Dialogue in Tahsin Germiyani's Novels –In the Example of al-Huznu'l-Vesim, Evladu'l-Yahudiyye, Zaknemut-

Sabır Sabır İbrahim; Mehmet Şirin Çınar

Makale detayları

Dialogue in Tahsin Germiyani's Novels –In the Example of al-Huznu'l-Vesim, Evladu'l-Yahudiyye, Zaknemut-

Yazarlar:

Sabır Sabır İbrahim | Mehmet Şirin Çınar

Yayıncı:

Van Yuzuncu Yıl University

Ana Başlıklar:

Arap Dili | Edebiyatı ve Kültürü

Dergi:

Van İlahiyat Dergisi Vol.11 Issue 19, pp.22-37

Belge Tipi:

Makale

Yayın Tarihi:

12/2023

Belge Dili:

Arapça

Document ID (Org No.):

2001305134

pISSN:

2667-615X

Anahtar kelimeler:

Özet:

 In the novels of Tahsin Germiyani, who stands out as a narrator and novelist, dialogue was a basic technique for artistic work. Because he used the art of dialogue in a unique way to carry out communication and understanding and to fictionalize events. Such that Tahsin Germiyanis novels are considered to fill a gap in this aspect, especially in Iraq and in the Arab world in general. What makes him important is the writers he read and was influenced by. Such that when we look at his works, this effect is noticeable. Rather than a reflection, this influence manifests itself in a new and different form with internalization. The new work now contains in itself his character, is far from alienation, and becomes compatible with the culture and values of the society in which he lives. It is possible to see this situation not only in dialogues, but also in the whole structure of the work. Tahsin Germiyani has written 7 novels. However, in this study, we will focus on his three novels al-Huznul-vesim, Evladul-Yahudiyye and Zaknemut to reveal how the dialogue is used as a technique. After giving basic information about the concept of dialogue and Tahsin Germiyanis life and works, we will try to reveal how he used dialogue in these three novels that we will take as a field of application and his artistic connections in the storylines. Germiyani used both forms of dialogues in different stages. In his novel Zaknemut, he performed the internal dialogue mostly in the forms of monologue, pleading and reaction. While the external dialogue is mostly includedin the novel al-Huznul-Vesim, he used both dialogues to convey his thoughts, to effectively present his reaction and his opinionson the social phenomena in Iraqi society. Because he wanted to bring to light the mistakes and deficiencies that he saw and experienced in the society. He did this with an artistic task, by describing situations that trigger interpersonal conflict, sometimes using the inner and external dialogues of the protagonists and sometimes of the deuteragonists. One of his prominent features during this fiction is hisability to make the dialogues more vivid and permanent in the mind of the reader by using the cinema technique and to make the reader a partner in this fiction. We also witness that he makes this ability more effective by using the folkspeech. We will try to put forward the relevant issues practically within the framework of his 3 novels.

 In the novels of Tahsin Germiyani, who stands out as a narrator and novelist, dialogue was a basic technique for artistic work. Because he used the art of dialogue in a unique way to carry out communication and understanding and to fictionalize events. Such that Tahsin Germiyanis novels are considered to fill a gap in this aspect, especially in Iraq and in the Arab world in general. What makes him important is the writers he read and was influenced by. Such that when we look at his works, this effect is noticeable. Rather than a reflection, this influence manifests itself in a new and different form with internalization. The new work now contains in itself his character, is far from alienation, and becomes compatible with the culture and values of the society in which he lives. It is possible to see this situation not only in dialogues, but also in the whole structure of the work. Tahsin Germiyani has written 7 novels. However, in this study, we will focus on his three novels al-Huznul-vesim, Evladul-Yahudiyye and Zaknemut to reveal how the dialogue is used as a technique. After giving basic information about the concept of dialogue and Tahsin Germiyanis life and works, we will try to reveal how he used dialogue in these three novels that we will take as a field of application and his artistic connections in the storylines. Germiyani used both forms of dialogues in different stages. In his novel Zaknemut, he performed the internal dialogue mostly in the forms of monologue, pleading and reaction. While the external dialogue is mostly includedin the novel al-Huznul-Vesim, he used both dialogues to convey his thoughts, to effectively present his reaction and his opinionson the social phenomena in Iraqi society. Because he wanted to bring to light the mistakes and deficiencies that he saw and experienced in the society. He did this with an artistic task, by describing situations that trigger interpersonal conflict, sometimes using the inner and external dialogues of the protagonists and sometimes of the deuteragonists. One of his prominent features during this fiction is hisability to make the dialogues more vivid and permanent in the mind of the reader by using the cinema technique and to make the reader a partner in this fiction. We also witness that he makes this ability more effective by using the folkspeech. We will try to put forward the relevant issues practically within the framework of his 3 novels.

