Free Remark in Islamic Calligraphy: Writing Exercises

Mehmet Memiş; Öznur İsen

Makale detayları

Free Remark in Islamic Calligraphy: Writing Exercises

Yazarlar:

Mehmet Memiş | Öznur İsen

Yayıncı:

Sakarya University

Ana Başlıklar:

İslam Tarihi ve Medeniyeti

Dergi:

Akademik İncelemeler Dergisi Vol.18 Issue 2, pp.351-377

Belge Tipi:

Makale

Yayın Tarihi:

10/2023

Belge Dili:

Türkçe

Document ID (Org No.):

2001300803

pISSN:

1306-7885

Anahtar kelimeler:

Özet:

 Beauty and art are two connects, one within the other. In a way, beauty is the core of art. As in every art, looking for beauty and wishing to produce unique pieces forced the calligraphers working patiently and compelling their limits. Despite calligraphy being book art and meaning beautiful writing, the spent effort to write better is very tiring and demanding, but the one working patiently gets the best. In other words, God is beautiful and loves beauty, says in one hadith. The achievement of neat writing depends on working systematically. To write something on a pedestal is possible by working without feeding up and sinking into pessimism. Therefore, mastery is enhanced in both the learning phase and by repeatedly writing the letters on paper. Words and letters are sometimes written by stippling and planning and sometimes without stippling. These studies do exercises. In other words, writing exercises are the basis of calligraphy. Writing exercise in Arabic Alphabet consists of letters and words written extemporely and usually has no meaning. This study deals with the esthetic components of writing exercise and explains the variations in time. The free interpretation of calligraphers is considered essential and evokes daily admiration. These writings, written by calligraphers without rules, form a composition and original studies that astonish even the calligrapher.

 Beauty and art are two connects, one within the other. In a way, beauty is the core of art. As in every art, looking for beauty and wishing to produce unique pieces forced the calligraphers working patiently and compelling their limits. Despite calligraphy being book art and meaning beautiful writing, the spent effort to write better is very tiring and demanding, but the one working patiently gets the best. In other words, God is beautiful and loves beauty, says in one hadith. The achievement of neat writing depends on working systematically. To write something on a pedestal is possible by working without feeding up and sinking into pessimism. Therefore, mastery is enhanced in both the learning phase and by repeatedly writing the letters on paper. Words and letters are sometimes written by stippling and planning and sometimes without stippling. These studies do exercises. In other words, writing exercises are the basis of calligraphy. Writing exercise in Arabic Alphabet consists of letters and words written extemporely and usually has no meaning. This study deals with the esthetic components of writing exercise and explains the variations in time. The free interpretation of calligraphers is considered essential and evokes daily admiration. These writings, written by calligraphers without rules, form a composition and original studies that astonish even the calligrapher.

 Beauty and art are two connects, one within the other. In a way, beauty is the core of art. As in every art, looking for beauty and wishing to produce unique pieces forced the calligraphers working patiently and compelling their limits. Despite calligraphy being book art and meaning beautiful writing, the spent effort to write better is very tiring and demanding, but the one working patiently gets the best. In other words, God is beautiful and loves beauty, says in one hadith. The achievement of neat writing depends on working systematically. To write something on a pedestal is possible by working without feeding up and sinking into pessimism. Therefore, mastery is enhanced in both the learning phase and by repeatedly writing the letters on paper. Words and letters are sometimes written by stippling and planning and sometimes without stippling. These studies do exercises. In other words, writing exercises are the basis of calligraphy. Writing exercise in Arabic Alphabet consists of letters and words written extemporely and usually has no meaning. This study deals with the esthetic components of writing exercise and explains the variations in time. The free interpretation of calligraphers is considered essential and evokes daily admiration. These writings, written by calligraphers without rules, form a composition and original studies that astonish even the calligrapher.

