Shumnulu Ḥāfıẓ Ḥilmı̄ Efendi’s Ṣalātnāme Called Naẓm-ı Nefı̄s In Various Aspects

Oğuz Yılmaz

Makale detayları

Shumnulu Ḥāfıẓ Ḥilmı̄ Efendi’s Ṣalātnāme Called Naẓm-ı Nefı̄s In Various Aspects

Yazarlar:

Oğuz Yılmaz

Yayıncı:

Afyon Kocatepe University

Ana Başlıklar:

Sanat ve Edebiyat | Din | Toplum ve Kültür Araştırmaları

Dergi:

Kocatepe İslami İlimler Dergisi Vol.6 Issue 1, pp.161-202

Belge Tipi:

Makale

Yayın Tarihi:

6/2023

Belge Dili:

Türkçe

Document ID (Org No.):

2001291437

pISSN:

2757-8399

Anahtar kelimeler:

Özet:

 One of the literary genres in Turkish-Islamic Literature, shurut-i salatssalatnames conditions of prayer, in the context of the term, refers to books that deal with issues related to the performance of this prayerworship, especially the conditions, its fards obligations, wajibs compulsorys, sunnahs the acts of the Prophet Muhammed, makruhs reprehensible practices, mufsids situations that invalidate, virtues, importance etc. of the prayer, along with its prerequisites such as wudu ablution, ghusl having a bath with the intention of worship and tayammum ablution with soil for a person who cannot find water, in a way that the addressee audience can understand. In addition to related topics, some works may also include Islamic and faith-based issues that provide the obligation of prayer. In literal terms, there are both prose and verse examples of Works that fall within this scope. In addition, it can be said that the texts produced through interlingual and intra-linguistic translation, rewriting and transcribing the prose into verse constitute a sub-branch of this literary genre which is related to fiqh canon law and has a religious structure. In addition to shurut-ı salat, which is more commonly used in defining the literary genre, the term of salatname can also be used for works that have the characteristic of original in order to emphasize that they are written in verse. In this context, with the methodology of Turkish-Islamic Literature. this study focuses on the salatname of Shumnulu Hafız Hilmi Efendi d. 12001785-86, titled Nazm-ı Nefıs, which was written in 11901776-77 and is thought to be original work. In the study, first of all, information about Hilmı Efendis life and works is given. In addition, the evaluations made in previous studies about his works such as that these works are not original and may have been produced in the genre of interlingual translation-rewriting are reconsidered in the light of new documents and findings, especially with information and examples on the theory of interlingual translation and opinions on these evaluations are stated. It is also necessary to point out that the availability of individual manuscripts of Hilmi Efendis Manzum Secavend and Nazm-ı Nefıs is important for the expression of opinions. Afterwards, in the study, the introduction of Nazm-ı Nefıs is given by examining it in terms of its name, date of writing, reason for composition, purpose, aim and sources, including discussions on the activities of interlingual translation, rewriting and transferring prose to verse. On the other hand, in a one of the thesis studies, the possibility that Nazm-ı Nefıs may have been produced through interlingual translation activities like Hilmi Efendis Zafer, due to the presence of a prose text about prayer in the margin of the printed copy, was also mentioned. Therefore, in this study, Nazm-ı Nefıs and the related text are compared and analyzed in various aspects, and it is also discussed whether Nazm-ı Nefıs was produced by taking another text as a source. In addition to the introduction and evaluations, Hilmi Efendis salatname is analyzed in detail in terms of its form and content. Furthermore, under a separate heading under the chapter, the form and content of Nazm-ı Nefîs and salâtnâmes, which are similar in volume and content, are compared and evaluated. In this way, the place of the work, which is the focus of the study, within the genre is tried to be determined. At the stage of determination, it was seen that Nazm-ı Nefîs is at a seperate and remarkable point within its genre, especially in terms of content. Finally, the study provides a detailed presentation of the only identified manuscript of Nazm-ı Nefîs, mentions some of its features in terms of spellingorthography, draws attention to some principles observed in the construction of the text and includes a transcription. The aim of this study is to introduce Nazm-ı Nefîs, which is written by the author, who is also an expert in the science of Qiraah recitation?, on prayer, which is one of the main subjects of fiqh and a pillar of Islam that cannot be abandoned, to determine whether it was produced as a result of interlingual translation and to reveal it by transferring it to todays letters with the transcription method. In connection with the above-mentioned purposes, the importance of the study is thought to come from the fact that as a result of the determinations and evaluations made with the revealing of the text of Nazm-ı Nefîs, the information about Hilmi Efendis works will be corrected at some points and completed at some other points.