 In the novels of Tahsin Germiyani, who stands out as a narrator and novelist, dialogue was a basic technique for artistic work. Because he used the art of dialogue in a unique way to carry out communication and understanding and to fictionalize events. Such that Tahsin Germiyanis novels are considered to fill a gap in this aspect, especially in Iraq and in the Arab world in general. What makes him important is the writers he read and was influenced by. Such that when we look at his works, this effect is noticeable. Rather than a reflection, this influence manifests itself in a new and different form with internalization. The new work now contains in itself his character, is far from alienation, and becomes compatible with the culture and values of the society in which he lives. It is possible to see this situation not only in dialogues, but also in the whole structure of the work. Tahsin Germiyani has written 7 novels. However, in this study, we will focus on his three novels al-Huznul-vesim, Evladul-Yahudiyye and Zaknemut to reveal how the dialogue is used as a technique. After giving basic information about the concept of dialogue and Tahsin Germiyanis life and works, we will try to reveal how he used dialogue in these three novels that we will take as a field of application and his artistic connections in the storylines. Germiyani used both forms of dialogues in different stages. In his novel Zaknemut, he performed the internal dialogue mostly in the forms of monologue, pleading and reaction. While the external dialogue is mostly includedin the novel al-Huznul-Vesim, he used both dialogues to convey his thoughts, to effectively present his reaction and his opinionson the social phenomena in Iraqi society. Because he wanted to bring to light the mistakes and deficiencies that he saw and experienced in the society. He did this with an artistic task, by describing situations that trigger interpersonal conflict, sometimes using the inner and external dialogues of the protagonists and sometimes of the deuteragonists. One of his prominent features during this fiction is hisability to make the dialogues more vivid and permanent in the mind of the reader by using the cinema technique and to make the reader a partner in this fiction. We also witness that he makes this ability more effective by using the folkspeech. We will try to put forward the relevant issues practically within the framework of his 3 novels.

