktadır. Araştırma, literatür taraması yöntemiyle gerçekleştirilmiş ve kullanılan kaynaklar, sanatçı hakkındaki akademik yayınlar, makaleler, tezler ve çevrimiçi materyalleri içermektedir. Sanatçının etkileşimde bulunduğu dönem, sanat akımları, felsefi akımlar ve sanatçı çevreleriyle ilişkileri, onun sanatsal gelişim aşamalarının ayrıntılı bir şekilde incelenmesini gerektirmektedir. Ayrıca teozofi ve diğer felsefelerin sanatçının sanat anlayışı üzerindeki etkisi ve Kübist yaklaşımın soyutlama sürecine getirdiği indirgemeci yaklaşımın sanat eserlerine yansıması ve bu yaklaşımın hem kendi dönemi hem de sonraki dönemler üzerindeki etkileri de ele alınmıştır. Sonuç olarak Mondrianın sanatı ve teorisinin yarattığı etki günümüzde çeşitli alanlarda hissedilmekte ve zengin ve derin bir anlam sistemine katkı sağlamaktadır. Soyut sanata olan yaklaşımı görsel ve fikirsel boyutlarıyla geniş kapsamlı ve sürekli bir güncellik barındırmakta, nesnellik bağımlılığından kurtularak yaratıcı süreçlerin özgünleşmesine öncülük etmektedir.

Makale detayları

The Evolution of Piet Mondrian's Perception of Form and Interaction with Abstract Art

Yazarlar:

Mehtap Kurt | Ali Ertuğrul Küpeli

Yayıncı:

Kyrgyz-Turkish Manas University

Ana Başlıklar:

Resim

Dergi:

MANAS Sosyal Araştırmalar Dergisi Vol.14 Issue 1, pp.228-243

Belge Tipi:

Makale

Yayın Tarihi:

1/2025

Belge Dili:

Türkçe

Document ID (Org No.):

2001339089

pISSN:

1694-7215

Piet Mondrian

Abstract Art

De Stijl

Neo Plastism

TheosophyPiet Mondrian

Soyut Sanat

De Stijl

Neo-Plastisizm

Teozofi

Sayı

Makale detayları

Yazarlar: Mehtap Kurt | Ali Ertuğrul Küpeli

Yayıncı: Kyrgyz-Turkish Manas University

Ana Başlıklar: Resim

Dergi: MANAS Sosyal Araştırmalar Dergisi Vol.14 Issue 1, pp.228-243

Belge Tipi: Makale

Yayın Tarihi: 1/2025

Belge Dili: Türkçe

Document ID (Org No.): 2001339089

pISSN: 1694-7215

Sayı

Yazarlar:

Mehtap Kurt | Ali Ertuğrul Küpeli

Yayıncı:

Kyrgyz-Turkish Manas University

Ana Başlıklar:

Resim

Dergi:

MANAS Sosyal Araştırmalar Dergisi Vol.14 Issue 1, pp.228-243

Belge Tipi:

Makale

Yayın Tarihi:

1/2025

Belge Dili:

Türkçe

Document ID (Org No.):

2001339089

pISSN:

1694-7215