AN EXAMPLE OF WRITING-PAINTING ORNAMENTATION: THE SHIP OF FAITH (AMENTÜ)

Serap Erçin Koçer

Makale detayları

AN EXAMPLE OF WRITING-PAINTING ORNAMENTATION: THE SHIP OF FAITH (AMENTÜ)

Yazarlar:

Serap Erçin Koçer

Yayıncı:

Ankara Hacı Bayram Veli University

Ana Başlıklar:

Alevilik Bektaşilik Araştırmaları

Dergi:

Türk Kültürü ve Hacı Bektaş Veli Araştırma Dergisi Issue 107, pp.179-191

Belge Tipi:

Makale

Yayın Tarihi:

9/2023

Belge Dili:

Türkçe

Document ID (Org No.):

2001299922

pISSN:

1306-8253

Anahtar kelimeler:

Özet:

 The art of calligraphy emerged by using writing and painting together. Despite the fact that there is no prohibition of depiction in the Quran, the attitude of the Islamic faith towards painting was effective in the emergence of this art Hurufism and Mevlevi-Bektashis also had an impact on its development. Calligraphy, which is a folk art, is done within the framework of master-apprentice relationship. It is grouped as calligraphies with religious content and mystical content. There are examples of the stork in the form of Basmala, Alis R.A. camel, Alis R.A. human face with the writing of Ali R.A., ewer, oil lamp, Ashab-i Kahf, Amentu prayer in the form of a ship. The letters waw in the Amentu ship ornament reflect people rowing. There are examples of the Amentu ship depicted with and without a deckhouse. There the letters waw are used in the sense of and and express the believers belief in Allah, his angels, books, prophets, the Last Day, the good, and the evil. Between the letters waw, the names of the Seven Sleepers are written. Meanings are attributed to some calligraphic ornaments. There are beliefs that it will bring prosperity, luck and provide protection against fire and plague. For this reason, Ashab-i Kahf and Amentu ship decorations are encountered in mosques, houses, coffee houses, and shops In our research, examples of ornaments in which the Amentu prayer is handled in the form of a ship were identified. This form, which is applied to hand drawings, stone, paper, and wood materials, has found a place in Turkish Islamic ornamentation art in several ways. The form was evaluated within the scope of decorative arts and Art History in particular, and its contribution to 19th century ornamentation arts was discussed.

 The art of calligraphy emerged by using writing and painting together. Despite the fact that there is no prohibition of depiction in the Quran, the attitude of the Islamic faith towards painting was effective in the emergence of this art Hurufism and Mevlevi-Bektashis also had an impact on its development. Calligraphy, which is a folk art, is done within the framework of master-apprentice relationship. It is grouped as calligraphies with religious content and mystical content. There are examples of the stork in the form of Basmala, Alis R.A. camel, Alis R.A. human face with the writing of Ali R.A., ewer, oil lamp, Ashab-i Kahf, Amentu prayer in the form of a ship. The letters waw in the Amentu ship ornament reflect people rowing. There are examples of the Amentu ship depicted with and without a deckhouse. There the letters waw are used in the sense of and and express the believers belief in Allah, his angels, books, prophets, the Last Day, the good, and the evil. Between the letters waw, the names of the Seven Sleepers are written. Meanings are attributed to some calligraphic ornaments. There are beliefs that it will bring prosperity, luck and provide protection against fire and plague. For this reason, Ashab-i Kahf and Amentu ship decorations are encountered in mosques, houses, coffee houses, and shops In our research, examples of ornaments in which the Amentu prayer is handled in the form of a ship were identified. This form, which is applied to hand drawings, stone, paper, and wood materials, has found a place in Turkish Islamic ornamentation art in several ways. The form was evaluated within the scope of decorative arts and Art History in particular, and its contribution to 19th century ornamentation arts was discussed.

 The art of calligraphy emerged by using writing and painting together. Despite the fact that there is no prohibition of depiction in the Quran, the attitude of the Islamic faith towards painting was effective in the emergence of this art Hurufism and Mevlevi-Bektashis also had an impact on its development. Calligraphy, which is a folk art, is done within the framework of master-apprentice relationship. It is grouped as calligraphies with religious content and mystical content. There are examples of the stork in the form of Basmala, Alis R.A. camel, Alis R.A. human face with the writing of Ali R.A., ewer, oil lamp, Ashab-i Kahf, Amentu prayer in the form of a ship. The letters waw in the Amentu ship ornament reflect people rowing. There are examples of the Amentu ship depicted with and without a deckhouse. There the letters waw are used in the sense of and and express the believers belief in Allah, his angels, books, prophets, the Last Day, the good, and the evil. Between the letters waw, the names of the Seven Sleepers are written. Meanings are attributed to some calligraphic ornaments. There are beliefs that it will bring prosperity, luck and provide protection against fire and plague. For this reason, Ashab-i Kahf and Amentu ship decorations are encountered in mosques, houses, coffee houses, and shops In our research, examples of ornaments in which the Amentu prayer is handled in the form of a ship were identified. This form, which is applied to hand drawings, stone, paper, and wood materials, has found a place in Turkish Islamic ornamentation art in several ways. The form was evaluated within the scope of decorative arts and Art History in particular, and its contribution to 19th century ornamentation arts was discussed.