 Güzellik ve sanat iç içe geçmiş iki kavramdır. Bir bakıma güzellik, sanatın özüdür denilebilir. Her sanat dalında olduğu gibi hat sanatında da güzeli arama arzusu ve eşsiz eserler ortaya koyma çabası, hattatları sabırla çalışmaya ve kendi sınırlarını zorlamaya sevk etmiştir. Bir kitap sanatı olan hüsn-i hattın kelime manasının güzel yazı olmasına mukabil, daha iyisini yazmak uğruna harcanan çaba yorucu ve zahmetlidir, ancak sabırla çalışan elbette ki karşılığını alır. Başka bir deyişle Muhakkak ki Allah güzeldir, güzeli sever! hadis-i şerifi ışığında bu sanata gönül verenler, yazıyı daha muntazam yazma hususunda büyük ölçüde gayret gösterirler. Kişinin muntazam yazmayı başarması ise, sistematik çalışmasına bağlıdır. Yazıyı kaidelerine uygun ve ölçülü yazabilmek bıkmadan usanmadan, karamsarlığa kapılmadan çalışmakla mümkündür. Bu sebeple gerek öğrenme aşamasında ve gerekse sonrasında, harfler defalarca çalışma kâğıdına yazılarak el melekesi artırılır. Kelimeler ve harfler kâğıda kimi zaman noktalanıp ölçülendirilerek, kimi zaman da noktalanmadan yazılır. Talim amaçlı yapılan bu çalışmalar, başka bir deyişle karalamalar, hat sanatının temeli niteliğindedir. Arap alfabesiyle yazılan ve karalama adı verilen el alıştırmaları yazıyla uğraşan kişinin o an irticalen elinden çıkan harf veya kelimelerden oluşur ve çoğu zaman bir anlam ifade etmez. Bu çalışmanın amacı, karalamaların estetik unsurlarını ele almak ve zaman içerisinde uğradığı değişime mercek tutmaktır. Hattatların bu özgür yorumları gün geçtikçe daha fazla önemsenmekte ve hayranlık uyandırmaktadır. Harf bünyesini oluşturan kaidelerin dışında satır ve sınırlara bağlı kalmadan yazılan bu yazılar kendi içinde bir kompozisyon oluşturmakta ve çoğu zaman yazan kişiyi dahi hayrete düşürecek özgün çalışmalar ortaya çıkabilmektedir.

Makale detayları

Free Remark in Islamic Calligraphy: Writing Exercises

Yazarlar:

Mehmet Memiş | Öznur İsen

Yayıncı:

Sakarya University

Ana Başlıklar:

İslam Tarihi ve Medeniyeti

Dergi:

Akademik İncelemeler Dergisi Vol.18 Issue 2, pp.351-377

Belge Tipi:

Makale

Yayın Tarihi:

10/2023

Belge Dili:

Türkçe

Document ID (Org No.):

2001300803

pISSN:

1306-7885

calligraphy

calligrapher

writing exercise

stippling

free remarkhat sanatı,

Hattat

Karalama

noktalama

özgür yorum

Sayı

Makale detayları

Yazarlar: Mehmet Memiş | Öznur İsen

Yayıncı: Sakarya University

Ana Başlıklar: İslam Tarihi ve Medeniyeti

Dergi: Akademik İncelemeler Dergisi Vol.18 Issue 2, pp.351-377

Belge Tipi: Makale

Yayın Tarihi: 10/2023

Belge Dili: Türkçe

Document ID (Org No.): 2001300803

pISSN: 1306-7885

Sayı

Yazarlar:

Mehmet Memiş | Öznur İsen

Yayıncı:

Sakarya University

Ana Başlıklar:

İslam Tarihi ve Medeniyeti

Dergi:

Akademik İncelemeler Dergisi Vol.18 Issue 2, pp.351-377

Belge Tipi:

Makale

Yayın Tarihi:

10/2023

Belge Dili:

Türkçe

Document ID (Org No.):

2001300803

pISSN:

1306-7885