Reading the Relationship Between Architecture and Art Through Ilgi Adalan Ceramic Panels

Bengisu Hakan; Fernaz Öncel

Makale detayları

Reading the Relationship Between Architecture and Art Through Ilgi Adalan Ceramic Panels

Yazarlar:

Bengisu Hakan | Fernaz Öncel

Yayıncı:

Dokuz Eylul University

Ana Başlıklar:

El Sanatları | Güzel Sanatlar

Dergi:

Yedi Issue 33, pp.15-34

Belge Tipi:

Makale

Yayın Tarihi:

1/2025

Belge Dili:

Türkçe

Document ID (Org No.):

2001326756

pISSN:

1307-9840

Anahtar kelimeler:

Özet:

 As a result of the economic and social developments following the Second World War, the idea of integrating the concepts of architecture and art began to emerge. In Turkiye, the adoption of this unity led to the creation of ceramic and mosaic panel works, which serve as modern heritage documents and contribute to the formation of new urban memory. These works first appeared on buildings in the Levent district of Istanbul. It has been observed that many artists produced panel works for the buildings in Kadıköy. One of the prominent artists in this context is İlgi Adalan. Adalan, whose ceramic panels adorn 43 apartment buildings in Kadıköy, is distinguished by his abstract works, as well as the colors and forms he employs. However,due to urban transformation in Kadıköy, many of these art panels on buildings from the Modernist period are disappearing. In this article, the dimensions, colors and forms of the cerathe ceramicreated by Adalan on the facades, external entrances and internal entryways of buildings in the Kadıköy area are examined. Efforts have been made to assess and document whether these works still exist today. An inventory form proposal has been prepared with the aim of documenting and registering these artworks. this study aims to document and understand the significance of Ilgi Adalans ceramic panel works, which emerged from the collaboration between architecture and art and to ensure their authentic transmission future generations .Suggestions are made regarding disappearance, deterioration and the methods required for the preservation of these panels.. Thus, while works that no longer exist can be trasmitted to future generations, it is also thought that the preservation, restoration, and reuse of the existing works in urban transformation projects can be possible.

 As a result of the economic and social developments following the Second World War, the idea of integrating the concepts of architecture and art began to emerge. In Turkiye, the adoption of this unity led to the creation of ceramic and mosaic panel works, which serve as modern heritage documents and contribute to the formation of new urban memory. These works first appeared on buildings in the Levent district of Istanbul. It has been observed that many artists produced panel works for the buildings in Kadıköy. One of the prominent artists in this context is İlgi Adalan. Adalan, whose ceramic panels adorn 43 apartment buildings in Kadıköy, is distinguished by his abstract works, as well as the colors and forms he employs. However,due to urban transformation in Kadıköy, many of these art panels on buildings from the Modernist period are disappearing. In this article, the dimensions, colors and forms of the cerathe ceramicreated by Adalan on the facades, external entrances and internal entryways of buildings in the Kadıköy area are examined. Efforts have been made to assess and document whether these works still exist today. An inventory form proposal has been prepared with the aim of documenting and registering these artworks. this study aims to document and understand the significance of Ilgi Adalans ceramic panel works, which emerged from the collaboration between architecture and art and to ensure their authentic transmission future generations .Suggestions are made regarding disappearance, deterioration and the methods required for the preservation of these panels.. Thus, while works that no longer exist can be trasmitted to future generations, it is also thought that the preservation, restoration, and reuse of the existing works in urban transformation projects can be possible.

 As a result of the economic and social developments following the Second World War, the idea of integrating the concepts of architecture and art began to emerge. In Turkiye, the adoption of this unity led to the creation of ceramic and mosaic panel works, which serve as modern heritage documents and contribute to the formation of new urban memory. These works first appeared on buildings in the Levent district of Istanbul. It has been observed that many artists produced panel works for the buildings in Kadıköy. One of the prominent artists in this context is İlgi Adalan. Adalan, whose ceramic panels adorn 43 apartment buildings in Kadıköy, is distinguished by his abstract works, as well as the colors and forms he employs. However,due to urban transformation in Kadıköy, many of these art panels on buildings from the Modernist period are disappearing. In this article, the dimensions, colors and forms of the cerathe ceramicreated by Adalan on the facades, external entrances and internal entryways of buildings in the Kadıköy area are examined. Efforts have been made to assess and document whether these works still exist today. An inventory form proposal has been prepared with the aim of documenting and registering these artworks. this study aims to document and understand the significance of Ilgi Adalans ceramic panel works, which emerged from the collaboration between architecture and art and to ensure their authentic transmission future generations .Suggestions are made regarding disappearance, deterioration and the methods required for the preservation of these panels.. Thus, while works that no longer exist can be trasmitted to future generations, it is also thought that the preservation, restoration, and reuse of the existing works in urban transformation projects can be possible.

