Analysis of Four Garden System Structures in the Context of Gestalt Principles  (The Case of Taj Mahal)

Ümit Akar; Parisa Doraj

Makale detayları

Analysis of Four Garden System Structures in the Context of Gestalt Principles (The Case of Taj Mahal)

Yazarlar:

Ümit Akar | Parisa Doraj

Yayıncı:

Karyay Karadeniz Yayımcılık

Ana Başlıklar:

Mühendislik

Dergi:

Black Sea Journal of Engineering and Science Vol.6 Issue 2, pp.132-142

Belge Tipi:

Makale

Yayın Tarihi:

1/2023

Belge Dili:

Türkçe

Document ID (Org No.):

2001283940

pISSN:

2619-8991

Anahtar kelimeler:

Özet:

 Gestalt theory argues that first the integrity of a subject is understood and then its components are recognized. From this point of view, the visual principles and rules of such a perception can be defined. In this concept, the question arises whether it is possible to analyze historical gardens with Gestalt theory. It shows that since the emergence of Gestalt theory and years have passed, this theory has always been used and can be used in the field of landscape architecture. In order to prove this logic, first of all, the Iranian traditional four garden systems were examined through the Gestalt theory and the Taj Mahal example. In this direction, with the help of the concepts of Gestalt theory, some aspects of Irans four gardens landscape architecture were reevaluated. As a method, the concepts of proximity, continuity, closure, similarity and good form, which are among the Gestalt principles, were discussed and examined in the Taj Mahal garden. In addition, the features of the Gestalt theory and how it affects the Iranian garden design as a perceptual factor have been revealed. In this respect, the relationship between shape and ground is designed and made from the same concept, from decorations to floor coverings. In conclusion, in this study, the relationship between Gestalt theory and landscape architecture has been examined, the structure of the Taj Mahal has been examined, and it has been discussed that Gestalt fiction is an effective concept in the design of such areas.

 Gestalt theory argues that first the integrity of a subject is understood and then its components are recognized. From this point of view, the visual principles and rules of such a perception can be defined. In this concept, the question arises whether it is possible to analyze historical gardens with Gestalt theory. It shows that since the emergence of Gestalt theory and years have passed, this theory has always been used and can be used in the field of landscape architecture. In order to prove this logic, first of all, the Iranian traditional four garden systems were examined through the Gestalt theory and the Taj Mahal example. In this direction, with the help of the concepts of Gestalt theory, some aspects of Irans four gardens landscape architecture were reevaluated. As a method, the concepts of proximity, continuity, closure, similarity and good form, which are among the Gestalt principles, were discussed and examined in the Taj Mahal garden. In addition, the features of the Gestalt theory and how it affects the Iranian garden design as a perceptual factor have been revealed. In this respect, the relationship between shape and ground is designed and made from the same concept, from decorations to floor coverings. In conclusion, in this study, the relationship between Gestalt theory and landscape architecture has been examined, the structure of the Taj Mahal has been examined, and it has been discussed that Gestalt fiction is an effective concept in the design of such areas.

 Gestalt theory argues that first the integrity of a subject is understood and then its components are recognized. From this point of view, the visual principles and rules of such a perception can be defined. In this concept, the question arises whether it is possible to analyze historical gardens with Gestalt theory. It shows that since the emergence of Gestalt theory and years have passed, this theory has always been used and can be used in the field of landscape architecture. In order to prove this logic, first of all, the Iranian traditional four garden systems were examined through the Gestalt theory and the Taj Mahal example. In this direction, with the help of the concepts of Gestalt theory, some aspects of Irans four gardens landscape architecture were reevaluated. As a method, the concepts of proximity, continuity, closure, similarity and good form, which are among the Gestalt principles, were discussed and examined in the Taj Mahal garden. In addition, the features of the Gestalt theory and how it affects the Iranian garden design as a perceptual factor have been revealed. In this respect, the relationship between shape and ground is designed and made from the same concept, from decorations to floor coverings. In conclusion, in this study, the relationship between Gestalt theory and landscape architecture has been examined, the structure of the Taj Mahal has been examined, and it has been discussed that Gestalt fiction is an effective concept in the design of such areas.

