THE TOPİC OF ROUTE (MODULATİON) İN OUR TURKİSH SAZ MUSİC

Yılmaz Kahyaoglu

Makale detayları

THE TOPİC OF ROUTE (MODULATİON) İN OUR TURKİSH SAZ MUSİC

Yazarlar:

Yılmaz Kahyaoglu

Yayıncı:

Inonu University

Dergi:

İnönü Üniversitesi Kültür ve Sanat Dergisi Vol.8 Issue 2, pp.117-127

Belge Tipi:

Makale

Yayın Tarihi:

11/2023

Belge Dili:

Türkçe

Document ID (Org No.):

2001281853

pISSN:

2458-7915

Anahtar kelimeler:

Özet:

 In this study, the topic of route modulation in our Turkish saz music was discussed and conducted with the survey technique which is one of the descriptive research methods. The route, which has an important place in our music, is a form of transition a kind of temporary or permanent modulation made to expand or move to one or more themes while a theme is being performed. In other words, it is a name given to sequences, sounds, and melodies that are usually used to move to another position by using close positions or close sounds or to hover for a short time and return to the same position. In Turkish music, routes are the structure that is used in all kinds of saz works like ghazals, ballads, and large compositions besides Taksim and Taksim performances and adds color to them. It is an expansive accumulation event that appeals to science, aesthetics, and emotions that allows different tastes to get into the artistic execution. They are divided into two near and far past. This study is focused on the history of all kinds of saz works in our Turkish saz music.

 In this study, the topic of route modulation in our Turkish saz music was discussed and conducted with the survey technique which is one of the descriptive research methods. The route, which has an important place in our music, is a form of transition a kind of temporary or permanent modulation made to expand or move to one or more themes while a theme is being performed. In other words, it is a name given to sequences, sounds, and melodies that are usually used to move to another position by using close positions or close sounds or to hover for a short time and return to the same position. In Turkish music, routes are the structure that is used in all kinds of saz works like ghazals, ballads, and large compositions besides Taksim and Taksim performances and adds color to them. It is an expansive accumulation event that appeals to science, aesthetics, and emotions that allows different tastes to get into the artistic execution. They are divided into two near and far past. This study is focused on the history of all kinds of saz works in our Turkish saz music.

 In this study, the topic of route modulation in our Turkish saz music was discussed and conducted with the survey technique which is one of the descriptive research methods. The route, which has an important place in our music, is a form of transition a kind of temporary or permanent modulation made to expand or move to one or more themes while a theme is being performed. In other words, it is a name given to sequences, sounds, and melodies that are usually used to move to another position by using close positions or close sounds or to hover for a short time and return to the same position. In Turkish music, routes are the structure that is used in all kinds of saz works like ghazals, ballads, and large compositions besides Taksim and Taksim performances and adds color to them. It is an expansive accumulation event that appeals to science, aesthetics, and emotions that allows different tastes to get into the artistic execution. They are divided into two near and far past. This study is focused on the history of all kinds of saz works in our Turkish saz music.

 Bu çalışmada Türk saz musikimizde geçkimodülasyon konusu ele alınmış olup, betimsel araştırma yöntemlerinden tarama survey tekniği ile yürütülmüştür. Musikimiz içerisinde önemli bir yeri olan geçki, bir makam icra edilirken onun içinde genişleme ya da bir veya birkaç makama geçmek için yapılan bir geçiş bir nevi geçici veya kalıcı modülasyon biçimidir. Diğer bir deyişle genellikle yakın makamlardan veya yakın seslerden faydalanılarak başka bir makama geçmek veya kısa süre gezinip aynı makama geri dönmek için kullanılan diziler, sesler ve melodilere verilen bir isimdir. Türk musikisinde geçkiler taksimlerin yanında da her türlü saz eseri, gazel, şarkı ve büyük bestelerde kullanılan ve bu yolla taksim ve eser icralarına renk katan bir yapıdır. Yapılan sanatsal icranın içine farklı lezzetlerin girmesini sağlayan hem ilmi, hem estetik, hem de duygulara hitap eden genişletici bir birikim olayıdır. Yakın ve uzak geçki diye ikiye ayrılırlar. Bu çalışmamız Türk saz musikimizde her türlü saz eserlerinde yapılmış geçkiler üzrerine odaklanmıştır.

Makale detayları

THE TOPİC OF ROUTE (MODULATİON) İN OUR TURKİSH SAZ MUSİC

Yazarlar:

Yılmaz Kahyaoglu

Yayıncı:

Inonu University

Dergi:

İnönü Üniversitesi Kültür ve Sanat Dergisi Vol.8 Issue 2, pp.117-127

Belge Tipi:

Makale

Yayın Tarihi:

11/2023

Belge Dili:

Türkçe

Document ID (Org No.):

2001281853

pISSN:

2458-7915

Turkish music

route

taste

Türk Müziği

geçki

taksim

çeşni

Sayı

Makale detayları

Yazarlar: Yılmaz Kahyaoglu

Yayıncı: Inonu University

Dergi: İnönü Üniversitesi Kültür ve Sanat Dergisi Vol.8 Issue 2, pp.117-127

Belge Tipi: Makale

Yayın Tarihi: 11/2023

Belge Dili: Türkçe

Document ID (Org No.): 2001281853

pISSN: 2458-7915

Sayı

Yazarlar:

Yılmaz Kahyaoglu

Yayıncı:

Inonu University

Dergi:

İnönü Üniversitesi Kültür ve Sanat Dergisi Vol.8 Issue 2, pp.117-127

Belge Tipi:

Makale

Yayın Tarihi:

11/2023

Belge Dili:

Türkçe

Document ID (Org No.):

2001281853

pISSN:

2458-7915