A SEMIOLOGICAL STUDY ON MUSTAFA AYAZ'S WOMEN-THEMED WORKS

Nurcan Pınar Eke; Nazende Yücel

Makale detayları

A SEMIOLOGICAL STUDY ON MUSTAFA AYAZ'S WOMEN-THEMED WORKS

Yazarlar:

Nurcan Pınar Eke | Nazende Yücel

Yayıncı:

Süleyman Demirel University

Dergi:

Art-e Sanat Dergisi Vol.16 Issue 32, pp.644-668

Belge Tipi:

Makale

Yayın Tarihi:

8/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001300510

pISSN:

1308-2698

Anahtar kelimeler:

Özet:

 Mustafa Ayaz, is one of the important names in the history of contemporary Turkish painting. The semi-abstract language he uses in his works is adorned with many signs and the signs are effective in the emergence of Ayazs unique style. With the equipment brought by his academic career, it is thought that he uses the indicators consciously rather than intuitively; for this reason, Ayazs works are considered important in terms of visual semiotics. In this context, the study started with a descriptive literature review addressing the place and importance of Mustafa Ayaz in the history of contemporary Turkish painting; the abstraction tendencies in art and the relationship of abstraction with visual semiotics were mentioned. Then, a mix selected from the works he produced between 1990-2000 was handled with semiotic analysis. Thus, by discussing where Ayaz finds meaning and how he expresses it, his contributions to Turkish painting are emphasized.

 Mustafa Ayaz, is one of the important names in the history of contemporary Turkish painting. The semi-abstract language he uses in his works is adorned with many signs and the signs are effective in the emergence of Ayazs unique style. With the equipment brought by his academic career, it is thought that he uses the indicators consciously rather than intuitively; for this reason, Ayazs works are considered important in terms of visual semiotics. In this context, the study started with a descriptive literature review addressing the place and importance of Mustafa Ayaz in the history of contemporary Turkish painting; the abstraction tendencies in art and the relationship of abstraction with visual semiotics were mentioned. Then, a mix selected from the works he produced between 1990-2000 was handled with semiotic analysis. Thus, by discussing where Ayaz finds meaning and how he expresses it, his contributions to Turkish painting are emphasized.

 Mustafa Ayaz, is one of the important names in the history of contemporary Turkish painting. The semi-abstract language he uses in his works is adorned with many signs and the signs are effective in the emergence of Ayazs unique style. With the equipment brought by his academic career, it is thought that he uses the indicators consciously rather than intuitively; for this reason, Ayazs works are considered important in terms of visual semiotics. In this context, the study started with a descriptive literature review addressing the place and importance of Mustafa Ayaz in the history of contemporary Turkish painting; the abstraction tendencies in art and the relationship of abstraction with visual semiotics were mentioned. Then, a mix selected from the works he produced between 1990-2000 was handled with semiotic analysis. Thus, by discussing where Ayaz finds meaning and how he expresses it, his contributions to Turkish painting are emphasized.

 Çağdaş Türk resim sanatı tarihinin önemli isimlerinden olan Mustafa Ayaz, ressam kimliğinin yanı sıra Profesör unvanı ve eğitmen kimliği ile de dikkat çeken bir figürdür. Resme dair sahip olduğu akademik birikimi, sanatçı bir ruhun özgün ve sıra dışı bakış açısıyla kesiştiren ender isimlerdendir. Eserlerinde kullandığı yarı-soyut dil, pek çok gösterge ile bezelidir ve göstergeler, Ayazın kendine has üslubunun ortaya çıkmasında etkilidir. Akademik kariyerinin de getirdiği donanımla, göstergeleri sezgisel düzeyden ziyade bilinçli şekilde kullandığı düşünülmekte; bu nedenle de Ayazın eserleri görsel göstergebilim açısından önemsenmektedir. Bu bağlamda, öncelikle çağdaş Türk resim sanatı tarihinde Mustafa Ayazın yerine ve önemine değinilmiştir. Sanatta soyutlama eğilimleri ve soyutlamanın görsel göstergebilimle ilişkisi ise betimsel bir literatür taraması eşliğinde ele alınmıştır. Ardındansa Ayazın 1990-2000 yılları arasında ürettiği eserlerden seçilen bir karma, göstergebilimsel analiz ile incelenmiştir. Böylece, Ayazın anlamı nerede bulduğu ve nasıl ifade ettiği tartışılarak, Türk resmine katkıları vurgulanmıştır.

Makale detayları

A SEMIOLOGICAL STUDY ON MUSTAFA AYAZ'S WOMEN-THEMED WORKS

Yazarlar:

Nurcan Pınar Eke | Nazende Yücel

Yayıncı:

Süleyman Demirel University

Dergi:

Art-e Sanat Dergisi Vol.16 Issue 32, pp.644-668

Belge Tipi:

Makale

Yayın Tarihi:

8/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001300510

pISSN:

1308-2698

Contemporary Turkish Painting Art

Mustafa Ayaz

Visual Semiotics

Semiotic Analysis.: Çağdaş Türk Resim Sanatı

Mustafa Ayaz

Görsel Göstergebilim

Göstergebilimsel Analiz.

Sayı

Makale detayları

Yazarlar: Nurcan Pınar Eke | Nazende Yücel

Yayıncı: Süleyman Demirel University

Dergi: Art-e Sanat Dergisi Vol.16 Issue 32, pp.644-668

Belge Tipi: Makale

Yayın Tarihi: 8/2024

Belge Dili: Türkçe

Document ID (Org No.): 2001300510

pISSN: 1308-2698

Sayı

Yazarlar:

Nurcan Pınar Eke | Nazende Yücel

Yayıncı:

Süleyman Demirel University

Dergi:

Art-e Sanat Dergisi Vol.16 Issue 32, pp.644-668

Belge Tipi:

Makale

Yayın Tarihi:

8/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001300510

pISSN:

1308-2698