 Türk İslam Edebiyatı ilim dalındaki edebî türlerden biri olan şurût-ı salâtlar-salâtnâmeler ıstılahî açıdan; abdest, gusül ve teyemmüm gibi öncülleriyle beraber başta namazın şartları, farzları, vacipleri, sünnetleri, mekruhları, müfsidleri, faziletleri, önemi vs. olmak üzere bu ibadetin edası ile ilgili konuları, muhatap kitlenin anlayacağı tarzda ele alan eserler anlamına gelmektedir. İlgili konulara ilaveten bazı eserlerde namaz ibadetiyle mükellefiyeti sağlayan İslamî ve imanî hususlara da yer verilebilmektedir. Literal açıdan bu kapsama giren ürünlerin mensur ve manzum olarak kaleme alınmış örnekleri bulunmaktadır. Bunun yanı sıra diller arası ve diliçi tercüme, yeniden yazım-nesri nazma aktarma faaliyetiyle üretilen metinlerin de fıkıhla ilgili ve dinî yapıya sahip bu edebî türün bir alt kolunu teşkil ettiği söylenebilir. Edebî türü tanımlamada daha yaygın olarak kullanılan şurût-ı salâtın yanı sıra manzum olarak yazıldıklarının vurgulanması adına telif özgün özelliği taşıyan eserler için salâtnâme kavramı da kullanılabilmektedir. Bu bağlamda çalışma Türk İslam Edebiyatı metodolojisiyle; Şumnulu Hâfız Hilmî Efendinin ö. 12001785-86 11901776-77 yılında kaleme aldığı ve telif niteliği taşıdığı düşünülen Nazm-ı Nefîs isimli salâtnâmesini konu edinmektedir. Çalışmada öncelikle Hilmî Efendinin hayatına ve eserlerine dair bilgiler verilmiştir. Önceki çalışmalarda onun eserleriyle ilgili yapılmış değerlendirmeler bu eserlerin özgün nitelik taşımadığı, diliçi çeviri-yeniden yazım türünde üretilmiş olabileceği gibi, elde edilen yeni belgelerle bulguların da ışığında bilhassa diliçi çeviri teorisine dair bilgi ve örnekler eşliğinde tekrar ele alınıp bu değerlendirmelere dair kanaatler belirtilmiştir. Hilmî Efendinin Manzûm Secâvend ve Nazm-ı Nefîsinin müstakil mahtut nüshalarına ulaşılmasının kanaatlerin belirtilebilmesi yolunda önemli olduğunu da belirtmek gerekmektedir. Sonrasında ise diliçi çeviri, yeniden yazım ve nesri nazma aktarma faaliyetlerine dair tartışmaları da ihtiva eder şekilde ismi, yazılış tarihi, telif sebebi, amacı, gayesi, kaynakları yönünden incelenerek Nazm-ı Nefîsin tanıtımına yer verilmiştir. Öte yandan bir tez çalışmasında, matbu nüshasının derkenarında namazla ilgili mensur metnin bulunmasından ötürü Nazm-ı Nefîsin de Hilmî Efendiin Zafer adlı eseri gibi diliçi çeviri faaliyetiyle üretilmiş olabileceği şeklinde bir ihtimal de dile getirilmiştir. Dolayısıyla bu çalışmada Nazm-ı Nefîs ve ilgili metin karşılaştırılıp çeşitli yönleriyle incelenmiş, Nazm-ı Nefîsin başka bir metin kaynak alınarak üretilip üretilmediği de tartışılmıştır. Tanıtım ve değerlendirmelere ilaveten Hilmî Efendinin salâtnâmesi, şekil ve muhteva hususiyetleri açısından ayrıntılı olarak tahlil edilmiştir. Ayrıca bölüm altında ayrı bir başlıkla Nazm-ı Nefîs ile hacim ve içerik itibarıyla benzer nitelikteki salâtnâmelerin şekil ve muhtevaları karşılaştırılarak değerlendirilmiştir. Bu sayede çalışmanın odak noktası olan eserin tür içindeki yeri belirlenmeye çalışılmıştır. Tespit aşamasında özellikle muhteva itibarıyla Nazm-ı Nefîsin kendi türü içinde ayrı ve dikkate değer bir noktada olduğu görülmüştür. Son olarak çalışmada Nazm-ı Nefîsin tespit edilen tek mahtut nüshasının ayrıntılı tavsifi yapılmış, imla yönünden bazı özelliklerine değinilmiş, metin kurulumunda gözetilen bazı esaslara dikkat çekilip çeviri yazısına yer verilmiştir. Çalışmanın amacı; kırâat ilmi uzmanı da olan müellifin, İslam dininin terk edilemeyecek bir rüknü ve fıkhın başat konularından namaza yönelik kaleme aldığı Nazm-ı Nefîsin tanıtılması, diliçi çeviri yazım faaliyeti sonucu üretilip üretilmediğinin tespiti ve çeviri yazı metoduyla günümüz harflerine aktarılarak gün yüzüne çıkarılmasıdır. Mezkur amaçlarla bağlantılı olarak çalışmanın öneminin; Nazm-ı Nefîs metninin ortaya çıkarılmasıyla birlikte yapılan tespitler ve değerlendirmeler neticesinde Hilmî Efendinin eserlerine dair bilgileri bazı noktalarda tashih, bazı noktalarda ise tekmil edecek olmasından ileri geldiği düşünülmektedir.

