THE RELATIONSHIP OF NEW MATERIALISM WITH ROMANTICISM: THE EXAMPLE OF WILLIAM TURNER AND EDWARD BURTYNSKY

Uras Kızıl; Oğuz Haşlakoğlu

Makale detayları

THE RELATIONSHIP OF NEW MATERIALISM WITH ROMANTICISM: THE EXAMPLE OF WILLIAM TURNER AND EDWARD BURTYNSKY

Yazarlar:

Uras Kızıl | Oğuz Haşlakoğlu

Yayıncı:

Süleyman Demirel University

Ana Başlıklar:

Plastik Sanatlar (Diğer)

Dergi:

Art-e Sanat Dergisi Vol.16 Issue 32, pp.780-807

Belge Tipi:

Makale

Yayın Tarihi:

8/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001300525

pISSN:

1308-2698

Anahtar kelimeler:

Özet:

 The philosophy of new materialism began to be discussed in the late 1990s and early 2000s. It has influenced various fields such as art, architecture, queer theories, new feminisms, and sociological theories. The aim of this article is to analyze the works of William Turners Slave Ship and Edward Burtynskys Shipbreaking in the context of the anti relationship between new materialism and romanticism. In line with this, the general outlines of the philosophy of new materialism have been emphasized. Firstly, the analysis of the artworks has been conducted. In the conclusion section, the converging and diverging aspects between the two works have been examined. The analysis highlights the changing perception of nature, the search for new imagery in art, the sensibilities of humans and non-humans, materiality, the instrumentality of objects, and the concepts of the sublime and hyperobjects.

 The philosophy of new materialism began to be discussed in the late 1990s and early 2000s. It has influenced various fields such as art, architecture, queer theories, new feminisms, and sociological theories. The aim of this article is to analyze the works of William Turners Slave Ship and Edward Burtynskys Shipbreaking in the context of the anti relationship between new materialism and romanticism. In line with this, the general outlines of the philosophy of new materialism have been emphasized. Firstly, the analysis of the artworks has been conducted. In the conclusion section, the converging and diverging aspects between the two works have been examined. The analysis highlights the changing perception of nature, the search for new imagery in art, the sensibilities of humans and non-humans, materiality, the instrumentality of objects, and the concepts of the sublime and hyperobjects.

 The philosophy of new materialism began to be discussed in the late 1990s and early 2000s. It has influenced various fields such as art, architecture, queer theories, new feminisms, and sociological theories. The aim of this article is to analyze the works of William Turners Slave Ship and Edward Burtynskys Shipbreaking in the context of the anti relationship between new materialism and romanticism. In line with this, the general outlines of the philosophy of new materialism have been emphasized. Firstly, the analysis of the artworks has been conducted. In the conclusion section, the converging and diverging aspects between the two works have been examined. The analysis highlights the changing perception of nature, the search for new imagery in art, the sensibilities of humans and non-humans, materiality, the instrumentality of objects, and the concepts of the sublime and hyperobjects.

 Yeni materyalizm felsefesi 1990ların ikinci yarısı ve 2000lerin başı itibariyle tartışılmaya başlanmıştır. Sanat ve mimari başta olmak üzere kuir teoriler, yeni feminizmler ve çeşitli sosyoloji kuramları yeni materyalizmden etkilenmiştir. Makalenin amacı yeni materyalizmin romantizmle anti ilişkiselliği göz önüne alınarak William Turnerın Köle Gemisi ve Edward Burtynskynin Gemi Sökümü yapıtlarının analizini yapmaktır. Bu doğrultuda, yeni materyalizm felsefesinin genel hatları üzerinde durulmuştur. İlk olarak yapıt analizleri yapılmıştır. Sonuç bölümünde ise her iki çalışmanın birbiriyle yakınlaşan ve uzaklaşan yönleri mercek altına alınmıştır. Doğa kavrayışındaki değişim, sanatta yeni imge arayışı, insan ve insan olmayanların duyumsanması, maddesellik, nesnelerin araçsallıkları, yüce ve hipernesne kavramları söz konusu analizde ön plana çıkan unsur olmuştur.

Makale detayları

THE RELATIONSHIP OF NEW MATERIALISM WITH ROMANTICISM: THE EXAMPLE OF WILLIAM TURNER AND EDWARD BURTYNSKY

Yazarlar:

Uras Kızıl | Oğuz Haşlakoğlu

Yayıncı:

Süleyman Demirel University

Ana Başlıklar:

Plastik Sanatlar (Diğer)

Dergi:

Art-e Sanat Dergisi Vol.16 Issue 32, pp.780-807

Belge Tipi:

Makale

Yayın Tarihi:

8/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001300525

pISSN:

1308-2698

New Materialism

Romanticism

Object-Oriented Ontology

Sublime

Hyperobject.Yeni Materyalizm

Romantizm

Nesne Yönelimli Ontoloji

Yüce

Hipernesne.

Sayı

Makale detayları

Yazarlar: Uras Kızıl | Oğuz Haşlakoğlu

Yayıncı: Süleyman Demirel University

Ana Başlıklar: Plastik Sanatlar (Diğer)

Dergi: Art-e Sanat Dergisi Vol.16 Issue 32, pp.780-807

Belge Tipi: Makale

Yayın Tarihi: 8/2024

Belge Dili: Türkçe

Document ID (Org No.): 2001300525

pISSN: 1308-2698

Sayı

Yazarlar:

Uras Kızıl | Oğuz Haşlakoğlu

Yayıncı:

Süleyman Demirel University

Ana Başlıklar:

Plastik Sanatlar (Diğer)

Dergi:

Art-e Sanat Dergisi Vol.16 Issue 32, pp.780-807

Belge Tipi:

Makale

Yayın Tarihi:

8/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001300525

pISSN:

1308-2698