Examination of Exhibition and Spatial Differences of Digital Artworks through Artworks: The Case of Refik Anadol

Sıla Kaymakçı; İldem Aytar Sever

Makale detayları

Examination of Exhibition and Spatial Differences of Digital Artworks through Artworks: The Case of Refik Anadol

Yazarlar:

Sıla Kaymakçı | İldem Aytar Sever

Yayıncı:

İstanbul Gelisim University

Ana Başlıklar:

İç Mimarlık | Mimari Tasarım | Görsel Kültür | Mimarlıkta Estetik

Dergi:

ART/icle: Sanat ve Tasarım Dergisi Vol.4 Issue 3, pp.304-324

Belge Tipi:

Makale

Yayın Tarihi:

10/2025

Belge Dili:

Türkçe

Document ID (Org No.):

2001338548

pISSN:

2718-1057

Anahtar kelimeler:

Özet:

 The Purpose of the Study: One of the concepts affecting the exhibition spaces that have changed and developed throughout history due to many factors is digital art forms that have emerged with the advancement of digitalization and technology. In this direction, it is one of the aims of the research to analyze the handling and transformation of space in the exhibition of digital artworks in many different methods, sizes and forms that have different spatial applications and requirements from classical art forms. Literature ReviewBackground: Within the scope of the research, which is a single case study, exhibition space, digital art and digital exhibition methods were explained and four works produced by Refik Anadol were selected, exhibition practices were examined and spatial analyzes were made. Method: In qualitative research, the concepts of exhibition space, digital art and digital exhibition methods were discussed by utilizing books, articles and theses with the documentary scanning method. Criterion sampling and maximum variation sampling methods were used in the selection of artworks and artists. The findings regarding the connection between the work and the place were summarized in a table. Results: The visual and spatial analyzes of two of the four works examined were obtained as a result of the observations made by the author, while the visuals and data of the other two works were accessed on the artists website. In digital artworks, many different exhibition methods and structure groups can be preferred. Since exhibition approaches are very diverse, there are many difficulties in space design. Conclusion: The relationship of digital art with space can be seen in many different ways. Architectural structures and interiors can be preferred as an exhibition method. It is a subject of study that should be spatially analyzed by designers and interior architects in terms of the diversity it reveals in exhibition.

 The Purpose of the Study: One of the concepts affecting the exhibition spaces that have changed and developed throughout history due to many factors is digital art forms that have emerged with the advancement of digitalization and technology. In this direction, it is one of the aims of the research to analyze the handling and transformation of space in the exhibition of digital artworks in many different methods, sizes and forms that have different spatial applications and requirements from classical art forms. Literature ReviewBackground: Within the scope of the research, which is a single case study, exhibition space, digital art and digital exhibition methods were explained and four works produced by Refik Anadol were selected, exhibition practices were examined and spatial analyzes were made. Method: In qualitative research, the concepts of exhibition space, digital art and digital exhibition methods were discussed by utilizing books, articles and theses with the documentary scanning method. Criterion sampling and maximum variation sampling methods were used in the selection of artworks and artists. The findings regarding the connection between the work and the place were summarized in a table. Results: The visual and spatial analyzes of two of the four works examined were obtained as a result of the observations made by the author, while the visuals and data of the other two works were accessed on the artists website. In digital artworks, many different exhibition methods and structure groups can be preferred. Since exhibition approaches are very diverse, there are many difficulties in space design. Conclusion: The relationship of digital art with space can be seen in many different ways. Architectural structures and interiors can be preferred as an exhibition method. It is a subject of study that should be spatially analyzed by designers and interior architects in terms of the diversity it reveals in exhibition.

 The Purpose of the Study: One of the concepts affecting the exhibition spaces that have changed and developed throughout history due to many factors is digital art forms that have emerged with the advancement of digitalization and technology. In this direction, it is one of the aims of the research to analyze the handling and transformation of space in the exhibition of digital artworks in many different methods, sizes and forms that have different spatial applications and requirements from classical art forms. Literature ReviewBackground: Within the scope of the research, which is a single case study, exhibition space, digital art and digital exhibition methods were explained and four works produced by Refik Anadol were selected, exhibition practices were examined and spatial analyzes were made. Method: In qualitative research, the concepts of exhibition space, digital art and digital exhibition methods were discussed by utilizing books, articles and theses with the documentary scanning method. Criterion sampling and maximum variation sampling methods were used in the selection of artworks and artists. The findings regarding the connection between the work and the place were summarized in a table. Results: The visual and spatial analyzes of two of the four works examined were obtained as a result of the observations made by the author, while the visuals and data of the other two works were accessed on the artists website. In digital artworks, many different exhibition methods and structure groups can be preferred. Since exhibition approaches are very diverse, there are many difficulties in space design. Conclusion: The relationship of digital art with space can be seen in many different ways. Architectural structures and interiors can be preferred as an exhibition method. It is a subject of study that should be spatially analyzed by designers and interior architects in terms of the diversity it reveals in exhibition.

