INTERTEXTUALITY IN THE POEMS OF HÜSEYİN ATLANSOY

Selçuk Çınar; Oğuz Öcal

Makale detayları

INTERTEXTUALITY IN THE POEMS OF HÜSEYİN ATLANSOY

Yazarlar:

Selçuk Çınar | Oğuz Öcal

Yayıncı:

Kirikkale University

Ana Başlıklar:

Türkiye Sahası Yeni Türk Edebiyatı

Dergi:

Kırıkkale Üniversitesi Sosyal Bilimler Dergisi Vol.15 Issue 2, pp.1-21

Belge Tipi:

Makale

Yayın Tarihi:

7/2025

Belge Dili:

Türkçe

Document ID (Org No.):

2001355881

pISSN:

2146-2879

Anahtar kelimeler:

Özet:

 Intertextuality, one of the fundamental elements of todays literary understanding, is a technique used in poetry as well as prose. Instead of the previous perception of pure, unadulterated texts, the texts start from the idea that texts and of course writers are talking to each other, and the gaps in the texts also serve as a shield that protects writers and poets against the anxiety of being influenced. According to this approach, an artist can construct her own text by being aware of previous texts and, where appropriate, by referencing and alluding to them and, where appropriate, by coming to terms with them. However, an artist can still create original works even if he or she uses texts from other artists. In such a case, it is necessary to talk about the creative power and artistic sensitivity of that artist beyond the context of intertextuality. Hüseyin Atlansoy, one of the leading poets of the 1980s Generation, is one of these artists. From her first to her last work, he establishes relationships with the prose and poetry of different artists through methods such as citation, allusion, onomatopoeia and quotation. This attitude is important in terms of showing the artists he both feeds off of and reckons with. In this article, Atlansoys Yarın Bekleyebilir 2011 and four poetry books published afterwards are examined according to the intertextuality technique. By analyzing the poems in these five works, an attempt was made to identify all kinds of intertextual relationships that exist with different texts, and the sections that are related to each other were shown in the study. With this analysis, it is understood that Atlansoys poem contains a lot of material in terms of intertextual relations.

 Intertextuality, one of the fundamental elements of todays literary understanding, is a technique used in poetry as well as prose. Instead of the previous perception of pure, unadulterated texts, the texts start from the idea that texts and of course writers are talking to each other, and the gaps in the texts also serve as a shield that protects writers and poets against the anxiety of being influenced. According to this approach, an artist can construct her own text by being aware of previous texts and, where appropriate, by referencing and alluding to them and, where appropriate, by coming to terms with them. However, an artist can still create original works even if he or she uses texts from other artists. In such a case, it is necessary to talk about the creative power and artistic sensitivity of that artist beyond the context of intertextuality. Hüseyin Atlansoy, one of the leading poets of the 1980s Generation, is one of these artists. From her first to her last work, he establishes relationships with the prose and poetry of different artists through methods such as citation, allusion, onomatopoeia and quotation. This attitude is important in terms of showing the artists he both feeds off of and reckons with. In this article, Atlansoys Yarın Bekleyebilir 2011 and four poetry books published afterwards are examined according to the intertextuality technique. By analyzing the poems in these five works, an attempt was made to identify all kinds of intertextual relationships that exist with different texts, and the sections that are related to each other were shown in the study. With this analysis, it is understood that Atlansoys poem contains a lot of material in terms of intertextual relations.

 Intertextuality, one of the fundamental elements of todays literary understanding, is a technique used in poetry as well as prose. Instead of the previous perception of pure, unadulterated texts, the texts start from the idea that texts and of course writers are talking to each other, and the gaps in the texts also serve as a shield that protects writers and poets against the anxiety of being influenced. According to this approach, an artist can construct her own text by being aware of previous texts and, where appropriate, by referencing and alluding to them and, where appropriate, by coming to terms with them. However, an artist can still create original works even if he or she uses texts from other artists. In such a case, it is necessary to talk about the creative power and artistic sensitivity of that artist beyond the context of intertextuality. Hüseyin Atlansoy, one of the leading poets of the 1980s Generation, is one of these artists. From her first to her last work, he establishes relationships with the prose and poetry of different artists through methods such as citation, allusion, onomatopoeia and quotation. This attitude is important in terms of showing the artists he both feeds off of and reckons with. In this article, Atlansoys Yarın Bekleyebilir 2011 and four poetry books published afterwards are examined according to the intertextuality technique. By analyzing the poems in these five works, an attempt was made to identify all kinds of intertextual relationships that exist with different texts, and the sections that are related to each other were shown in the study. With this analysis, it is understood that Atlansoys poem contains a lot of material in terms of intertextual relations.

