CROWN MOTIF SEEN ON TURKISH FABRIC ART

Ebru Çatalkaya Gök

Makale detayları

CROWN MOTIF SEEN ON TURKISH FABRIC ART

Yazarlar:

Ebru Çatalkaya Gök

Yayıncı:

Motif Yayıncılık

Ana Başlıklar:

Eski Kumaş Desenleri

Dergi:

Motif Akademi Halkbilimi Dergisi Vol.17 Issue 46, pp.916-931

Belge Tipi:

Makale

Yayın Tarihi:

6/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001319892

pISSN:

1308-4445

Anahtar kelimeler:

Özet:

 Symbols have been used as a means of communication in almost every society since ancient times. The crown, which carries various symbolic meanings, is considered the most important indicator of sovereignty. It is possible to obtain information about the historical development of the crown from the crown examples that have some extant to the present day. The metal crown form continued from the Hun period to the Seljuk period, and in the Ottoman period it changed form and was replaced by turban. At the same time, this historical development can be observed in the crown depictions reflected in many branches of art such as rock paintings, sculptures, stone reliefs, murals, felt, miniatures, tiles and fabric surfaces. Depictions of the crown motif on the fabric surface are first seen on the human head in the Seljuk period. During the Ottoman period, it was interpreted separately, together with floral motifs, without having it on a human head. In this study, it is aimed to examine the crown motif seen in Turkish fabrics. Screening method was used in the study. The research is limited to Turkish fabric samples from the XV and XVII centuries, where the crown motif is used. Data on eighteen fabric samples, which were available as a result of the research, are presented in tabular form. According to the chart, the period, fabric type, raw material, place of use and the development of the crown motif seen on the fabric surfaces were evaluated. The chart also includes drawings of the crown motif seen on the fabric surface. The historical development of the crown in the first stage of the research, the definition of the crown in the second stage, the characteristics of the crown motif examined in the third stage and the investigations and conclusions reached were evaluated in the fourth stage.

 Symbols have been used as a means of communication in almost every society since ancient times. The crown, which carries various symbolic meanings, is considered the most important indicator of sovereignty. It is possible to obtain information about the historical development of the crown from the crown examples that have some extant to the present day. The metal crown form continued from the Hun period to the Seljuk period, and in the Ottoman period it changed form and was replaced by turban. At the same time, this historical development can be observed in the crown depictions reflected in many branches of art such as rock paintings, sculptures, stone reliefs, murals, felt, miniatures, tiles and fabric surfaces. Depictions of the crown motif on the fabric surface are first seen on the human head in the Seljuk period. During the Ottoman period, it was interpreted separately, together with floral motifs, without having it on a human head. In this study, it is aimed to examine the crown motif seen in Turkish fabrics. Screening method was used in the study. The research is limited to Turkish fabric samples from the XV and XVII centuries, where the crown motif is used. Data on eighteen fabric samples, which were available as a result of the research, are presented in tabular form. According to the chart, the period, fabric type, raw material, place of use and the development of the crown motif seen on the fabric surfaces were evaluated. The chart also includes drawings of the crown motif seen on the fabric surface. The historical development of the crown in the first stage of the research, the definition of the crown in the second stage, the characteristics of the crown motif examined in the third stage and the investigations and conclusions reached were evaluated in the fourth stage.

 Symbols have been used as a means of communication in almost every society since ancient times. The crown, which carries various symbolic meanings, is considered the most important indicator of sovereignty. It is possible to obtain information about the historical development of the crown from the crown examples that have some extant to the present day. The metal crown form continued from the Hun period to the Seljuk period, and in the Ottoman period it changed form and was replaced by turban. At the same time, this historical development can be observed in the crown depictions reflected in many branches of art such as rock paintings, sculptures, stone reliefs, murals, felt, miniatures, tiles and fabric surfaces. Depictions of the crown motif on the fabric surface are first seen on the human head in the Seljuk period. During the Ottoman period, it was interpreted separately, together with floral motifs, without having it on a human head. In this study, it is aimed to examine the crown motif seen in Turkish fabrics. Screening method was used in the study. The research is limited to Turkish fabric samples from the XV and XVII centuries, where the crown motif is used. Data on eighteen fabric samples, which were available as a result of the research, are presented in tabular form. According to the chart, the period, fabric type, raw material, place of use and the development of the crown motif seen on the fabric surfaces were evaluated. The chart also includes drawings of the crown motif seen on the fabric surface. The historical development of the crown in the first stage of the research, the definition of the crown in the second stage, the characteristics of the crown motif examined in the third stage and the investigations and conclusions reached were evaluated in the fourth stage.

