An Analysis of Orhan Asena's Simavnalı Sheikh Bedreddin's Work According to Political Theater Theory

Tolga Alver

Makale detayları

An Analysis of Orhan Asena's Simavnalı Sheikh Bedreddin's Work According to Political Theater Theory

Yazarlar:

Tolga Alver

Yayıncı:

Ayla KAŞOĞLU

Ana Başlıklar:

Sanat ve Edebiyat

Dergi:

Avrasya Uluslararası Araştırmalar Dergisi Vol.11 Issue 35, pp.590-607

Belge Tipi:

Makale

Yayın Tarihi:

5/2023

Belge Dili:

Türkçe

Document ID (Org No.):

2001288235

pISSN:

2147-2610

Anahtar kelimeler:

Özet:

 The play of Sheikh Bedreddin from Simavna was written after the events of 1968. Asena, made an indirect political reference to the events of the period through the character of Sheikh Bedrettin, whose debate still continues today. In 1968, in connection with the developments in the world, students studying at many universities of the country rose up for new rights. Initially, these events, which emerged in order to gain some freedoms at the university, turned into a revolutionary attitude and became politicized. The fact that the slogan of revolution, which was defended by the left wing at that time, was also defended in Orhan Asenas play Sheikh Bedreddin from Simavna, is an indication that this text was written with a political attitude. In this study, the play Sheikh Bedrettin from Simavna, written by Orhan Asena, is examined in terms of the political theater theory drawn by the German director Erwin Piscator. The aim of the study is to reveal the relationship between the play of Sheikh Bedreddin from Simavna and the theory of political theater. In this article, the play of Sheikh Bedreddin from Simavna; It has been examined theoretically in terms of propaganda, educational, ideological, actuality, statement, aesthetic and documentary functions. By examining these functions in accordance with the play of Sheikh Bedreddin from Simavna; The titles of Propaganda and Educational Function of Political Theater, Ideological Function of Political Theater, Relevance and Declaration Function of Political Theater, Aesthetic Function of Political Theater and Documentary Function of Political Theater have been transferred. The work of Sheikh Bedreddin of Simavna, in which Orhan Asena wrote the story of Sheikh Bedreddin in the light of the student events of 1968 and the revolutionary developments in the world, was handled within the framework of the revolutionary theater approach that Piscator defended.

 The play of Sheikh Bedreddin from Simavna was written after the events of 1968. Asena, made an indirect political reference to the events of the period through the character of Sheikh Bedrettin, whose debate still continues today. In 1968, in connection with the developments in the world, students studying at many universities of the country rose up for new rights. Initially, these events, which emerged in order to gain some freedoms at the university, turned into a revolutionary attitude and became politicized. The fact that the slogan of revolution, which was defended by the left wing at that time, was also defended in Orhan Asenas play Sheikh Bedreddin from Simavna, is an indication that this text was written with a political attitude. In this study, the play Sheikh Bedrettin from Simavna, written by Orhan Asena, is examined in terms of the political theater theory drawn by the German director Erwin Piscator. The aim of the study is to reveal the relationship between the play of Sheikh Bedreddin from Simavna and the theory of political theater. In this article, the play of Sheikh Bedreddin from Simavna; It has been examined theoretically in terms of propaganda, educational, ideological, actuality, statement, aesthetic and documentary functions. By examining these functions in accordance with the play of Sheikh Bedreddin from Simavna; The titles of Propaganda and Educational Function of Political Theater, Ideological Function of Political Theater, Relevance and Declaration Function of Political Theater, Aesthetic Function of Political Theater and Documentary Function of Political Theater have been transferred. The work of Sheikh Bedreddin of Simavna, in which Orhan Asena wrote the story of Sheikh Bedreddin in the light of the student events of 1968 and the revolutionary developments in the world, was handled within the framework of the revolutionary theater approach that Piscator defended.

 The play of Sheikh Bedreddin from Simavna was written after the events of 1968. Asena, made an indirect political reference to the events of the period through the character of Sheikh Bedrettin, whose debate still continues today. In 1968, in connection with the developments in the world, students studying at many universities of the country rose up for new rights. Initially, these events, which emerged in order to gain some freedoms at the university, turned into a revolutionary attitude and became politicized. The fact that the slogan of revolution, which was defended by the left wing at that time, was also defended in Orhan Asenas play Sheikh Bedreddin from Simavna, is an indication that this text was written with a political attitude. In this study, the play Sheikh Bedrettin from Simavna, written by Orhan Asena, is examined in terms of the political theater theory drawn by the German director Erwin Piscator. The aim of the study is to reveal the relationship between the play of Sheikh Bedreddin from Simavna and the theory of political theater. In this article, the play of Sheikh Bedreddin from Simavna; It has been examined theoretically in terms of propaganda, educational, ideological, actuality, statement, aesthetic and documentary functions. By examining these functions in accordance with the play of Sheikh Bedreddin from Simavna; The titles of Propaganda and Educational Function of Political Theater, Ideological Function of Political Theater, Relevance and Declaration Function of Political Theater, Aesthetic Function of Political Theater and Documentary Function of Political Theater have been transferred. The work of Sheikh Bedreddin of Simavna, in which Orhan Asena wrote the story of Sheikh Bedreddin in the light of the student events of 1968 and the revolutionary developments in the world, was handled within the framework of the revolutionary theater approach that Piscator defended.