 İkinci Dünya Savaşı sonrasında Dünyada ekonomik ve sosyal gelişmeler sonucunda mimarlık ve sanat birlikteliği kavramlarının bütünleşmesi fikri ortaya çıkmıştır. Türkiyenin de bu birlikteliği benimsemesiyle beraber, modern miras olarak belge niteliği taşıyan ve kent içinde yeni bir bellek oluşturan seramik ve mozaik pano eserleri ortaya çıkmıştır. Eserler, İstanbulda ilk olarak Leventdeki yapılar üzerinde görülmektedir. Birçok sanatçının Kadıköydeki yapılar için pano çalışması yaptığı gözlemlenmektedir. Bu önemli sanatçılardan birisi de İlgi Adalandır. Kadıköyde 43 apartmanda seramik panosu bulunan sanatçının soyut çalışmaları, kullandığı renkler ve formlar dikkat çekmektedir. Kadıköydeki kentsel dönüşüm nedeniyle Modernizm dönemi etkisi ile yapılmış olan binalar üzerindeki sanat eseri panolarda yok olmaktadırlar. Bu makalede, Adalanın Kadıköy bölgesinde yapı cephelerinde, yapı dışı giriş ve yapı içi giriş kısımlarında yapmış olduğu seramik panoların boyutları, renkleri ve formları ele alınmıştır. Günümüzde mevcut olup olmadığı tespit edilerek, değerlendirilmeye ve belgelenmeye çalışılmıştır. Sanat eserlerinin belgelenip tescillenmesi amaçlanarak bir envanter fişi önerisi hazırlanmıştır. Bu çalışma kapsamında, İlgi Adalanın mimarlık-sanat iş birliği sonucu ortaya çıkan seramik pano eserlerinin belgelenmesi, değerlerinin anlaşılması ve gelecek nesillere özgün bir şekilde aktarılması amaçlanmıştır. Panoların yok olma, bozulma ve nasıl korunması gerektiğine dair öneriler sunulmuştur. Böylece günümüze ulaşmayan eserler gelecek nesillere aktarılırken, mevcutların yok olmadan korunması, restorasyonu ve kentsel dönüşüm yapılarında tekrar kullanılmasının mümkün olacağı düşünülmektedir.

Makale detayları

Reading the Relationship Between Architecture and Art Through Ilgi Adalan Ceramic Panels

Yazarlar:

Bengisu Hakan | Fernaz Öncel

Yayıncı:

Dokuz Eylul University

Ana Başlıklar:

El Sanatları | Güzel Sanatlar

Dergi:

Yedi Issue 33, pp.15-34

Belge Tipi:

Makale

Yayın Tarihi:

1/2025

Belge Dili:

Türkçe

Document ID (Org No.):

2001326756

pISSN:

1307-9840

İlgi Adalan

Kadıköy

architecture

art

ceramic panelİlgi Adalan

Kadıköy

mimarlık

sanat

seramik pano

Sayı

Makale detayları

Yazarlar: Bengisu Hakan | Fernaz Öncel

Yayıncı: Dokuz Eylul University

Ana Başlıklar: El Sanatları | Güzel Sanatlar

Dergi: Yedi Issue 33, pp.15-34

Belge Tipi: Makale

Yayın Tarihi: 1/2025

Belge Dili: Türkçe

Document ID (Org No.): 2001326756

pISSN: 1307-9840

Sayı

Yazarlar:

Bengisu Hakan | Fernaz Öncel

Yayıncı:

Dokuz Eylul University

Ana Başlıklar:

El Sanatları | Güzel Sanatlar

Dergi:

Yedi Issue 33, pp.15-34

Belge Tipi:

Makale

Yayın Tarihi:

1/2025

Belge Dili:

Türkçe

Document ID (Org No.):

2001326756

pISSN:

1307-9840