 One of the literary genres in Turkish-Islamic Literature, shurut-i salatssalatnames conditions of prayer, in the context of the term, refers to books that deal with issues related to the performance of this prayerworship, especially the conditions, its fards obligations, wajibs compulsorys, sunnahs the acts of the Prophet Muhammed, makruhs reprehensible practices, mufsids situations that invalidate, virtues, importance etc. of the prayer, along with its prerequisites such as wudu ablution, ghusl having a bath with the intention of worship and tayammum ablution with soil for a person who cannot find water, in a way that the addressee audience can understand. In addition to related topics, some works may also include Islamic and faith-based issues that provide the obligation of prayer. In literal terms, there are both prose and verse examples of Works that fall within this scope. In addition, it can be said that the texts produced through interlingual and intra-linguistic translation, rewriting and transcribing the prose into verse constitute a sub-branch of this literary genre which is related to fiqh canon law and has a religious structure. In addition to shurut-ı salat, which is more commonly used in defining the literary genre, the term of salatname can also be used for works that have the characteristic of original in order to emphasize that they are written in verse. In this context, with the methodology of Turkish-Islamic Literature. this study focuses on the salatname of Shumnulu Hafız Hilmi Efendi d. 12001785-86, titled Nazm-ı Nefıs, which was written in 11901776-77 and is thought to be original work. In the study, first of all, information about Hilmı Efendis life and works is given. In addition, the evaluations made in previous studies about his works such as that these works are not original and may have been produced in the genre of interlingual translation-rewriting are reconsidered in the light of new documents and findings, especially with information and examples on the theory of interlingual translation and opinions on these evaluations are stated. It is also necessary to point out that the availability of individual manuscripts of Hilmi Efendis Manzum Secavend and Nazm-ı Nefıs is important for the expression of opinions. Afterwards, in the study, the introduction of Nazm-ı Nefıs is given by examining it in terms of its name, date of writing, reason for composition, purpose, aim and sources, including discussions on the activities of interlingual translation, rewriting and transferring prose to verse. On the other hand, in a one of the thesis studies, the possibility that Nazm-ı Nefıs may have been produced through interlingual translation activities like Hilmi Efendis Zafer, due to the presence of a prose text about prayer in the margin of the printed copy, was also mentioned. Therefore, in this study, Nazm-ı Nefıs and the related text are compared and analyzed in various aspects, and it is also discussed whether Nazm-ı Nefıs was produced by taking another text as a source. In addition to the introduction and evaluations, Hilmi Efendis salatname is analyzed in detail in terms of its form and content. Furthermore, under a separate heading under the chapter, the form and content of Nazm-ı Nefîs and salâtnâmes, which are similar in volume and content, are compared and evaluated. In this way, the place of the work, which is the focus of the study, within the genre is tried to be determined. At the stage of determination, it was seen that Nazm-ı Nefîs is at a seperate and remarkable point within its genre, especially in terms of content. Finally, the study provides a detailed presentation of the only identified manuscript of Nazm-ı Nefîs, mentions some of its features in terms of spellingorthography, draws attention to some principles observed in the construction of the text and includes a transcription. The aim of this study is to introduce Nazm-ı Nefîs, which is written by the author, who is also an expert in the science of Qiraah recitation?, on prayer, which is one of the main subjects of fiqh and a pillar of Islam that cannot be abandoned, to determine whether it was produced as a result of interlingual translation and to reveal it by transferring it to todays letters with the transcription method. In connection with the above-mentioned purposes, the importance of the study is thought to come from the fact that as a result of the determinations and evaluations made with the revealing of the text of Nazm-ı Nefîs, the information about Hilmi Efendis works will be corrected at some points and completed at some other points.

