PHOTOGRAPHY IN THE CONTEXT OF INDIVIDUAL AND COLLECTIVE MEMORY: A LOOK ON GÜLSÜN KARAMUSTAFA'S WORKS ENTITLED STAGE AND MY ROSES MY REVERIES

Duygu Sabancılar Iştın; Serkan Çalışkan

Makale detayları

PHOTOGRAPHY IN THE CONTEXT OF INDIVIDUAL AND COLLECTIVE MEMORY: A LOOK ON GÜLSÜN KARAMUSTAFA'S WORKS ENTITLED STAGE AND MY ROSES MY REVERIES

Yazarlar:

Duygu Sabancılar Iştın | Serkan Çalışkan

Yayıncı:

Inonu University

Ana Başlıklar:

Fotoğraf

Dergi:

İnönü Üniversitesi Kültür ve Sanat Dergisi Vol.9 Issue 1, pp.66-75

Belge Tipi:

Makale

Yayın Tarihi:

6/2023

Belge Dili:

Türkçe

Document ID (Org No.):

2001296009

pISSN:

2458-7915

Anahtar kelimeler:

Özet:

 Photography captures the moment, represents it, reflects the reality of that moment, and makes reference to that reality. Photography is a document on what happened in the past and an image that carries the past to the present and activates the memory of that moment and its reality. As an image and document, photography is a reminder, carrier and transmitter of individual and social memory. This article aims to examine and evaluate Gülsün Karamustafas testimony on collective memory through her works that she created by taking a photograph of her own memory as a reference. Photographs that carry information about individual moments and events, when reproduced, bring the past to the present, opening up space for questioning memory of the past in the present. Furthermore, they make visible the social memory that was not visible in the past, as well as in the present and future. This article that is based on a descriptive qualitative research model examines the relationship between individual and social memory in the context of forgetting and remembering through the works that the artist created from her individual photographs.

 Photography captures the moment, represents it, reflects the reality of that moment, and makes reference to that reality. Photography is a document on what happened in the past and an image that carries the past to the present and activates the memory of that moment and its reality. As an image and document, photography is a reminder, carrier and transmitter of individual and social memory. This article aims to examine and evaluate Gülsün Karamustafas testimony on collective memory through her works that she created by taking a photograph of her own memory as a reference. Photographs that carry information about individual moments and events, when reproduced, bring the past to the present, opening up space for questioning memory of the past in the present. Furthermore, they make visible the social memory that was not visible in the past, as well as in the present and future. This article that is based on a descriptive qualitative research model examines the relationship between individual and social memory in the context of forgetting and remembering through the works that the artist created from her individual photographs.

 Photography captures the moment, represents it, reflects the reality of that moment, and makes reference to that reality. Photography is a document on what happened in the past and an image that carries the past to the present and activates the memory of that moment and its reality. As an image and document, photography is a reminder, carrier and transmitter of individual and social memory. This article aims to examine and evaluate Gülsün Karamustafas testimony on collective memory through her works that she created by taking a photograph of her own memory as a reference. Photographs that carry information about individual moments and events, when reproduced, bring the past to the present, opening up space for questioning memory of the past in the present. Furthermore, they make visible the social memory that was not visible in the past, as well as in the present and future. This article that is based on a descriptive qualitative research model examines the relationship between individual and social memory in the context of forgetting and remembering through the works that the artist created from her individual photographs.

 Fotoğraf, ânı yakalamakta, o ânı temsil etmekte, o andaki gerçekliği yansıtmakta ve o andaki gerçekliğe göndermede bulunmaktadır. Fotoğraf geçmişte yaşananlara dair bir belge, geçmişi bugüne taşıyan, o âna ve o andaki gerçekliğe dair hafızayı  belleği harekete geçiren bir imgedir. Bir imge ve belge olarak fotoğraf, bireysel ve toplumsal hafızanın hatırlatıcısı, taşıyıcısı ve aktarıcısıdır. Bu makale, Gülsün Karamustafanın bireysel bir anıya ait fotoğrafı üzerinden, o fotoğrafı yeniden tekrar üreterek oluşturduğu eserler üzerinden toplumsal hafızaya dair tanıklıklarını incelmeyi ve değerlendirmeyi amaçlamaktadır. Bireysel anlara ve olaylara ait bilgilerin taşıyıcısı olan fotoğraflar, yeniden üretildiklerinde geçmişi bugüne taşıyarak, geçmişe dair belleğin, şu anda da bir sorgulanması için alan açmaktadır. Bununla birlikte geçmişte görünmeyen toplumsal hafızayı, o an ve şu anda ve de gelecekte görünür kılmaktadır. Betimsel modele dayalı nitel bir araştırma modeliyle incelenen bu makalede, sanatçının bireysel fotoğraflarından ürettiği eserleri üzerinden unutma ve hatırlama arasındaki bireysel ve toplumsal olan arasındaki ilişki incelenmektedir.

Makale detayları

PHOTOGRAPHY IN THE CONTEXT OF INDIVIDUAL AND COLLECTIVE MEMORY: A LOOK ON GÜLSÜN KARAMUSTAFA'S WORKS ENTITLED STAGE AND MY ROSES MY REVERIES

Yazarlar:

Duygu Sabancılar Iştın | Serkan Çalışkan

Yayıncı:

Inonu University

Ana Başlıklar:

Fotoğraf

Dergi:

İnönü Üniversitesi Kültür ve Sanat Dergisi Vol.9 Issue 1, pp.66-75

Belge Tipi:

Makale

Yayın Tarihi:

6/2023

Belge Dili:

Türkçe

Document ID (Org No.):

2001296009

pISSN:

2458-7915

Photography

Gülsün Karamustafa

Contemporary Art

MemoryFotoğraf

Gülsün Karamustafa

Çağdaş Sanat

Hafıza

Sayı

Makale detayları

Yazarlar: Duygu Sabancılar Iştın | Serkan Çalışkan

Yayıncı: Inonu University

Ana Başlıklar: Fotoğraf

Dergi: İnönü Üniversitesi Kültür ve Sanat Dergisi Vol.9 Issue 1, pp.66-75

Belge Tipi: Makale

Yayın Tarihi: 6/2023

Belge Dili: Türkçe

Document ID (Org No.): 2001296009

pISSN: 2458-7915

Sayı

Yazarlar:

Duygu Sabancılar Iştın | Serkan Çalışkan

Yayıncı:

Inonu University

Ana Başlıklar:

Fotoğraf

Dergi:

İnönü Üniversitesi Kültür ve Sanat Dergisi Vol.9 Issue 1, pp.66-75

Belge Tipi:

Makale

Yayın Tarihi:

6/2023

Belge Dili:

Türkçe

Document ID (Org No.):

2001296009

pISSN:

2458-7915