“Mosques” as the Essential Museums of Anatolian Turkish-Islamic Artworks in the Context of the Importance of Preservation

Işılay Konak

Makale detayları

“Mosques” as the Essential Museums of Anatolian Turkish-Islamic Artworks in the Context of the Importance of Preservation

Yazarlar:

Işılay Konak

Yayıncı:

Karabuk University

Ana Başlıklar:

Taşınabilir Kültür Varlıklarınn Korunması ve Onarımı | Çini Sanatı | Halı-Kilim ve Dokuma | Hat | Geleneksel Türk Sanatları (Diğer)

Dergi:

LOKUM Sanat ve Tasarım Dergisi Vol.3 Issue 2, pp.345-359

Belge Tipi:

Makale

Yayın Tarihi:

8/2025

Belge Dili:

Türkçe

Document ID (Org No.):

2001356902

pISSN:

2980-0722

Anahtar kelimeler:

Özet:

 As the most ancient trace left by mankind on the world, cultural assets are the civilization, culture, time, geography, technology, art, faith, etc. to which they are connected. it has been shaped within the framework of the possibilities offered by the features and under the influence of them. The concepts of faith and art are also among the most important values that cultural assets produced in this context have, and they are qualified memories that contain information about the essence to which they are connected. It is also important in this regard. The productions made on the basis of the concept of faith and art in the historical course are too broad-based to fit into a subject of study. From this point of view, within the scope of this study, the universe is determined as architectural works produced on the basis of the concepts of faith and art, and the sample is considered as historical mosques in Anatolia, which are cultural assets, and some selections of Turkish Islamic art works such as tiles, illumination, calligraphy, binding, carpets, rugs, etc.. The aforementioned sample group has been evaluated in terms of decorative value; some historical tile and plaster mihrabs that have survived to the present day have been discussed in the context of the importance of protection through destroyed examples such as manuscript Quran, door wings. Because the importance of a work of art is only possible as long as it can continue its existence. Otherwise, it will only find a place in a story of the past. The most important element that will serve to ensure the continuity of a work of art as a cultural asset is to raise and spread the awareness of protection. Only in this way will cultural continuity and forward transmission be possible.

 As the most ancient trace left by mankind on the world, cultural assets are the civilization, culture, time, geography, technology, art, faith, etc. to which they are connected. it has been shaped within the framework of the possibilities offered by the features and under the influence of them. The concepts of faith and art are also among the most important values that cultural assets produced in this context have, and they are qualified memories that contain information about the essence to which they are connected. It is also important in this regard. The productions made on the basis of the concept of faith and art in the historical course are too broad-based to fit into a subject of study. From this point of view, within the scope of this study, the universe is determined as architectural works produced on the basis of the concepts of faith and art, and the sample is considered as historical mosques in Anatolia, which are cultural assets, and some selections of Turkish Islamic art works such as tiles, illumination, calligraphy, binding, carpets, rugs, etc.. The aforementioned sample group has been evaluated in terms of decorative value; some historical tile and plaster mihrabs that have survived to the present day have been discussed in the context of the importance of protection through destroyed examples such as manuscript Quran, door wings. Because the importance of a work of art is only possible as long as it can continue its existence. Otherwise, it will only find a place in a story of the past. The most important element that will serve to ensure the continuity of a work of art as a cultural asset is to raise and spread the awareness of protection. Only in this way will cultural continuity and forward transmission be possible.

 As the most ancient trace left by mankind on the world, cultural assets are the civilization, culture, time, geography, technology, art, faith, etc. to which they are connected. it has been shaped within the framework of the possibilities offered by the features and under the influence of them. The concepts of faith and art are also among the most important values that cultural assets produced in this context have, and they are qualified memories that contain information about the essence to which they are connected. It is also important in this regard. The productions made on the basis of the concept of faith and art in the historical course are too broad-based to fit into a subject of study. From this point of view, within the scope of this study, the universe is determined as architectural works produced on the basis of the concepts of faith and art, and the sample is considered as historical mosques in Anatolia, which are cultural assets, and some selections of Turkish Islamic art works such as tiles, illumination, calligraphy, binding, carpets, rugs, etc.. The aforementioned sample group has been evaluated in terms of decorative value; some historical tile and plaster mihrabs that have survived to the present day have been discussed in the context of the importance of protection through destroyed examples such as manuscript Quran, door wings. Because the importance of a work of art is only possible as long as it can continue its existence. Otherwise, it will only find a place in a story of the past. The most important element that will serve to ensure the continuity of a work of art as a cultural asset is to raise and spread the awareness of protection. Only in this way will cultural continuity and forward transmission be possible.