 One of the literary genres in Turkish-Islamic Literature, shurut-i salatssalatnames conditions of prayer, in the context of the term, refers to books that deal with issues related to the performance of this prayerworship, especially the conditions, its fards obligations, wajibs compulsorys, sunnahs the acts of the Prophet Muhammed, makruhs reprehensible practices, mufsids situations that invalidate, virtues, importance etc. of the prayer, along with its prerequisites such as wudu ablution, ghusl having a bath with the intention of worship and tayammum ablution with soil for a person who cannot find water, in a way that the addressee audience can understand. In addition to related topics, some works may also include Islamic and faith-based issues that provide the obligation of prayer. In literal terms, there are both prose and verse examples of Works that fall within this scope. In addition, it can be said that the texts produced through interlingual and intra-linguistic translation, rewriting and transcribing the prose into verse constitute a sub-branch of this literary genre which is related to fiqh canon law and has a religious structure. In addition to shurut-ı salat, which is more commonly used in defining the literary genre, the term of salatname can also be used for works that have the characteristic of original in order to emphasize that they are written in verse. In this context, with the methodology of Turkish-Islamic Literature. this study focuses on the salatname of Shumnulu Hafız Hilmi Efendi d. 12001785-86, titled Nazm-ı Nefıs, which was written in 11901776-77 and is thought to be original work. In the study, first of all, information about Hilmı Efendis life and works is given. In addition, the evaluations made in previous studies about his works such as that these works are not original and may have been produced in the genre of interlingual translation-rewriting are reconsidered in the light of new documents and findings, especially with information and examples on the theory of interlingual translation and opinions on these evaluations are stated. It is also necessary to point out that the availability of individual manuscripts of Hilmi Efendis Manzum Secavend and Nazm-ı Nefıs is important for the expression of opinions. Afterwards, in the study, the introduction of Nazm-ı Nefıs is given by examining it in terms of its name, date of writing, reason for composition, purpose, aim and sources, including discussions on the activities of interlingual translation, rewriting and transferring prose to verse. On the other hand, in a one of the thesis studies, the possibility that Nazm-ı Nefıs may have been produced through interlingual translation activities like Hilmi Efendis Zafer, due to the presence of a prose text about prayer in the margin of the printed copy, was also mentioned. Therefore, in this study, Nazm-ı Nefıs and the related text are compared and analyzed in various aspects, and it is also discussed whether Nazm-ı Nefıs was produced by taking another text as a source. In addition to the introduction and evaluations, Hilmi Efendis salatname is analyzed in detail in terms of its form and content. Furthermore, under a separate heading under the chapter, the form and content of Nazm-ı Nefîs and salâtnâmes, which are similar in volume and content, are compared and evaluated. In this way, the place of the work, which is the focus of the study, within the genre is tried to be determined. At the stage of determination, it was seen that Nazm-ı Nefîs is at a seperate and remarkable point within its genre, especially in terms of content. Finally, the study provides a detailed presentation of the only identified manuscript of Nazm-ı Nefîs, mentions some of its features in terms of spellingorthography, draws attention to some principles observed in the construction of the text and includes a transcription. The aim of this study is to introduce Nazm-ı Nefîs, which is written by the author, who is also an expert in the science of Qiraah recitation?, on prayer, which is one of the main subjects of fiqh and a pillar of Islam that cannot be abandoned, to determine whether it was produced as a result of interlingual translation and to reveal it by transferring it to todays letters with the transcription method. In connection with the above-mentioned purposes, the importance of the study is thought to come from the fact that as a result of the determinations and evaluations made with the revealing of the text of Nazm-ı Nefîs, the information about Hilmi Efendis works will be corrected at some points and completed at some other points.

