The Schoenberg Phenomenon: Twelve-tone Music and its Absolute  Alienation

Kıvılcım Yıldız ŞENÜRKMEZ

Makale detayları

The Schoenberg Phenomenon: Twelve-tone Music and its Absolute Alienation

Yazarlar:

Kıvılcım Yıldız ŞENÜRKMEZ

Yayıncı:

Mimar Sinan Guzel Sanatlar university

Dergi:

MSGSÜ Sosyal Bilimler 2016 Issue 14, pp.75-96

Belge Tipi:

Makale

Yayın Tarihi:

8/2016

Belge Dili:

İngilizce

Document ID (Org No.):

2000796895

Sıklık:

İki Yıllık

pISSN:

1309-4815

Özet:

 

Through Adorno’s analysis, Schoenberg was an important figure representing aspects of musical modernism but at the same time, Adorno dramatically opposed it in many aspects of his music. Although he has a highly negative view of the “Schoenberg phenomenon”, he discovers there is an important change in Schoenberg’s works in the manner in which the composer relates to his material. This paper will attempt to deal with various aspects of Adorno’s criticism of the “Schoenberg phenomenon” based on his article “Schoenberg and Progress”.2 It will address two issues: on the one hand, the twelve-tone technique and, its organisation and on the other, the attitude towards society of this new language of music. These issues concern the problem of “absolute alienation”.

Makale detayları

The Schoenberg Phenomenon: Twelve-tone Music and its Absolute Alienation

Yazarlar: Kıvılcım Yıldız ŞENÜRKMEZ

Yayıncı: Mimar Sinan Guzel Sanatlar university

Dergi: MSGSÜ Sosyal Bilimler 2016 Issue 14, pp.75-96

Belge Tipi: Makale

Yayın Tarihi: 8/2016

Belge Dili: İngilizce

Document ID (Org No.): 2000796895

Sıklık: İki Yıllık

pISSN: 1309-4815

Sayı

Yazarlar:

Kıvılcım Yıldız ŞENÜRKMEZ

Yayıncı:

Mimar Sinan Guzel Sanatlar university

Dergi:

MSGSÜ Sosyal Bilimler 2016 Issue 14, pp.75-96

Belge Tipi:

Makale

Yayın Tarihi:

8/2016

Belge Dili:

İngilizce

Document ID (Org No.):

2000796895

Sıklık:

İki Yıllık

pISSN:

1309-4815