 Simavnalı Şeyh Bedreddin piyesi, 1968 yılı olaylarının ardından kaleme alınmıştır. Asena, günümüzde hâlâ tartışması devam eden Şeyh Bedrettin karakteri üzerinden dönemin olaylarına dolaylı bir politik gönderme yapmıştır. 1968 senesinde dünyadaki gelişmelerle de bağlantılı olarak ülkenin birçok üniversitesinde okuyan öğrenciler yeni haklar için ayaklanmışlardır. Başlangıçta üniversitede bazı özgürlüklerin kazanılması için ortaya çıkan bu olaylar sonrasında devrimci bir tutuma dönüşerek politikleşmiştir. O dönemde sol cenahın savunduğu devrim sloganının, Orhan Asenanın Simavnalı Şeyh Bedreddin piyesinde de savunulması bu metnin politik bir tutumla yazıldığının göstergesidir. Bu çalışmada Orhan Asenanın kaleme aldığı Simavnalı Şeyh Bedrettin piyesi, Alman yönetmen Erwin Piscatorun kuramsal çerçevesini çizdiği politik tiyatro kuramı açısından incelenmiştir. Çalışmanın amacı, Simavnalı Şeyh Bedreddin piyesinin politik tiyatro kuramı ile ilişkisini ortaya çıkarmaktır. Bu makalede Simavnalı Şeyh Bedreddin piyesi; propaganda, eğiticilik, ideolojik, güncellik, bildiri, estetik ve belgesellik işlevleri doğrultusunda kuramsal olarak incelenmiştir. Bu işlevler Simavnalı Şeyh Bedreddin piyesine uygun olarak irdelenerek Politik Tiyatronun Propaganda ve Eğitici İşlevi, Politik Tiyatronun İdeolojik İşlevi, Politik Tiyatronun Güncellik ve Bildiri işlevi, Politik Tiyatronun Estetik işlevi ve Politik Tiyatronun Belgesellik işlevi başlıklarıyla aktarılmıştır. Orhan Asenanın 1968 yılı öğrenci olayları ve dünyadaki devrimci gelişmeler ışığında Şeyh Bedreddinin hikâyesini kaleme aldığı Simavnalı Şeyh Bedreddin eseri, Piscatorun savunmuş olduğu devrimci tiyatro anlayışı çerçevesinde ele alınmıştır.

Makale detayları

An Analysis of Orhan Asena's Simavnalı Sheikh Bedreddin's Work According to Political Theater Theory

Yazarlar:

Tolga Alver

Yayıncı:

Ayla KAŞOĞLU

Ana Başlıklar:

Sanat ve Edebiyat

Dergi:

Avrasya Uluslararası Araştırmalar Dergisi Vol.11 Issue 35, pp.590-607

Belge Tipi:

Makale

Yayın Tarihi:

5/2023

Belge Dili:

Türkçe

Document ID (Org No.):

2001288235

pISSN:

2147-2610

Sheikh Bedreddin

theatre

revolution

propagandaŞeyh Bedreddin

tiyatro

devrim

propaganda

Sayı

Makale detayları

Yazarlar: Tolga Alver

Yayıncı: Ayla KAŞOĞLU

Ana Başlıklar: Sanat ve Edebiyat

Dergi: Avrasya Uluslararası Araştırmalar Dergisi Vol.11 Issue 35, pp.590-607

Belge Tipi: Makale

Yayın Tarihi: 5/2023

Belge Dili: Türkçe

Document ID (Org No.): 2001288235

pISSN: 2147-2610

Sayı

Yazarlar:

Tolga Alver

Yayıncı:

Ayla KAŞOĞLU

Ana Başlıklar:

Sanat ve Edebiyat

Dergi:

Avrasya Uluslararası Araştırmalar Dergisi Vol.11 Issue 35, pp.590-607

Belge Tipi:

Makale

Yayın Tarihi:

5/2023

Belge Dili:

Türkçe

Document ID (Org No.):

2001288235

pISSN:

2147-2610