BAGLAMA WITHIN ALEVI CEM RITUALS FROM THE PERSPECTIVE OF SEMIOTICS

Volkan Kaptan

Makale detayları

BAGLAMA WITHIN ALEVI CEM RITUALS FROM THE PERSPECTIVE OF SEMIOTICS

Yazarlar:

Volkan Kaptan

Yayıncı:

Hacettepe University

Ana Başlıklar:

Müzik Teorileri

Dergi:

Sanat Yazıları Issue 52, pp.141-153

Belge Tipi:

Makale

Yayın Tarihi:

5/2025

Belge Dili:

Türkçe

Document ID (Org No.):

2001349176

pISSN:

2458-8903

Anahtar kelimeler:

Özet:

 Semiotics, which allows the discovery of hidden meanings beyond the visible, is a paradigm used in many disciplines. In this context, from the perspective of social sciences, semiotics is designed to decipher the message of any phenomenon in the process of meaning. While making analyzes based on semiotics perspective, written and visual elements; It is considered together with different variables such as language, religion and culture. When considered specifically the phenomenon of music as a part of culture, musical elements in different communities serve as indicators on the axis of the aforementioned components. The baglama instrument, which has a dominant position in terms of musical elements in Alevi cem rituals in Turkish musical culture, has the quality of a sign and, in the perspective of semiotics, performs the process of representing and replacing, in the words of Ferdinand de Saussure. The aim of this study is to find out what kind of a sign the baglama instrument used in the performance of musical forms in the cem rituals is and what is signified through the baglama instrument as a sign. In this direction, the research was carried out based on ethnographic study and literature review methods, which are qualitative research methods.

 Semiotics, which allows the discovery of hidden meanings beyond the visible, is a paradigm used in many disciplines. In this context, from the perspective of social sciences, semiotics is designed to decipher the message of any phenomenon in the process of meaning. While making analyzes based on semiotics perspective, written and visual elements; It is considered together with different variables such as language, religion and culture. When considered specifically the phenomenon of music as a part of culture, musical elements in different communities serve as indicators on the axis of the aforementioned components. The baglama instrument, which has a dominant position in terms of musical elements in Alevi cem rituals in Turkish musical culture, has the quality of a sign and, in the perspective of semiotics, performs the process of representing and replacing, in the words of Ferdinand de Saussure. The aim of this study is to find out what kind of a sign the baglama instrument used in the performance of musical forms in the cem rituals is and what is signified through the baglama instrument as a sign. In this direction, the research was carried out based on ethnographic study and literature review methods, which are qualitative research methods.

 Semiotics, which allows the discovery of hidden meanings beyond the visible, is a paradigm used in many disciplines. In this context, from the perspective of social sciences, semiotics is designed to decipher the message of any phenomenon in the process of meaning. While making analyzes based on semiotics perspective, written and visual elements; It is considered together with different variables such as language, religion and culture. When considered specifically the phenomenon of music as a part of culture, musical elements in different communities serve as indicators on the axis of the aforementioned components. The baglama instrument, which has a dominant position in terms of musical elements in Alevi cem rituals in Turkish musical culture, has the quality of a sign and, in the perspective of semiotics, performs the process of representing and replacing, in the words of Ferdinand de Saussure. The aim of this study is to find out what kind of a sign the baglama instrument used in the performance of musical forms in the cem rituals is and what is signified through the baglama instrument as a sign. In this direction, the research was carried out based on ethnographic study and literature review methods, which are qualitative research methods.

 Öz: Görünenin ötesinde gizlenen anlamların keşfedilmesine olanak sağlayan göstergebilim semiyoloji, semiyotik birçok disiplinde istifade edilen bir paradigmadır. Bu çerçevede sosyal bilimler perspektifinde göstergebilim, anlamlandırma sürecinde herhangi bir fenomene ait verilen mesajın şifrelerini çözmek üzerine kurgulanır. Göstergebilim perspektifine dayalı analizler yapılırken yazılı ve görsel öğeler; dil, din kültür gibi farklı değişkenlerle birlikte ele alınır. Kültürün bir parçası olarak müzik fenomeni özelinde ele alındığında gerek yazılı gerekse görsel öğeler birer gösterge mahiyeti taşır. Bu manada Türk müzik kültürü içerisinde Alevi cem ritüellerinde müziksel unsurlar özelinde başat konumda yer alan bağlama çalgısı bir gösterge niteliği taşır ve göstergebilim perspektifinde Ferdinand de Saussureun deyimiyle temsil etme ve yerine geçme işlemini gerçekleştirir. Bu çalışmanın amacı cem ritüelleri içerisinde yer alan müziksel formların icrasında kullanılan bağlama çalgısının nasıl bir gösterge olduğunu ve bir gösterge olarak bağlama çalgısı üzerinden neyin gösteri-len olduğunu bulmaya yöneliktir. Bu doğrultuda araştırma nitel araştırma yöntemlerinden etnografik çalışma ve literatür tarama yöntemine dayanarak gerçekleştirilmiştir.

Makale detayları

BAGLAMA WITHIN ALEVI CEM RITUALS FROM THE PERSPECTIVE OF SEMIOTICS

Yazarlar:

Volkan Kaptan

Yayıncı:

Hacettepe University

Ana Başlıklar:

Müzik Teorileri

Dergi:

Sanat Yazıları Issue 52, pp.141-153

Belge Tipi:

Makale

Yayın Tarihi:

5/2025

Belge Dili:

Türkçe

Document ID (Org No.):

2001349176

pISSN:

2458-8903

Müzik

Alevilik

Bağlama

Göstergebilim

Cem RitüelleriMüzik

Alevilik

Bağlama

Göstergebilim

Cem Ritüelleri

Sayı

Makale detayları

Yazarlar: Volkan Kaptan

Yayıncı: Hacettepe University

Ana Başlıklar: Müzik Teorileri

Dergi: Sanat Yazıları Issue 52, pp.141-153

Belge Tipi: Makale

Yayın Tarihi: 5/2025

Belge Dili: Türkçe

Document ID (Org No.): 2001349176

pISSN: 2458-8903

Sayı

Yazarlar:

Volkan Kaptan

Yayıncı:

Hacettepe University

Ana Başlıklar:

Müzik Teorileri

Dergi:

Sanat Yazıları Issue 52, pp.141-153

Belge Tipi:

Makale

Yayın Tarihi:

5/2025

Belge Dili:

Türkçe

Document ID (Org No.):

2001349176

pISSN:

2458-8903