 Gestalt teorisi, önce bir konunun bütünlüğünün anlaşıldığını ve sonra bileşenlerinin tanındığını savunur. Buradan yola çıkarak böyle bir algının görsel ilkeleri ve kuralları tanımlanabilir. Bu kavramda, tarihi bahçeleri Gestalt teorisiyle analiz etmenin mümkün olup olmadığı sorusu ortaya çıkmaktadır. Gestalt teorisinin ortaya çıkışından itibaren ve yıllar geçmesine rağmen, bu teorinin her zaman kullanıldığı ve peyzaj mimarlığı alanında kullanılabileceğini göstermektedir. Bu mantığı kanıtlamak için önce Gestalt teorisi ile Taç Mahal örneği üzerinden İran geleneksel dört bahçe sistemi incelenmiştir. Bu doğrultuda Gestalt teorisinin kavramlarının yardımıyla, İranın dört bahçe peyzaj mimarlığında bazı yönleri yeniden değerlendirilmiştir. Yöntem olarak Gestalt ilkelerinden yakınlık, süreklilik, kapatma, benzerlik ve iyi form kavramları ele alınarak belirtilmiş Taç Mahal bahçesinde incelenmiştir. Ayrıca Gestalt teorisinin içerdiği özellikler, algısal bir etken olarak İran bahçe tasarımını nasıl etkilediği ortaya çıkarılmıştır. Taç Mahal kompleksi bütünden parçaya doğru her tasarım aşamasında var olan çevresi ile bir bütünlük sağlamıştır. Bu bakımdan şekil ve zemin ilişkisi süslemelerden, yer döşemelerine kadar aynı kavramdan tasarlanıp yapılmıştır. Sonuç olarak bu çalışmada Geştalt teorisiyle peyzaj mimari ilişkisi ele alınarak, Taç Mahal yapısı üzerine incelemeler yapılmış, Gestalt kurgusunun bu tarz alanların tasarımında etken bir kavram olduğu tartışılmıştır.

Makale detayları

Analysis of Four Garden System Structures in the Context of Gestalt Principles (The Case of Taj Mahal)

Yazarlar:

Ümit Akar | Parisa Doraj

Yayıncı:

Karyay Karadeniz Yayımcılık

Ana Başlıklar:

Mühendislik

Dergi:

Black Sea Journal of Engineering and Science Vol.6 Issue 2, pp.132-142

Belge Tipi:

Makale

Yayın Tarihi:

1/2023

Belge Dili:

Türkçe

Document ID (Org No.):

2001283940

pISSN:

2619-8991

Perception

The Gestalt Theory

Landscape Architecture

Iranian Gardens

Algı

Gestalt Teorisi

Peyzaj Mimarlığı

İran Bahçesi

Sayı

Makale detayları

Yazarlar: Ümit Akar | Parisa Doraj

Yayıncı: Karyay Karadeniz Yayımcılık

Ana Başlıklar: Mühendislik

Dergi: Black Sea Journal of Engineering and Science Vol.6 Issue 2, pp.132-142

Belge Tipi: Makale

Yayın Tarihi: 1/2023

Belge Dili: Türkçe

Document ID (Org No.): 2001283940

pISSN: 2619-8991

Sayı

Yazarlar:

Ümit Akar | Parisa Doraj

Yayıncı:

Karyay Karadeniz Yayımcılık

Ana Başlıklar:

Mühendislik

Dergi:

Black Sea Journal of Engineering and Science Vol.6 Issue 2, pp.132-142

Belge Tipi:

Makale

Yayın Tarihi:

1/2023

Belge Dili:

Türkçe

Document ID (Org No.):

2001283940

pISSN:

2619-8991