‘EMANCIPATING SPECTATOR’ IN LUC TUYMANS’ PAINTINGS

Cemil Toprak

Makale detayları

‘EMANCIPATING SPECTATOR’ IN LUC TUYMANS’ PAINTINGS

Yazarlar:

Cemil Toprak

Yayıncı:

Hacettepe University

Ana Başlıklar:

Resim

Dergi:

Sanat Yazıları Issue 51, pp.599-613

Belge Tipi:

Makale

Yayın Tarihi:

11/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001332143

pISSN:

2458-8903

Anahtar kelimeler:

Özet:

 Belgian artist Luc Tuymans is one of the important representatives of contemporary art. The power of Tuymans art can be explained by his approach to individual and social traumatic memory and his position as an artist in the relationship between image-representation-viewer. Problematizing the relationship with reality in his works, the artist aims to create a critical dialogue about historical narratives by transforming existing images. The viewers role in Tuymanss works overlaps with French philosopher Rancieres determinations on the relationship between art and politics. In this study, Tuymans paintings are analyzed within the framework of Rancieres views in his book The Emancipating Spectator to offer a perspective on the critical potential of painting as an art form.

 Belgian artist Luc Tuymans is one of the important representatives of contemporary art. The power of Tuymans art can be explained by his approach to individual and social traumatic memory and his position as an artist in the relationship between image-representation-viewer. Problematizing the relationship with reality in his works, the artist aims to create a critical dialogue about historical narratives by transforming existing images. The viewers role in Tuymanss works overlaps with French philosopher Rancieres determinations on the relationship between art and politics. In this study, Tuymans paintings are analyzed within the framework of Rancieres views in his book The Emancipating Spectator to offer a perspective on the critical potential of painting as an art form.

 Belgian artist Luc Tuymans is one of the important representatives of contemporary art. The power of Tuymans art can be explained by his approach to individual and social traumatic memory and his position as an artist in the relationship between image-representation-viewer. Problematizing the relationship with reality in his works, the artist aims to create a critical dialogue about historical narratives by transforming existing images. The viewers role in Tuymanss works overlaps with French philosopher Rancieres determinations on the relationship between art and politics. In this study, Tuymans paintings are analyzed within the framework of Rancieres views in his book The Emancipating Spectator to offer a perspective on the critical potential of painting as an art form.

 Belçikalı sanatçı Luc Tuymans günümüz sanatının önemli temsilcilerindendir. Tuymansın sanatının gücü, bireysel ve top-lumsal travmatik belleğe yaklaşımı ve imge-temsil-seyirci arasındaki ilişkide, sanatçı olarak aldığı konumla açıklanabilir. Çalışmalarında gerçekle kurulan ilişkiyi problemleştiren sanatçı, mevcut görüntüleri dönüştürerek tarihsel anlatılar hak-kında eleştirel bir diyalog yaratmayı amaçlar. Tuymansın eserlerindeki izleyicinin rolü Fransız düşünür Rancierein sanat ve siyaset ilişkisine dair ortaya koyduğu belirlemelerle örtüşür. Araştırmada, Tuymansın resimleri Rancierein Özgürleşen Seyirci isimli kitabındaki görüşleri çerçevesinde incelenerek, bir sanat formu olarak resmin eleştirel potansiyeline dair bir perspektif sunmak amaçlanmıştır.

Makale detayları

‘EMANCIPATING SPECTATOR’ IN LUC TUYMANS’ PAINTINGS

Yazarlar:

Cemil Toprak

Yayıncı:

Hacettepe University

Ana Başlıklar:

Resim

Dergi:

Sanat Yazıları Issue 51, pp.599-613

Belge Tipi:

Makale

Yayın Tarihi:

11/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001332143

pISSN:

2458-8903

Luc Tuymans

Jacques Ranciere

Viewer

Politics

ImageLuc Tuymans

Jacques Ranciere

Seyirci

Politika

İmge

Sayı

Makale detayları

Yazarlar: Cemil Toprak

Yayıncı: Hacettepe University

Ana Başlıklar: Resim

Dergi: Sanat Yazıları Issue 51, pp.599-613

Belge Tipi: Makale

Yayın Tarihi: 11/2024

Belge Dili: Türkçe

Document ID (Org No.): 2001332143

pISSN: 2458-8903

Sayı

Yazarlar:

Cemil Toprak

Yayıncı:

Hacettepe University

Ana Başlıklar:

Resim

Dergi:

Sanat Yazıları Issue 51, pp.599-613

Belge Tipi:

Makale

Yayın Tarihi:

11/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001332143

pISSN:

2458-8903