A Phenomenological Approach to the Experience of Visuals

Çetin Güven; Songül Mollaoğlu

Makale detayları

A Phenomenological Approach to the Experience of Visuals

Yazarlar:

Çetin Güven | Songül Mollaoğlu

Yayıncı:

Manisa Celal Bayar University

Ana Başlıklar:

Resim Tarihi

Dergi:

Manisa Celal Bayar Üniversitesi Sosyal Bilimler Dergisi Vol.23 Issue 1, pp.241-260

Belge Tipi:

Makale

Yayın Tarihi:

3/2025

Belge Dili:

Türkçe

Document ID (Org No.):

2001344042

pISSN:

1304-4796

Anahtar kelimeler:

Özet:

 This article examines the meaningand development of phenomenology, as well as theimpact of Maurice Merleau-Pontysphenomenology on the analysis of visual art and therelationship between these twofields. The research was conducted using literature review, one of the data collection techniques, and the collected information was brought together by referencing relevant articles. Merleau-Ponty emphasizes the importance of embodied perceptionand experience in his phenomenology, deeply exploring how we perceive andinterpretthe world. This philosophical approachal so serves as a powerfultool in the analysis of visual art. The article discusses Merleau-Pontys concept of embodied perception and how art reflects sensory experiences, explaining the impact of art on the view erandt he viewers process of perceiving the art work. Through examples such as Van Goghs Starry Night, Edvard Munchs The Scream, and Pablo Picassos Guernica, the article analyzes how elements of art such as color, form, and compositionevokebodilyan demotional responsesand how these responsess hapet he viewers subjective experiences. Ultimately, it demonstrates that Merleau-Pontys phenomenology offers a unique perspective and depth in understanding the multilayered meanings of visual art and the dynamic relationship between the viewer and the art work.

 This article examines the meaningand development of phenomenology, as well as theimpact of Maurice Merleau-Pontysphenomenology on the analysis of visual art and therelationship between these twofields. The research was conducted using literature review, one of the data collection techniques, and the collected information was brought together by referencing relevant articles. Merleau-Ponty emphasizes the importance of embodied perceptionand experience in his phenomenology, deeply exploring how we perceive andinterpretthe world. This philosophical approachal so serves as a powerfultool in the analysis of visual art. The article discusses Merleau-Pontys concept of embodied perception and how art reflects sensory experiences, explaining the impact of art on the view erandt he viewers process of perceiving the art work. Through examples such as Van Goghs Starry Night, Edvard Munchs The Scream, and Pablo Picassos Guernica, the article analyzes how elements of art such as color, form, and compositionevokebodilyan demotional responsesand how these responsess hapet he viewers subjective experiences. Ultimately, it demonstrates that Merleau-Pontys phenomenology offers a unique perspective and depth in understanding the multilayered meanings of visual art and the dynamic relationship between the viewer and the art work.

 This article examines the meaningand development of phenomenology, as well as theimpact of Maurice Merleau-Pontysphenomenology on the analysis of visual art and therelationship between these twofields. The research was conducted using literature review, one of the data collection techniques, and the collected information was brought together by referencing relevant articles. Merleau-Ponty emphasizes the importance of embodied perceptionand experience in his phenomenology, deeply exploring how we perceive andinterpretthe world. This philosophical approachal so serves as a powerfultool in the analysis of visual art. The article discusses Merleau-Pontys concept of embodied perception and how art reflects sensory experiences, explaining the impact of art on the view erandt he viewers process of perceiving the art work. Through examples such as Van Goghs Starry Night, Edvard Munchs The Scream, and Pablo Picassos Guernica, the article analyzes how elements of art such as color, form, and compositionevokebodilyan demotional responsesand how these responsess hapet he viewers subjective experiences. Ultimately, it demonstrates that Merleau-Pontys phenomenology offers a unique perspective and depth in understanding the multilayered meanings of visual art and the dynamic relationship between the viewer and the art work.

 Bu makale, Fenomenolojinin anlamı, gelişimi ve Maurice Merleau-Pontynin fenomenolojisinin görsel sanat eserlerinin analizine olan etkisini ve bu iki alan arasındaki ilişkiyi incelemektedir. Araştırma, veri toplama tekniklerinden, literatür taraması ile yapılmış, ilgili makaleler referans alınarak, toplanan bilgiler bir araya getirilmiştir. Merleau-Ponty, fenomenolojisinde bedensel algının ve deneyimin önemini vurgulayarak, dünyayı nasıl algıladığımızı ve anlamlandırdığımızı derinlemesine araştırır. Bu yaklaşım, görsel sanat eserlerinin analizinde de güçlü bir araç sunar. Makale, Merleau-Pontynin bedenlenmiş algı kavramını ve sanatın duyusal deneyimleri nasıl yansıttığını ele alarak, sanat eserlerinin izleyici üzerindeki etkisini ve izleyicinin eseri algılama sürecini açıklar. Van Goghun Yıldızlı Gece, Edvard Munchın Çığlık ve Pablo Picassonun Guernica eserleri örnekleminde, sanat eserlerinin renk, form ve kompozisyon gibi unsurlarının nasıl bedensel, duygusal tepkiler uyandırdığını ve bu tepkilerin izleyicinin öznel deneyimlerini nasıl şekillendirdiğini analiz eder. Sonuç olarak, Merleau-Pontynin fenomenolojisinin, görsel sanat eserlerinin çok katmanlı anlamlarını ve izleyici ile eser arasındaki dinamik ilişkiyi anlamada benzersiz bir perspektif ve derinlik sunduğu gösterilmektedir.

Makale detayları

A Phenomenological Approach to the Experience of Visuals

Yazarlar:

Çetin Güven | Songül Mollaoğlu

Yayıncı:

Manisa Celal Bayar University

Ana Başlıklar:

Resim Tarihi

Dergi:

Manisa Celal Bayar Üniversitesi Sosyal Bilimler Dergisi Vol.23 Issue 1, pp.241-260

Belge Tipi:

Makale

Yayın Tarihi:

3/2025

Belge Dili:

Türkçe

Document ID (Org No.):

2001344042

pISSN:

1304-4796

Phenomenology

Art

Merleau-PontyFenomenoloji

Sanat

Merleau-Ponty

Sayı

Makale detayları

A Phenomenological Approach to the Experience of Visuals

Yazarlar: Çetin Güven | Songül Mollaoğlu

Yayıncı: Manisa Celal Bayar University

Ana Başlıklar: Resim Tarihi

Dergi: Manisa Celal Bayar Üniversitesi Sosyal Bilimler Dergisi Vol.23 Issue 1, pp.241-260

Belge Tipi: Makale

Yayın Tarihi: 3/2025

Belge Dili: Türkçe

Document ID (Org No.): 2001344042

pISSN: 1304-4796

Phenomenology

Art

Merleau-PontyFenomenoloji

Sanat

Merleau-Ponty

Sayı

Yazarlar:

Çetin Güven | Songül Mollaoğlu

Yayıncı:

Manisa Celal Bayar University

Ana Başlıklar:

Resim Tarihi

Dergi:

Manisa Celal Bayar Üniversitesi Sosyal Bilimler Dergisi Vol.23 Issue 1, pp.241-260

Belge Tipi:

Makale

Yayın Tarihi:

3/2025

Belge Dili:

Türkçe

Document ID (Org No.):

2001344042

pISSN:

1304-4796