Stylization and Meaning in the Motifs in Osman Hamdi Bey’s Paintings

Evrim Özeskici

Makale detayları

Stylization and Meaning in the Motifs in Osman Hamdi Bey’s Paintings

Yazarlar:

Evrim Özeskici

Yayıncı:

Istanbul University

Ana Başlıklar:

Sanat Tarihi

Dergi:

Art-Sanat Issue 21, pp.565-586

Belge Tipi:

Makale

Yayın Tarihi:

1/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001311684

pISSN:

2148-3582

Anahtar kelimeler:

Özet:

 The aim of the research; is to examine the relationship between stylization and meaning in the motifs in Osman Hamdi Beys paintings. In addition, it is another aim of the research to realize what meanings emerge in Osman Hamdi Beys paintings and what the artists common and different points are with his other contemporaries. The scope of the research; is limited to Osman Hamdi Beys paintings called Ab-ı Hayat Fountain, Weapon Dealer and Woman with Mimosa. In addition, the painting analyzes of Şeker Ahmet Pasha and Nazmi Ziya Güran, who are contemporaries of Osman Hamdi Bey, are also included in the subject. Thus, it is thought that the meaning relationship in their paintings will be understood by analyzing the works of the artists who lived in the same period and showed three different stylistic features. According to the findings obtained in the research; Stylizations have been identified in the motifs of Osman Hamdi Beys paintings. In the article, the details of Osman Hamdi Beys paintings were examined and it was determined why she settled on the stylizations that stand out in the details. In the article, the analysis of the artists work has been examined and the meaning and expression structure of the motifs in his paintings has been revealed. As a result, this article is important in terms of understanding how the relationship between space, figure, stylization and meaning in the works of the artist is constructed.

 The aim of the research; is to examine the relationship between stylization and meaning in the motifs in Osman Hamdi Beys paintings. In addition, it is another aim of the research to realize what meanings emerge in Osman Hamdi Beys paintings and what the artists common and different points are with his other contemporaries. The scope of the research; is limited to Osman Hamdi Beys paintings called Ab-ı Hayat Fountain, Weapon Dealer and Woman with Mimosa. In addition, the painting analyzes of Şeker Ahmet Pasha and Nazmi Ziya Güran, who are contemporaries of Osman Hamdi Bey, are also included in the subject. Thus, it is thought that the meaning relationship in their paintings will be understood by analyzing the works of the artists who lived in the same period and showed three different stylistic features. According to the findings obtained in the research; Stylizations have been identified in the motifs of Osman Hamdi Beys paintings. In the article, the details of Osman Hamdi Beys paintings were examined and it was determined why she settled on the stylizations that stand out in the details. In the article, the analysis of the artists work has been examined and the meaning and expression structure of the motifs in his paintings has been revealed. As a result, this article is important in terms of understanding how the relationship between space, figure, stylization and meaning in the works of the artist is constructed.

 The aim of the research; is to examine the relationship between stylization and meaning in the motifs in Osman Hamdi Beys paintings. In addition, it is another aim of the research to realize what meanings emerge in Osman Hamdi Beys paintings and what the artists common and different points are with his other contemporaries. The scope of the research; is limited to Osman Hamdi Beys paintings called Ab-ı Hayat Fountain, Weapon Dealer and Woman with Mimosa. In addition, the painting analyzes of Şeker Ahmet Pasha and Nazmi Ziya Güran, who are contemporaries of Osman Hamdi Bey, are also included in the subject. Thus, it is thought that the meaning relationship in their paintings will be understood by analyzing the works of the artists who lived in the same period and showed three different stylistic features. According to the findings obtained in the research; Stylizations have been identified in the motifs of Osman Hamdi Beys paintings. In the article, the details of Osman Hamdi Beys paintings were examined and it was determined why she settled on the stylizations that stand out in the details. In the article, the analysis of the artists work has been examined and the meaning and expression structure of the motifs in his paintings has been revealed. As a result, this article is important in terms of understanding how the relationship between space, figure, stylization and meaning in the works of the artist is constructed.

 Bu çalışmanın amacı, Osman Hamdi Beyin resimlerindeki motiflerde stilizasyon ve anlam ilişkisini irdelemektir. Ayrıca Osman Hamdi Beyin resimlerinde ne gibi anlamlar ortaya çıktığını, sanatçının çağdaşlarıyla ortak ve ayrılan noktalarının neler olduğunu fark etmek araştırmanın bir diğer amacını oluşturmaktadır. Çalışmanın kapsamı, Osman Hamdi Beyin Ab-ı Hayat Çeşmesi, Silah Taciri ve Mimozalı Kadın isimli resimleriyle sınırlandırılmıştır. Konu ile ilgili olarak Osman Hamdi Beyin çağdaşları Şeker Ahmet Paşanın ve Nazmi Ziya Güranın resim çözümlemelerine de yer verilmiştir. Böylece aynı dönemde yaşayan ve üç farklı üslup özellikleri gösteren sanatçıların eser çözümlemeleri yapılıp resimlerindeki anlam ilişkisi ortaya konmaya çalışılmıştır. Elde edilen bulgulara göre Osman Hamdi Beyin resimlerindeki motiflerde stilizasyonlar saptanmıştır. Bu çalışmada Osman Hamdi Beyin resimlerindeki detaylar incelenmiş, detaylarda öne çıkan stilizasyonlara niçin yer verdiği tespit edilmiştir. Diğer yandan sanatçının resimleri analiz edilmiş ve resimlerindeki motiflerde anlam ve ifade yapısı ortaya çıkarılmıştır. Ayrıca çalışmada sanatçının eserlerindeki mekân, figür, stilizasyon ve anlam ilişkisinin nasıl kurgulandığı tespit edilmiştir.

Makale detayları

Stylization and Meaning in the Motifs in Osman Hamdi Bey’s Paintings

Yazarlar:

Evrim Özeskici

Yayıncı:

Istanbul University

Ana Başlıklar:

Sanat Tarihi

Dergi:

Art-Sanat Issue 21, pp.565-586

Belge Tipi:

Makale

Yayın Tarihi:

1/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001311684

pISSN:

2148-3582

Osman Hamdi Bey

Motif

Stylization

Orientalism

PaintingOsman Hamdi Bey

Motif

Stilizasyon

Oryantalizm

Resim

Sayı

Makale detayları

Yazarlar: Evrim Özeskici

Yayıncı: Istanbul University

Ana Başlıklar: Sanat Tarihi

Dergi: Art-Sanat Issue 21, pp.565-586

Belge Tipi: Makale

Yayın Tarihi: 1/2024

Belge Dili: Türkçe

Document ID (Org No.): 2001311684

pISSN: 2148-3582

Sayı

Yazarlar:

Evrim Özeskici

Yayıncı:

Istanbul University

Ana Başlıklar:

Sanat Tarihi

Dergi:

Art-Sanat Issue 21, pp.565-586

Belge Tipi:

Makale

Yayın Tarihi:

1/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001311684

pISSN:

2148-3582