Poetic couplets in Mevlana’s Divan-ı Kebir

Musa Balcı

Makale detayları

Poetic couplets in Mevlana’s Divan-ı Kebir

Yazarlar:

Musa Balcı

Yayıncı:

Istanbul University

Ana Başlıklar:

Dilbilim (Diğer)

Dergi:

Şarkiyat Mecmuası Issue 44, pp.237-260

Belge Tipi:

Makale

Yayın Tarihi:

4/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001318867

pISSN:

1307-5020

Anahtar kelimeler:

Özet:

 Despite the scattered poetic data in their works, the works of Eastern Islamic literature artists have received little analysis, if any, in terms of their understanding and creation methods. Mevlana Celaleddin-i Rumi is one of the artists who have received little attention in this regard. There are numerous poetic couplets in both his Masnavi and Dīwān-e Kabīr. Some studies have explored the book of Masnavi on this subject before; however, this book has not been emphasized, despite many poetic couplets in Dīwān-e Kabīr. However, evaluating classical period works from this perspective is important not only for contemporary readers, but also for their authors. Today, as new ways of approaching works of art emerge around the world, we cannot convey our classical works to todays people, particularly children, by repeating the perspective of our literature and artists from the classical period. Thinking about the subject and exploring new approaches is critical to our integration with our literary tradition. Despite his high regard for the word, Mevlana tends to transcend sound and words, breaking the shell and removing boundaries to express his feelings and thoughts. One of the most important and exciting topics to discuss is the collect into a book bookization processes of the Masnavi and Dīwān-e Kabīr, the impact of the periods political and sociocultural structure on work production, and the similarities and differences between these two works regarding poetic art. The poetic couplets of Mevlanas ghazals, particularly the maqta couplets, convey a special message to us readers.

 Despite the scattered poetic data in their works, the works of Eastern Islamic literature artists have received little analysis, if any, in terms of their understanding and creation methods. Mevlana Celaleddin-i Rumi is one of the artists who have received little attention in this regard. There are numerous poetic couplets in both his Masnavi and Dīwān-e Kabīr. Some studies have explored the book of Masnavi on this subject before; however, this book has not been emphasized, despite many poetic couplets in Dīwān-e Kabīr. However, evaluating classical period works from this perspective is important not only for contemporary readers, but also for their authors. Today, as new ways of approaching works of art emerge around the world, we cannot convey our classical works to todays people, particularly children, by repeating the perspective of our literature and artists from the classical period. Thinking about the subject and exploring new approaches is critical to our integration with our literary tradition. Despite his high regard for the word, Mevlana tends to transcend sound and words, breaking the shell and removing boundaries to express his feelings and thoughts. One of the most important and exciting topics to discuss is the collect into a book bookization processes of the Masnavi and Dīwān-e Kabīr, the impact of the periods political and sociocultural structure on work production, and the similarities and differences between these two works regarding poetic art. The poetic couplets of Mevlanas ghazals, particularly the maqta couplets, convey a special message to us readers.

 Despite the scattered poetic data in their works, the works of Eastern Islamic literature artists have received little analysis, if any, in terms of their understanding and creation methods. Mevlana Celaleddin-i Rumi is one of the artists who have received little attention in this regard. There are numerous poetic couplets in both his Masnavi and Dīwān-e Kabīr. Some studies have explored the book of Masnavi on this subject before; however, this book has not been emphasized, despite many poetic couplets in Dīwān-e Kabīr. However, evaluating classical period works from this perspective is important not only for contemporary readers, but also for their authors. Today, as new ways of approaching works of art emerge around the world, we cannot convey our classical works to todays people, particularly children, by repeating the perspective of our literature and artists from the classical period. Thinking about the subject and exploring new approaches is critical to our integration with our literary tradition. Despite his high regard for the word, Mevlana tends to transcend sound and words, breaking the shell and removing boundaries to express his feelings and thoughts. One of the most important and exciting topics to discuss is the collect into a book bookization processes of the Masnavi and Dīwān-e Kabīr, the impact of the periods political and sociocultural structure on work production, and the similarities and differences between these two works regarding poetic art. The poetic couplets of Mevlanas ghazals, particularly the maqta couplets, convey a special message to us readers.

