STYLE DETERMINING ELEMENTS IN FOLK SONGS SUNG IN SÜMMANİ DIALECT

Emre Düzenli

Makale detayları

STYLE DETERMINING ELEMENTS IN FOLK SONGS SUNG IN SÜMMANİ DIALECT

Yazarlar:

Emre Düzenli

Yayıncı:

Motif Yayıncılık

Ana Başlıklar:

Müzik Teorileri | Müzikoloji ve Etnomüzikoloji | Türk Halk Müziğinde Kompozisyon

Dergi:

Motif Akademi Halkbilimi Dergisi Vol.17 Issue 47, pp.1354-1373

Belge Tipi:

Makale

Yayın Tarihi:

9/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001327714

pISSN:

1308-4445

Anahtar kelimeler:

Özet:

 The aim of this study is to explain the structural features that constitute the style known as Sümmani dialect in Turkish folk music with an analytical approach. For this purpose; firstly, the definitions and explanations made in the sources on the subject were examined and folk songs sung in Sümmani dialect were identified. Then, the structural organization analysis of these works was carried out and conclusions were reached in light of the analysis findings. Within the scope of the analysis, the elements related to structure, meter, usûl and maqam used in the works were examined; îka structures showing the values of the syllables that make up the verse in the work were determined and findings revealing the relationship between these elements and îka were reached. For example, the verses of poems with the characteristic 11-syllable syllabic meter are often divided into three usûl cycles, and this division is mostly realized by using the same îka. The îka is used in harmony with a structure that is frequently encountered in these works and a certain melodic construct within this structure. In general, the first two verses of the stanza are woven with the melody of the period A1, while the third and fourth verses are repeated with various melodic differences and the same îka structure, forming the period A2. Then the third and fourth verses are repeated with a new melodic theme, resulting in the period B and the style-specific structure A1A2B. Also the maqam structure, one of the important components of the analyzed style, is formed within the frame of motives characteristic to the aforementioned repertoire. As a result of the findings obtained within the scope of the study; in addition to the elements of structure, meter, usûl and maqam that determine the style in folk songs sung with Sümmani dialect, the determining and integrative role of îka has been revealed.

 The aim of this study is to explain the structural features that constitute the style known as Sümmani dialect in Turkish folk music with an analytical approach. For this purpose; firstly, the definitions and explanations made in the sources on the subject were examined and folk songs sung in Sümmani dialect were identified. Then, the structural organization analysis of these works was carried out and conclusions were reached in light of the analysis findings. Within the scope of the analysis, the elements related to structure, meter, usûl and maqam used in the works were examined; îka structures showing the values of the syllables that make up the verse in the work were determined and findings revealing the relationship between these elements and îka were reached. For example, the verses of poems with the characteristic 11-syllable syllabic meter are often divided into three usûl cycles, and this division is mostly realized by using the same îka. The îka is used in harmony with a structure that is frequently encountered in these works and a certain melodic construct within this structure. In general, the first two verses of the stanza are woven with the melody of the period A1, while the third and fourth verses are repeated with various melodic differences and the same îka structure, forming the period A2. Then the third and fourth verses are repeated with a new melodic theme, resulting in the period B and the style-specific structure A1A2B. Also the maqam structure, one of the important components of the analyzed style, is formed within the frame of motives characteristic to the aforementioned repertoire. As a result of the findings obtained within the scope of the study; in addition to the elements of structure, meter, usûl and maqam that determine the style in folk songs sung with Sümmani dialect, the determining and integrative role of îka has been revealed.

 The aim of this study is to explain the structural features that constitute the style known as Sümmani dialect in Turkish folk music with an analytical approach. For this purpose; firstly, the definitions and explanations made in the sources on the subject were examined and folk songs sung in Sümmani dialect were identified. Then, the structural organization analysis of these works was carried out and conclusions were reached in light of the analysis findings. Within the scope of the analysis, the elements related to structure, meter, usûl and maqam used in the works were examined; îka structures showing the values of the syllables that make up the verse in the work were determined and findings revealing the relationship between these elements and îka were reached. For example, the verses of poems with the characteristic 11-syllable syllabic meter are often divided into three usûl cycles, and this division is mostly realized by using the same îka. The îka is used in harmony with a structure that is frequently encountered in these works and a certain melodic construct within this structure. In general, the first two verses of the stanza are woven with the melody of the period A1, while the third and fourth verses are repeated with various melodic differences and the same îka structure, forming the period A2. Then the third and fourth verses are repeated with a new melodic theme, resulting in the period B and the style-specific structure A1A2B. Also the maqam structure, one of the important components of the analyzed style, is formed within the frame of motives characteristic to the aforementioned repertoire. As a result of the findings obtained within the scope of the study; in addition to the elements of structure, meter, usûl and maqam that determine the style in folk songs sung with Sümmani dialect, the determining and integrative role of îka has been revealed.