 Yazı ile resim birlikte kullanılarak yazı-resim sanatı ortaya çıkmıştır. Kuranda tasvir yasağı olmamasına rağmen bu sanatın ortaya çıkmasında İslam inancı etkili olmuştur. Yazı ve resmin gelişiminde Hurufilik anlayışı ve Mevlevi-Bektaşilerin de etkisi olmuştur. Halk sanatı olan yazı-resim, usta-çırak ilişkisi çerçevesinde yapılmaktadır. Dinî içerikli ve tasavvufi içerikli yazı-resimler olarak gruplandırılmaktadır. Besmele şeklinde ele alınan leylek, Hz. Alinin devesi, Hz. Ali yazısıyla insan sureti, ibrik, kandil, Ashab-ı Kehf, Amentü duasının gemi formunda yapılan örnekleri bulunmaktadır. Amentü gemi süslemesinde vav harfleri, kürek çeken insanları yansıtmaktadır. Amentü gemisinin köşklü-köşksüz olarak tasvir edilen örnekleri vardır. Burada vav harfleri ve anlamında kullanılıp müminin Allaha inanması, onun meleklerine, kitaplarına, peygamberlerine, ahiret gününe, hayra ve şerre inanmayı ifade etmektedir. Vav harflerinin arasına Yedi Uyurların isimleri yazılmaktadır. Bazı yazı-resim süslemelerine anlamlar yüklenmektedir. Bereket, şans getireceğine, yangından, vebadan koruyacağına dair inançlar vardır. Bu sebeple cami ev, kahvehane, dükkânlarda Ashab-ı Kehf ve Amentü gemi süslemeleri ile karşılaşılmaktadır. Araştırmamızda Amentü duasının gemi formunda ele alındığı süsleme örnekleri tespit edilip ele alınmıştır. Kalem işi, taş, kâğıt, ahşap malzemelere uygulanan süsleme formu Türk İslam süsleme sanatında çeşitli şekillerde yer bulmuştur. Form, özellikle süsleme sanatları ve Sanat Tarihi alanı kapsamında değerlendirilmiş ve XIX. yüzyıl süslemesine katkısı ele alınmıştır.

Makale detayları

AN EXAMPLE OF WRITING-PAINTING ORNAMENTATION: THE SHIP OF FAITH (AMENTÜ)

Yazarlar:

Serap Erçin Koçer

Yayıncı:

Ankara Hacı Bayram Veli University

Ana Başlıklar:

Alevilik Bektaşilik Araştırmaları

Dergi:

Türk Kültürü ve Hacı Bektaş Veli Araştırma Dergisi Issue 107, pp.179-191

Belge Tipi:

Makale

Yayın Tarihi:

9/2023

Belge Dili:

Türkçe

Document ID (Org No.):

2001299922

pISSN:

1306-8253

Mevlevi-Bektashi

Sufism

Ornamentation

Writing-Painting

The Ship of Faith (Amentü)

BlessingMevlevi-Bektaşi

Tasavvuf

Süsleme

Yazı-Resim

Amentü Gemisi

Bereket

Sayı

Makale detayları

Yazarlar: Serap Erçin Koçer

Yayıncı: Ankara Hacı Bayram Veli University

Ana Başlıklar: Alevilik Bektaşilik Araştırmaları

Dergi: Türk Kültürü ve Hacı Bektaş Veli Araştırma Dergisi Issue 107, pp.179-191

Belge Tipi: Makale

Yayın Tarihi: 9/2023

Belge Dili: Türkçe

Document ID (Org No.): 2001299922

pISSN: 1306-8253

Sayı

Yazarlar:

Serap Erçin Koçer

Yayıncı:

Ankara Hacı Bayram Veli University

Ana Başlıklar:

Alevilik Bektaşilik Araştırmaları

Dergi:

Türk Kültürü ve Hacı Bektaş Veli Araştırma Dergisi Issue 107, pp.179-191

Belge Tipi:

Makale

Yayın Tarihi:

9/2023

Belge Dili:

Türkçe

Document ID (Org No.):

2001299922

pISSN:

1306-8253