 Şark İslam edebiyatı sanatkârlarının çalışmaları, eserlerinde dağınık olarak yer alan poetik verilere rağmen eser vücuda getirme anlayışları ve yöntemleri bakımından pek fazla incelenmemiş hatta ihmal edilmişlerdir. Bu manada ihmal edilen sanatkârlardan biri de Mevlânâ Celaleddin-i Rûmîdir. Onun gerek Mesnevî ve gerekse Dîvân-ı Kebîrinde çok sayıda poetik beyit bulunmaktadır. Daha önce bu konuda Mesnevî kitabı üzerine bazı çalışmalar yapılmış ama Dîvân-ı Kebîrinde de çok sayıda poetik beyit bulunmasına rağmen bu eser üzerinde durulmamıştır. Hâlbuki klasik dönem eserlerinin bu gözle değerlendirilmeleri, sadece bugünün okuyucuları değil yazarları için de önemlidir. Dünyada sanat eserlerine dönük yeni yaklaşım biçimlerinin geliştiği günümüzde, edebiyatımıza ve sanatkârlarımıza ilişkin sadece klasik dönemde ortaya konulan perspektifi tekrar ederek bugünün insanına ve özellikle çocuklarına klasik çalışmalarımızı taşıyamayacağımız ortadadır. Konu üzerinde kafa yormak ve bunun için yeni yollar aramak, edebiyat geleneğimizle bütünleşmemiz açısından büyük önem taşımaktadır. Mevlânâ, söze büyük değer vermekle birlikte hissiyatını ve düşüncelerini anlatabilmek için ses ve kelimeleri aşmaya, kabuğu kırmaya ve sınırları ortadan kaldırmaya yönelir. Üzerinde durulması gereken önemli ve heyecan verici başlıklardan biri de Mesnevî ile Dîvân-ı Kebirin kitaplaştırılma süreçleri, dönemin siyasî ve sosyokültürel yapısının eser üretmeye etkisi, bu iki eserin şiir sanatı bakımından benzerlikleri ve farklılıklarıdır. Mevlânânın gazellerinin özellikle makta beyitlerinde karşımıza çıkan poetik beyitleri de biz okuyuculara özel bir mesaj taşımaktadır.

Makale detayları

Poetic couplets in Mevlana’s Divan-ı Kebir

Yazarlar:

Musa Balcı

Yayıncı:

Istanbul University

Ana Başlıklar:

Dilbilim (Diğer)

Dergi:

Şarkiyat Mecmuası Issue 44, pp.237-260

Belge Tipi:

Makale

Yayın Tarihi:

4/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001318867

pISSN:

1307-5020

Mevlana

Dīwān-e Kabīr

Poetika

Ghazal

PoetryMevlânâ

Dîvân-ı Kebîr

Poetika

Gazel

Şiir

Sayı

Makale detayları

Yazarlar: Musa Balcı

Yayıncı: Istanbul University

Ana Başlıklar: Dilbilim (Diğer)

Dergi: Şarkiyat Mecmuası Issue 44, pp.237-260

Belge Tipi: Makale

Yayın Tarihi: 4/2024

Belge Dili: Türkçe

Document ID (Org No.): 2001318867

pISSN: 1307-5020

Sayı

Yazarlar:

Musa Balcı

Yayıncı:

Istanbul University

Ana Başlıklar:

Dilbilim (Diğer)

Dergi:

Şarkiyat Mecmuası Issue 44, pp.237-260

Belge Tipi:

Makale

Yayın Tarihi:

4/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001318867

pISSN:

1307-5020