 Bu çalışmanın amacı, Türk halk müziğinde Sümmani ağzı olarak bilinen üslubu meydana getiren yapısal özellikleri, analitik bir yaklaşım ile ele alarak açıklamaktır. Bu amaç doğrultusunda; öncelikle konuya ilişkin kaynaklarda yapılan tanımlar ve açıklamalar incelenerek Sümmani ağzı ile söylenen türküler tespit edilmiştir. Ardından bu eserlerin yapısal organizasyon analizi gerçekleştirilmiş ve analiz sonucunda elde edilen bulgular ışığında sonuçlara ulaşılmıştır. Analiz kapsamında, eserlerde kullanılan yapı, vezin, usûl ve makama ilişkin unsurlar incelenmiş; dizeyi meydana getiren hecelerin eser içerisindeki değerlerini gösteren îka yapıları belirlenerek söz konusu unsurlar ile îka arasındaki ilişkiyi ortaya çıkaran bulgulara ulaşılmıştır. Örneğin, eserlerde karakteristik olarak kullanılan 11li hece veznine sahip şiirlerin dizeleri, çoğunlukla üç usûl devrine taksim edilmekte ve bu taksimat büyük oranda aynı îka kullanılarak gerçekleştirilmektedir. Îka, söz konusu eserlerde sıkça karşılaşılan bir yapı ve bu yapı içerisindeki belli bir ezgi kurgusu ile uyum içerisinde kullanılmaktadır. Genel itibarıyla, kıtayı meydana getiren ilk iki dize A1 döneminin ezgisi ile örülmekte, üçüncü ve dördüncü dizeler ise çeşitli ezgisel farklılıklar ve aynı îka yapısı ile tekrarlanarak A2 dönemini oluşturmaktadır. Ardından üçüncü ve dördüncü dizelerin yeni bir ezgisel tema ile tekrarlanması neticesinde B dönemi ve üsluba has yapı A1A2B meydana gelmektedir. Ayrıca, incelenen üslubun önemli bileşenlerinden biri olan makamsal yapı, söz konusu repertuvar için karakteristik olan motifler çerçevesinde şekillenmektedir. Çalışma kapsamında elde edilen bulgular neticesinde; Sümmani ağzı ile söylenen türkülerde üslubu belirleyen yapı, vezin, usûl ve makama dair unsurlara ek olarak, îkanın belirleyici ve bütünleştirici rolü ortaya konmuştur.

Makale detayları

STYLE DETERMINING ELEMENTS IN FOLK SONGS SUNG IN SÜMMANİ DIALECT

Yazarlar:

Emre Düzenli

Yayıncı:

Motif Yayıncılık

Ana Başlıklar:

Müzik Teorileri | Müzikoloji ve Etnomüzikoloji | Türk Halk Müziğinde Kompozisyon

Dergi:

Motif Akademi Halkbilimi Dergisi Vol.17 Issue 47, pp.1354-1373

Belge Tipi:

Makale

Yayın Tarihi:

9/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001327714

pISSN:

1308-4445

Sümmani Dialect

Form

Makam

Usul

İkaSümmani Ağzı

Form

Makam

Usûl

Îka

Sayı

Makale detayları

Yazarlar: Emre Düzenli

Yayıncı: Motif Yayıncılık

Ana Başlıklar: Müzik Teorileri | Müzikoloji ve Etnomüzikoloji | Türk Halk Müziğinde Kompozisyon

Dergi: Motif Akademi Halkbilimi Dergisi Vol.17 Issue 47, pp.1354-1373

Belge Tipi: Makale

Yayın Tarihi: 9/2024

Belge Dili: Türkçe

Document ID (Org No.): 2001327714

pISSN: 1308-4445

Sayı

Yazarlar:

Emre Düzenli

Yayıncı:

Motif Yayıncılık

Ana Başlıklar:

Müzik Teorileri | Müzikoloji ve Etnomüzikoloji | Türk Halk Müziğinde Kompozisyon

Dergi:

Motif Akademi Halkbilimi Dergisi Vol.17 Issue 47, pp.1354-1373

Belge Tipi:

Makale

Yayın Tarihi:

9/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001327714

pISSN:

1308-4445