 Semboller antik çağlardan itibaren hemen her toplumda birer iletişim aracı olarak kullanılmışlardır. Çeşitlik sembolik anlamlar taşıyan taç, en çok hükümdarlık göstergesi olarak kabul edilmektedir. Günümüze somut olarak ulaşan taç örneklerinden tacın tarihi gelişimi hakkında bilgi edinmek mümkündür. Hun döneminden Selçuklu dönemine kadar metal taç formu devam etmiş, Osmanlı döneminde ise form değiştirerek yerini kavuğa bırakmıştır. Aynı zamanda kaya resimleri, heykeller, taş kabartmaları, duvar resimleri, keçe, minyatür, çini ve kumaş yüzeyleri gibi birçok sanat dalına yansıyan taç betimlemelerinden de bu tarihi gelişim izlenebilmektedir. Taç motifinin kumaş yüzeyindeki betimlemelerine ilk olarak Selçuklu döneminde insan başı üzerinde rastlanmaktadır. Osmanlı döneminde ise insan başı üzerinde olmadan ayrı olarak, bitkisel motifler ile birlikte yorumlanmıştır. Bu çalışmada Türk kumaşlarında görülen taç motifinin incelenmesi amaçlanmıştır. Çalışmada tarama yöntemi kullanılmıştır. Araştırma taç motifinin görüldüğü XV. ve XVII. yüzyıla ait Türk kumaş örnekleri ile sınırlandırılmıştır. Yapılan araştırmalar sonucunda ulaşılabilen on sekiz kumaş örneği hakkındaki veriler çizelge halinde sunulmuştur. Çizelgeye göre kumaş yüzeylerinde görülen taç motifinin dönem, kumaş cinsi, hammadde, kullanım yeri ve taç motifinin gelişimi değerlendirilmiştir. Çizelgede ayrıca kumaş yüzeyinde görülen taç motifinin çizimlerine yer verilmiştir. Araştırmanın ilk aşamasında tacın tarihi gelişimi, ikinci aşamasında tacın tanımı, üçüncü aşamasında incelenen taç motifinin özellikleri, dördüncü aşamasında ise yapılan incelemeler ve ulaşılan bulgular değerlendirilmiştir.

Makale detayları

CROWN MOTIF SEEN ON TURKISH FABRIC ART

Yazarlar:

Ebru Çatalkaya Gök

Yayıncı:

Motif Yayıncılık

Ana Başlıklar:

Eski Kumaş Desenleri

Dergi:

Motif Akademi Halkbilimi Dergisi Vol.17 Issue 46, pp.916-931

Belge Tipi:

Makale

Yayın Tarihi:

6/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001319892

pISSN:

1308-4445

Traditional Turkish Arts

traditional fabric patterns

weaving

motif

crownGeleneksel Türk Sanatları

geleneksel kumaş desenleri

dokuma

motif

taç

Sayı

Makale detayları

Yazarlar: Ebru Çatalkaya Gök

Yayıncı: Motif Yayıncılık

Ana Başlıklar: Eski Kumaş Desenleri

Dergi: Motif Akademi Halkbilimi Dergisi Vol.17 Issue 46, pp.916-931

Belge Tipi: Makale

Yayın Tarihi: 6/2024

Belge Dili: Türkçe

Document ID (Org No.): 2001319892

pISSN: 1308-4445

Sayı

Yazarlar:

Ebru Çatalkaya Gök

Yayıncı:

Motif Yayıncılık

Ana Başlıklar:

Eski Kumaş Desenleri

Dergi:

Motif Akademi Halkbilimi Dergisi Vol.17 Issue 46, pp.916-931

Belge Tipi:

Makale

Yayın Tarihi:

6/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001319892

pISSN:

1308-4445