AN ANALYSIS ON THE LYRICS OF THE WORKS COMPOSED IN “ZENCÎR” TEMPO: “DÂRÜ'L ELHÂN” COMPLETE WORKS EXAMPLE

Sibel Karaman; Nihat Ozan Köroğlu; Gamze Nevra Köroğlu

Makale detayları

AN ANALYSIS ON THE LYRICS OF THE WORKS COMPOSED IN “ZENCÎR” TEMPO: “DÂRÜ'L ELHÂN” COMPLETE WORKS EXAMPLE

Yazarlar:

Sibel Karaman | Nihat Ozan Köroğlu | Gamze Nevra Köroğlu

Yayıncı:

Inonu University

Ana Başlıklar:

Türk Sanat Müziğinde Yorumculuk

Dergi:

İnönü Üniversitesi Kültür ve Sanat Dergisi Vol.9 Issue 1, pp.181-191

Belge Tipi:

Makale

Yayın Tarihi:

6/2023

Belge Dili:

Türkçe

Document ID (Org No.):

2001296017

pISSN:

2458-7915

Anahtar kelimeler:

Özet:

 The word called zencîr or zincir chain, which is a one hundred and twenty beats tempo in Turkish music, is also used in the lyrics of Ottoman poetry. İskender Pala 2009: 493 states that the pain the loving man suffers and his lovers hair are likened to a chain in Ottoman poetry. Sadness is likened to chain due to its longlines and endlessness, and lovelock and hair are likened to chain due to their shapes and weaves. Karaman, Köroğlu, Köroğlu, Yılmaz, 2023: 280 In this study, the lyrics in the Dârül Elhân Complete Works were scanned, and both the works that were composed in the zencîr tempo and that contains the word zencîr were included in the sampling, and examined. In this review, the aruz prosody of the works, reading according to the tempo, faults, rhyme and redif features, and the lyrics of the works, their explanations and the meanings of the words in a separate table are shown in detail. From this point of view, it is aimed to analyze the word or words that have more than one meaning, particularly the word zencîr, which is also a tempo name. In the study, three works were taken as sampling, the copies of the same works that were notated by different people were examined and the selections of lyrics were compared. As a result, it has been concluded that the word zencîr is used as a rhythm name in three works that were included in the study, and that even it is used literally, the name of the tempo is referred to.

 The word called zencîr or zincir chain, which is a one hundred and twenty beats tempo in Turkish music, is also used in the lyrics of Ottoman poetry. İskender Pala 2009: 493 states that the pain the loving man suffers and his lovers hair are likened to a chain in Ottoman poetry. Sadness is likened to chain due to its longlines and endlessness, and lovelock and hair are likened to chain due to their shapes and weaves. Karaman, Köroğlu, Köroğlu, Yılmaz, 2023: 280 In this study, the lyrics in the Dârül Elhân Complete Works were scanned, and both the works that were composed in the zencîr tempo and that contains the word zencîr were included in the sampling, and examined. In this review, the aruz prosody of the works, reading according to the tempo, faults, rhyme and redif features, and the lyrics of the works, their explanations and the meanings of the words in a separate table are shown in detail. From this point of view, it is aimed to analyze the word or words that have more than one meaning, particularly the word zencîr, which is also a tempo name. In the study, three works were taken as sampling, the copies of the same works that were notated by different people were examined and the selections of lyrics were compared. As a result, it has been concluded that the word zencîr is used as a rhythm name in three works that were included in the study, and that even it is used literally, the name of the tempo is referred to.

 The word called zencîr or zincir chain, which is a one hundred and twenty beats tempo in Turkish music, is also used in the lyrics of Ottoman poetry. İskender Pala 2009: 493 states that the pain the loving man suffers and his lovers hair are likened to a chain in Ottoman poetry. Sadness is likened to chain due to its longlines and endlessness, and lovelock and hair are likened to chain due to their shapes and weaves. Karaman, Köroğlu, Köroğlu, Yılmaz, 2023: 280 In this study, the lyrics in the Dârül Elhân Complete Works were scanned, and both the works that were composed in the zencîr tempo and that contains the word zencîr were included in the sampling, and examined. In this review, the aruz prosody of the works, reading according to the tempo, faults, rhyme and redif features, and the lyrics of the works, their explanations and the meanings of the words in a separate table are shown in detail. From this point of view, it is aimed to analyze the word or words that have more than one meaning, particularly the word zencîr, which is also a tempo name. In the study, three works were taken as sampling, the copies of the same works that were notated by different people were examined and the selections of lyrics were compared. As a result, it has been concluded that the word zencîr is used as a rhythm name in three works that were included in the study, and that even it is used literally, the name of the tempo is referred to.

