An Ontological Analysis on the World of Power and Instrumentality of Music

İbrahim Sarıtaş

Makale detayları

An Ontological Analysis on the World of Power and Instrumentality of Music

Yazarlar:

İbrahim Sarıtaş

Yayıncı:

Ankara Hacı Bayram Veli University

Ana Başlıklar:

Güzel Sanatlar

Dergi:

Sanat ve Tasarım Dergisi Issue 35 (20. Yıl Armağan Sayısı), pp.433-455

Belge Tipi:

Makale

Yayın Tarihi:

5/2025

Belge Dili:

Türkçe

Document ID (Org No.):

2001348704

pISSN:

1308-2264

Anahtar kelimeler:

Özet:

 As a branch of art, music was born with humanity, developed and shaped within the society. Music has key functions on human and society at many stages in theological, sociological and political terms. From past to present, regardless of geography and culture, everyone who has realised the power of music to influencetransform people and its ability to create a common consciousness in the masses has wanted to control music. Especially religions and powers have used music as a tool for social domination in many periods of history. In this axis, music has been assigned mystical duties in both theological and mythological terms, and uncriticalnon-negotiable transcendental properties have been attributed to it. From Ancient Greece to the Roman Empire, from the principalities and kingdoms of the Middle Ages to the National Socialist government, music has been a branch of art used to control society in this sense.

 As a branch of art, music was born with humanity, developed and shaped within the society. Music has key functions on human and society at many stages in theological, sociological and political terms. From past to present, regardless of geography and culture, everyone who has realised the power of music to influencetransform people and its ability to create a common consciousness in the masses has wanted to control music. Especially religions and powers have used music as a tool for social domination in many periods of history. In this axis, music has been assigned mystical duties in both theological and mythological terms, and uncriticalnon-negotiable transcendental properties have been attributed to it. From Ancient Greece to the Roman Empire, from the principalities and kingdoms of the Middle Ages to the National Socialist government, music has been a branch of art used to control society in this sense.

 As a branch of art, music was born with humanity, developed and shaped within the society. Music has key functions on human and society at many stages in theological, sociological and political terms. From past to present, regardless of geography and culture, everyone who has realised the power of music to influencetransform people and its ability to create a common consciousness in the masses has wanted to control music. Especially religions and powers have used music as a tool for social domination in many periods of history. In this axis, music has been assigned mystical duties in both theological and mythological terms, and uncriticalnon-negotiable transcendental properties have been attributed to it. From Ancient Greece to the Roman Empire, from the principalities and kingdoms of the Middle Ages to the National Socialist government, music has been a branch of art used to control society in this sense.

 Müzik, bir sanat dalı olarak beşerle birlikte dogmus, toplum içinde şekillenmiş ve gelismistir. Müzik teolojik, sosyolojik ve siyasi bakımdan birçok merhalede insan ve toplum üzerinde kilit işlevlere sahiptir. Geçmişten günümüze hangi coğrafyada ve kültürde olursa olsun, müziğin insanı etkileyendönüştürebilen gücünün ve kitlelerde ortak bilinç oluşturma yetisinin farkına varan herkes, müziği kontrol altına almak istemiştir. Özellikle dinler ve iktidarlar, tarihin birçok döneminde müziği toplumsal hâkimiyet için bir araç olarak kullanmıştır. Bu eksende müziğe hem teolojik hem de mitolojik anlamda mistik görevler biçilmiş ve ona eleştirilemeztartışmaya kapalı aşkınsal özellikler atfedilmiştir. Antik Yunandan Roma İmparatorluğuna, Orta Çağ beylik ve krallıklarından Nasyonal Sosyalist iktidara kadar hepsinde müzik, bu manada toplumu kontrol etmek için kullanılan bir sanat dalı olmuştur.

Makale detayları

An Ontological Analysis on the World of Power and Instrumentality of Music

Yazarlar:

İbrahim Sarıtaş

Yayıncı:

Ankara Hacı Bayram Veli University

Ana Başlıklar:

Güzel Sanatlar

Dergi:

Sanat ve Tasarım Dergisi Issue 35 (20. Yıl Armağan Sayısı), pp.433-455

Belge Tipi:

Makale

Yayın Tarihi:

5/2025

Belge Dili:

Türkçe

Document ID (Org No.):

2001348704

pISSN:

1308-2264

Music

Power

Religion

Propaganda

National SocialismMüzik

İktidar

Din

Propaganda

Nasyonal Sosyalizm

Sayı

Makale detayları

Yazarlar: İbrahim Sarıtaş

Yayıncı: Ankara Hacı Bayram Veli University

Ana Başlıklar: Güzel Sanatlar

Dergi: Sanat ve Tasarım Dergisi Issue 35 (20. Yıl Armağan Sayısı), pp.433-455

Belge Tipi: Makale

Yayın Tarihi: 5/2025

Belge Dili: Türkçe

Document ID (Org No.): 2001348704

pISSN: 1308-2264

Sayı

Yazarlar:

İbrahim Sarıtaş

Yayıncı:

Ankara Hacı Bayram Veli University

Ana Başlıklar:

Güzel Sanatlar

Dergi:

Sanat ve Tasarım Dergisi Issue 35 (20. Yıl Armağan Sayısı), pp.433-455

Belge Tipi:

Makale

Yayın Tarihi:

5/2025

Belge Dili:

Türkçe

Document ID (Org No.):

2001348704

pISSN:

1308-2264