 Amaç: Birçok etkene bağlı olarak tarih boyunca değişen ve gelişen sergileme mekânlarına etki eden kavramlardan biri de dijitalleşme ve teknolojinin ilerlemesiyle ortaya çıkan dijital sanat formlarıdır. Bu doğrultuda klasik sanat formlarından farklı mekânsal uygulama ve gereksinimleri olan, birçok farklı yöntem, boyut ve formdaki dijital sanat eserlerinin sergilenmesinde mekânın ele alınışını ve dönüşümünü analiz etmek araştırmanın amaçlarındandır. KavramsalKuramsal Çerçeve: Tekli durum çalışması olan araştırma kapsamında sergileme mekânı, dijital sanat ve dijital sergileme yöntemleri açıklanmış ve de Refik Anadolun üretmiş olduğu dört eser seçilmiş, sergileme uygulamaları incelenerek mekânsal analizler yapılmıştır. Yöntem: Nitel araştırmada konu ile ilgili belgesel tarama yöntemiyle kitap, makale ve tezlerden yararlanılarak sergileme mekânı, dijital sanat ve dijital sergileme yöntemleri kavramları ele alınmıştır. Sanat eseri ve sanatçı seçiminde ölçüt örnekleme ve maksimum çeşit örnekleme yöntemleri kullanılmıştır. Eser ve mekân bağlantısına ait bulgular tablo haline getirilerek özetlenmiştir. Bulgular: İncelenen dört eserden ikisine ait görsel ve mekânsal analizlerine yazar tarafından yapılan gözlemler sonucunda; diğer iki eserin görsel ve verilerine ise sanatçıya ait internet sitesinde ulaşılmıştır. Dijital sanat eserlerinde, pek çok farklı sergileme yöntemini ve yapı grubunu tercih edebilmektedir. Sergileme yaklaşımları çok çeşitli olduğundan mekân tasarımlarında birçok zorluk da bulunmaktadır. Sonuç: Dijital sanatın mekân ile ilişkisi pek çok farklı şekillerde görülmektedir. Sergileme yöntemi olarak mimari yapılar ve iç mekanlar tercih edilebilmektedir. Sergilemede ortaya koyduğu çeşitlilik yönüyle, mekânsal olarak tasarımcılar ve iç mimarlar tarafından incelenmesi gereken bir çalışma konusudur.

Makale detayları

Examination of Exhibition and Spatial Differences of Digital Artworks through Artworks: The Case of Refik Anadol

Yazarlar:

Sıla Kaymakçı | İldem Aytar Sever

Yayıncı:

İstanbul Gelisim University

Ana Başlıklar:

İç Mimarlık | Mimari Tasarım | Görsel Kültür | Mimarlıkta Estetik

Dergi:

ART/icle: Sanat ve Tasarım Dergisi Vol.4 Issue 3, pp.304-324

Belge Tipi:

Makale

Yayın Tarihi:

10/2025

Belge Dili:

Türkçe

Document ID (Org No.):

2001338548

pISSN:

2718-1057

Exhibition

Digital Art

Refik Anadol

Exhibition Methods

Exhibition DesignSergileme

Dijital Sanat

Refik Anadol

Sergileme Yöntemleri

Sergileme Tasarımı

Sayı

Makale detayları

Yazarlar: Sıla Kaymakçı | İldem Aytar Sever

Yayıncı: İstanbul Gelisim University

Ana Başlıklar: İç Mimarlık | Mimari Tasarım | Görsel Kültür | Mimarlıkta Estetik

Dergi: ART/icle: Sanat ve Tasarım Dergisi Vol.4 Issue 3, pp.304-324

Belge Tipi: Makale

Yayın Tarihi: 10/2025

Belge Dili: Türkçe

Document ID (Org No.): 2001338548

pISSN: 2718-1057

Sayı

Yazarlar:

Sıla Kaymakçı | İldem Aytar Sever

Yayıncı:

İstanbul Gelisim University

Ana Başlıklar:

İç Mimarlık | Mimari Tasarım | Görsel Kültür | Mimarlıkta Estetik

Dergi:

ART/icle: Sanat ve Tasarım Dergisi Vol.4 Issue 3, pp.304-324

Belge Tipi:

Makale

Yayın Tarihi:

10/2025

Belge Dili:

Türkçe

Document ID (Org No.):

2001338548

pISSN:

2718-1057