 Hikayeci ve romancı yönüyle öne çıkan Tahsin Germiyânînin romanlarında diyalog, sanatsal yapıt için temel bir tekniktir. Zira o, diyalog sanatını iletişim ve anlaşmayı gerçekleştirme ve olayları kurgulamada özgün bir şekilde kullanmıştır. Öyle ki, Tahsin Germiyânînin romanlarının özelde Irak ve genelde de Arap dünyasında bu yönüyle bir boşluğu doldurduğu kabul edilir. Onu önemli kılan bu özelliği ise okuduğu ve etkilendiği edebiyatçılardır. Öyle ki onun çalışmalarına bakıldığında bu etki göze çarpmaktadır. Bu etkilenme bir yansıtmadan ziyade, içselleştirme ile birlikte yeni ve daha farklı bir formda kendini göstermektedir. Meydana gelen yeni ürün artık onun karakterini taşımakta, yabancılaşmaktan uzak, yaşadığı toplumun kültür ve değerleriyle uyumlu bir hal almaktadır. Bu durumu sadece diyalogları kullanırken değil aksine tüm eser örgüsünde de görmek mümkündür. Tahsin Germiyânînin yazmış olduğu yedi romanı bulunmaktadır. Ancak bu çalışmamızda diyalogu, bir teknik olarak nasıl kullanıldığını ortaya çıkarmak için üç romanı el-Huznul-vesîm, Evlâdul-Yahudiyye ve Zaknemut üzerinde yoğunlaşacağız. Diyalog kavramı ve Tahsin Germiyânînin hayatı ve eserleri hakkında temel bilgiler verdikten sonra uygulama alanı olarak alacağımız üç romanda diyalogu nasıl kullandığını ve olay örgülerindeki sanatsal bağlantılarını ortaya koymaya çalışacağız. Germiyânî, diyalogları her iki şekliyle farklı ortamlarda kullanmıştır. Zaknemut adlı romanında içsel diyalogu daha çok monolog, yakarış ve reaksiyon formlarında icra etmiştir. Dışsal diyaloga ise el-Huznul-Vesîm romanında daha çok yer verirken, her iki diyalogu da düşüncelerini iletmede, tepkisini ve Irak toplumu içindeki toplumsal olgulara karşı görüşlerini etkili bir şekilde ortaya koymak için kullanmıştır. Zira o, toplumda gördüğü, yaşadığı yanlışlıkları ve eksiklikleri gün yüzüne çıkarmak istemiştir. Bunu, kimi zaman kahramanların, kimi zaman ise ikinci derecedeki kişilerin iç ve dış diyaloglarını kullanarak kişiler arası çatışmayı tetikleyen durumları betimleyerek sanatsal bir görev ile yapmıştır. Bu kurgu esnasında onun öne çıkan bir özelliği ise, diyalogları sinema tekniğini kullanarak okuyucunun zihninde daha canlı ve kalıcı hale getirme; okuyucuyu bu kurguya ortak etme yeteneğidir. Bu yeteneğini günlük halk dilini de kullanarak daha etkili kıldığına da şahit olmaktayız. Bu bağlamda ilgili hususlar, üç romanı çerçevesinde uygulamalı olarak ortaya koymaya çalışılacaktır.

Makale detayları

Dialogue in Tahsin Germiyani's Novels –In the Example of al-Huznu'l-Vesim, Evladu'l-Yahudiyye, Zaknemut-

Yazarlar:

Sabır Sabır İbrahim | Mehmet Şirin Çınar

Yayıncı:

Van Yuzuncu Yıl University

Ana Başlıklar:

Arap Dili | Edebiyatı ve Kültürü

Dergi:

Van İlahiyat Dergisi Vol.11 Issue 19, pp.22-37

Belge Tipi:

Makale

Yayın Tarihi:

12/2023

Belge Dili:

Arapça

Document ID (Org No.):

2001305134

pISSN:

2667-615X

Arabic Language

Arabic Literature

Iraqi Novel

Tahsin Germiyani

Dialogue

CriticismArap Dili

Arap Edebiyatı

Irak Romanı

Tahsin Germiyânî

Diyalog

Eleştiri

Sayı

Makale detayları

Yazarlar: Sabır Sabır İbrahim | Mehmet Şirin Çınar

Yayıncı: Van Yuzuncu Yıl University

Ana Başlıklar: Arap Dili | Edebiyatı ve Kültürü

Dergi: Van İlahiyat Dergisi Vol.11 Issue 19, pp.22-37

Belge Tipi: Makale

Yayın Tarihi: 12/2023

Belge Dili: Arapça

Document ID (Org No.): 2001305134

pISSN: 2667-615X

Sayı

Yazarlar:

Sabır Sabır İbrahim | Mehmet Şirin Çınar

Yayıncı:

Van Yuzuncu Yıl University

Ana Başlıklar:

Arap Dili | Edebiyatı ve Kültürü

Dergi:

Van İlahiyat Dergisi Vol.11 Issue 19, pp.22-37

Belge Tipi:

Makale

Yayın Tarihi:

12/2023

Belge Dili:

Arapça

Document ID (Org No.):

2001305134

pISSN:

2667-615X