 Günümüz edebiyat anlayışının temel unsurlarından biri olan metinleraralılık, düzyazının yanı sıra şiirde de kullanılan bir tekniktir. Eskinin saf, katışıksız metin algısı yerine metinlerin elbette yazarların birbiriyle söyleştiği düşüncesinden hareket eden metinleraralılık, yazar ve şairleri etkilenme endişesine karşı koruyan bir kalkan görevi de görmektedir. Bu yaklaşıma göre bir sanatçı önceki metinlerden haberdar olup yerine göre onlara atıf, anıştırma yaparak yerine göre onlarla hesaplaşarak kendi metnini inşa edebilir. Bununla beraber bir sanatçı, diğer sanatçılara ait metinlerden istifade etse bile özgün eserler ortaya koyabilir. Böyle bir durumda da o sanatçının metinlerarasılık bağlamının ötesinde bir yaratıcı gücünden, sanatkâr duyarlığından söz etmek gerekir. 1980 Kuşağının önde gelen şairlerinden Hüseyin Atlansoy, bu tür sanatçılardan biridir. O, ilk eserinden son eserine kadar farklı sanatçıların düzyazı ve şiirleri ile atıf, anıştırma, yansılama, alıntı gibi yöntemler aracılığıyla ilişki kurar. Bu tavır, onun hem beslendiği hem de hesaplaştığı sanatçıları göstermesi bakımından önemlidir. Bu makalede Atlansoyun Yarın Bekleyebilir 2011 ve sonrasında basılan dört şiir kitabı, metinlerarasılık bağlamında incelenmektedir. Bu beş eserde yer alan şiirler analiz edilerek farklı metinlerle var olan her türlü metinlerarası ilişki tespit edilmeye çalışılmış, birbiri ile ilgisi olan bölümler çalışma içerisinde gösterilmiştir. Bu inceleme ile şu anlaşılmaktadır ki Atlansoy şiiri, metinlerarası ilişkiler açısında oldukça zengin malzemeler içermektedir.

Makale detayları

INTERTEXTUALITY IN THE POEMS OF HÜSEYİN ATLANSOY

Yazarlar:

Selçuk Çınar | Oğuz Öcal

Yayıncı:

Kirikkale University

Ana Başlıklar:

Türkiye Sahası Yeni Türk Edebiyatı

Dergi:

Kırıkkale Üniversitesi Sosyal Bilimler Dergisi Vol.15 Issue 2, pp.1-21

Belge Tipi:

Makale

Yayın Tarihi:

7/2025

Belge Dili:

Türkçe

Document ID (Org No.):

2001355881

pISSN:

2146-2879

New Turkish Literature

Modern Turkish poetry

Intertextuality

Hüseyin AtlansoyYeni Türk Edebiyatı

Modern Türk şiiri

Metinler Arasılık

Hüseyin Atlansoy

Sayı

Makale detayları

Yazarlar: Selçuk Çınar | Oğuz Öcal

Yayıncı: Kirikkale University

Ana Başlıklar: Türkiye Sahası Yeni Türk Edebiyatı

Dergi: Kırıkkale Üniversitesi Sosyal Bilimler Dergisi Vol.15 Issue 2, pp.1-21

Belge Tipi: Makale

Yayın Tarihi: 7/2025

Belge Dili: Türkçe

Document ID (Org No.): 2001355881

pISSN: 2146-2879

Sayı

Yazarlar:

Selçuk Çınar | Oğuz Öcal

Yayıncı:

Kirikkale University

Ana Başlıklar:

Türkiye Sahası Yeni Türk Edebiyatı

Dergi:

Kırıkkale Üniversitesi Sosyal Bilimler Dergisi Vol.15 Issue 2, pp.1-21

Belge Tipi:

Makale

Yayın Tarihi:

7/2025

Belge Dili:

Türkçe

Document ID (Org No.):

2001355881

pISSN:

2146-2879