 Türk mûsikîsinde yüz yirmi zamanlı bir usûl olan zencîr veya zincir olarak adlandırılan sözcük aynı zamanda divân şiiri güftelerinde kullanılmıştır. İskender Palaya 2009: 493 göre Divân şiirinde âşığın çektiği gam ile zincire benzetilen sevgilinin saçıdır. Çekilen sıkıntı, uzun olması ve sonunun gelmemesi ile ilgili olarak; sevgilinin zülfü ve saçı ise, şekli ve örgüsü nedeniyle zincire benzetilir şeklinde açıklanmıştır. Karaman, Köroğlu, Köroğlu, Yılmaz, 2023: 286 Bu çalışmada, Dârül Elhân Külliyâtında yer alan sözlü eserler taranmış, bu eserlerden hem zencîr usulünde bestelenen hem de güftesinde zencîr sözcüğünün geçtiği eserler örneklem kapsamına alınarak incelenmiştir. Bu incelemede, eserlerin aruz vezni durumları, taktî, arızalar, kâfiye ve redif özellikleri ile ayrı bir tabloda eserlerin güfteleri, güfte açıklamaları ve kelimelerin anlamları ayrıntılı bir şekilde gösterilmiştir. Buradan hareketle özellikle aynı zamanda bir usûl ismi olan zencîr sözcüğü özelinde birden fazla anlama gelen sözcük veya sözcükleri analiz etmek amaçlanmıştır. Çalışmada; üç adet eser örneklem kapsamına alınarak, aynı eserlerin farklı kişiler tarafından notaya alınan nüshaları incelenmiş ve güfte seçkileri karşılaştırılmıştır. Sonuç olarak çalışma kapsamındaki üç eserde; zencîr sözcüğünün usûlün adı olarak kullandığı, ancak sözcük anlamıyla kullanılmış olsa da usûlün adına atıfta bulunulduğu tespit edilmiştir.

Makale detayları

AN ANALYSIS ON THE LYRICS OF THE WORKS COMPOSED IN “ZENCÎR” TEMPO: “DÂRÜ'L ELHÂN” COMPLETE WORKS EXAMPLE

Yazarlar:

Sibel Karaman | Nihat Ozan Köroğlu | Gamze Nevra Köroğlu

Yayıncı:

Inonu University

Ana Başlıklar:

Türk Sanat Müziğinde Yorumculuk

Dergi:

İnönü Üniversitesi Kültür ve Sanat Dergisi Vol.9 Issue 1, pp.181-191

Belge Tipi:

Makale

Yayın Tarihi:

6/2023

Belge Dili:

Türkçe

Document ID (Org No.):

2001296017

pISSN:

2458-7915

Turkish Music

Lyrics Analysis

Dârü’l Elhân Complete Works

TempoTürk Müziği

Güfte Analizi

Dârü’l Elhân Külliyâtı

Usûl

Zencîr.

Sayı

Makale detayları

Yazarlar: Sibel Karaman | Nihat Ozan Köroğlu | Gamze Nevra Köroğlu

Yayıncı: Inonu University

Ana Başlıklar: Türk Sanat Müziğinde Yorumculuk

Dergi: İnönü Üniversitesi Kültür ve Sanat Dergisi Vol.9 Issue 1, pp.181-191

Belge Tipi: Makale

Yayın Tarihi: 6/2023

Belge Dili: Türkçe

Document ID (Org No.): 2001296017

pISSN: 2458-7915

Sayı

Yazarlar:

Sibel Karaman | Nihat Ozan Köroğlu | Gamze Nevra Köroğlu

Yayıncı:

Inonu University

Ana Başlıklar:

Türk Sanat Müziğinde Yorumculuk

Dergi:

İnönü Üniversitesi Kültür ve Sanat Dergisi Vol.9 Issue 1, pp.181-191

Belge Tipi:

Makale

Yayın Tarihi:

6/2023

Belge Dili:

Türkçe

Document ID (Org No.):

2001296017

pISSN:

2458-7915