Makale detayları

Shumnulu Ḥāfıẓ Ḥilmı̄ Efendi’s Ṣalātnāme Called Naẓm-ı Nefı̄s In Various Aspects

Yazarlar:

Oğuz Yılmaz

Yayıncı:

Afyon Kocatepe University

Ana Başlıklar:

Sanat ve Edebiyat | Din | Toplum ve Kültür Araştırmaları

Dergi:

Kocatepe İslami İlimler Dergisi Vol.6 Issue 1, pp.161-202

Belge Tipi:

Makale

Yayın Tarihi:

6/2023

Belge Dili:

Türkçe

Document ID (Org No.):

2001291437

pISSN:

2757-8399

Turkish Islamic Literature

Intralingual Translation/Transfer from Prose to Verse

Shurūṭ-i Ṣalāt/Ṣalātnāme

Shumnulu Ḥāfıẓ Ḥilmı̄ Efendi

Naẓm-ı Nefı̄sTürk İslam Edebiyatı

Diliçi Çeviri/Nesirden Nazma Aktarma

Şurût-ı Salât/Salâtnâme

Şumnulu Hâfız Hilmî Efendi

Nazm-ı Nefîs

Sayı

Makale detayları

Yazarlar: Oğuz Yılmaz

Yayıncı: Afyon Kocatepe University

Ana Başlıklar: Sanat ve Edebiyat | Din | Toplum ve Kültür Araştırmaları

Dergi: Kocatepe İslami İlimler Dergisi Vol.6 Issue 1, pp.161-202

Belge Tipi: Makale

Yayın Tarihi: 6/2023

Belge Dili: Türkçe

Document ID (Org No.): 2001291437

pISSN: 2757-8399

Sayı

Yazarlar:

Oğuz Yılmaz

Yayıncı:

Afyon Kocatepe University

Ana Başlıklar:

Sanat ve Edebiyat | Din | Toplum ve Kültür Araştırmaları

Dergi:

Kocatepe İslami İlimler Dergisi Vol.6 Issue 1, pp.161-202

Belge Tipi:

Makale

Yayın Tarihi:

6/2023

Belge Dili:

Türkçe

Document ID (Org No.):

2001291437

pISSN:

2757-8399