 İnsanoğlunun dünyaya bıraktığı en kadim iz olarak kültür varlıkları, bağlı bulundukları uygarlık, kültür, zaman, coğrafya, teknoloji, sanat, inanç vb. özelliklerin sunduğu imkân çerçevesinde ve etkisi altında şekillenmiştir. İnanç ve sanat kavramları da bu bağlamda üretilen kültür varlıklarının sahip olduğu en önemli değerlerden olup bağlı bulunduğu öz hakkında bilgi barındıran nitelikli hafızalardır. Bu bakımdan da öneme sahiptir. Tarihi seyir içinde inanç ve sanat kavramı temelinde yapılan üretimler bir çalışma konusuna sığmayacak kadar geniş içeriklidir. Buradan hareketle bu çalışma kapsamında evreni, inanç ve sanat kavramları temelinde üretilen mimari eserler olarak belirlenmiş, örneklem ise kültür varlığı niteliği taşıyan Anadoludaki tarihi camiler ve içinde barındırdığı çini, tezhip, hat, cilt, halı, kilim vb. Türk İslam sanat eserlerinden bazı seçkiler olarak ele alınmıştır. Bahsi geçen örneklem grubu tezyini değer bakımından değerlendirilmiş; günümüze ulaşan bazı tarihi çini ve alçı mihraplar, el yazması Kuran-ı Kerim, kapı kanatları gibi tahrip edilen örnekler üzerinden de korumanın önemi bağlamında ele alınmıştır. Zira bir sanat eserinin önemi varlığını devam ettirebildiği müddetçe mümkündür. Aksi takdirde ancak geçmişe ait bir hikâyede yer bulacaktır. Kültür varlığı olarak bir sanat eserinin devamlılığını sağlamaya hizmet edecek en önemli unsur, koruma bilincinin yükseltilmesi ve yaygınlaştırılmasıdır. Ancak bu sayede kültürel bir devamlılık ve ileri aktarım mümkün olacaktır.

Makale detayları

“Mosques” as the Essential Museums of Anatolian Turkish-Islamic Artworks in the Context of the Importance of Preservation

Yazarlar:

Işılay Konak

Yayıncı:

Karabuk University

Ana Başlıklar:

Taşınabilir Kültür Varlıklarınn Korunması ve Onarımı | Çini Sanatı | Halı-Kilim ve Dokuma | Hat | Geleneksel Türk Sanatları (Diğer)

Dergi:

LOKUM Sanat ve Tasarım Dergisi Vol.3 Issue 2, pp.345-359

Belge Tipi:

Makale

Yayın Tarihi:

8/2025

Belge Dili:

Türkçe

Document ID (Org No.):

2001356902

pISSN:

2980-0722

Anatolian Art

Conservation Awareness

Importance of Conservation

Mosque Ornament

Turkish Islamic ArtAnadolu Sanatı

Cami Tezyinatı

Koruma Bilinci

Korumanın Önemi

Türk İslam Sanatı

Sayı

Makale detayları

Yazarlar: Işılay Konak

Yayıncı: Karabuk University

Ana Başlıklar: Taşınabilir Kültür Varlıklarınn Korunması ve Onarımı | Çini Sanatı | Halı-Kilim ve Dokuma | Hat | Geleneksel Türk Sanatları (Diğer)

Dergi: LOKUM Sanat ve Tasarım Dergisi Vol.3 Issue 2, pp.345-359

Belge Tipi: Makale

Yayın Tarihi: 8/2025

Belge Dili: Türkçe

Document ID (Org No.): 2001356902

pISSN: 2980-0722

Sayı

Yazarlar:

Işılay Konak

Yayıncı:

Karabuk University

Ana Başlıklar:

Taşınabilir Kültür Varlıklarınn Korunması ve Onarımı | Çini Sanatı | Halı-Kilim ve Dokuma | Hat | Geleneksel Türk Sanatları (Diğer)

Dergi:

LOKUM Sanat ve Tasarım Dergisi Vol.3 Issue 2, pp.345-359

Belge Tipi:

Makale

Yayın Tarihi:

8/2025

Belge Dili:

Türkçe

Document ID (Org No.):

2001356902

pISSN:

2980-0722