An Aesthetic Narrative Language from Local to Universal:  Suha Arın with his Auteur Identity in Turkish Documentary Cinema

Elif Pınar Kılınç

Makale detayları

An Aesthetic Narrative Language from Local to Universal: Suha Arın with his Auteur Identity in Turkish Documentary Cinema

Yazarlar:

Elif Pınar Kılınç

Yayıncı:

Van Yuzuncu Yıl University

Ana Başlıklar:

İletişim ve Medya Çalışmaları (Diğer)

Dergi:

Yüzüncü Yıl Üniversitesi Sosyal Bilimler Enstitüsü Dergisi Issue 65, pp.54-64

Belge Tipi:

Makale

Yayın Tarihi:

9/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001329099

pISSN:

1302-6879

Anahtar kelimeler:

Özet:

 This article examines Suha Arıns auteur identity in documentary cinema and his contributions to Turkish documentary cinema. The aim of the study is to examine the original narrative language, thematic diversity and cinematographic mastery in Arıns films and to reveal his position as a cultural ambassador and why he has become infinite as a storyteller through examples. The study, which is a qualitative research, will also project Suha Arıns production in Turkey during the period in which he was in production, based on the idea that directors who are considered auteurs present a personal approach to cinema as well as addressing the era they witnessed within the framework of their originality; it will be stated that he is a creative documentary film director whose films have been recognized in Turkey and internationally. The study, which is based on a historical analysis, finds that Suha Arın, one of the most important figures of Turkish documentary cinema, brought a breath of fresh air to the field in terms of form and content, and changed the flow of Turkish documentary cinema. Suha Arın evaluated documentary cinema not only as an informative tool but also as a form of aesthetic and artistic expression. In terms of the development of documentary cinema in Turkey and the limited interest of the audience compared to fiction cinema, it is foreseen that a detailed examination of the films of a pioneer in this field with a historical perspective will make a significant contribution to the literature.

 This article examines Suha Arıns auteur identity in documentary cinema and his contributions to Turkish documentary cinema. The aim of the study is to examine the original narrative language, thematic diversity and cinematographic mastery in Arıns films and to reveal his position as a cultural ambassador and why he has become infinite as a storyteller through examples. The study, which is a qualitative research, will also project Suha Arıns production in Turkey during the period in which he was in production, based on the idea that directors who are considered auteurs present a personal approach to cinema as well as addressing the era they witnessed within the framework of their originality; it will be stated that he is a creative documentary film director whose films have been recognized in Turkey and internationally. The study, which is based on a historical analysis, finds that Suha Arın, one of the most important figures of Turkish documentary cinema, brought a breath of fresh air to the field in terms of form and content, and changed the flow of Turkish documentary cinema. Suha Arın evaluated documentary cinema not only as an informative tool but also as a form of aesthetic and artistic expression. In terms of the development of documentary cinema in Turkey and the limited interest of the audience compared to fiction cinema, it is foreseen that a detailed examination of the films of a pioneer in this field with a historical perspective will make a significant contribution to the literature.

 This article examines Suha Arıns auteur identity in documentary cinema and his contributions to Turkish documentary cinema. The aim of the study is to examine the original narrative language, thematic diversity and cinematographic mastery in Arıns films and to reveal his position as a cultural ambassador and why he has become infinite as a storyteller through examples. The study, which is a qualitative research, will also project Suha Arıns production in Turkey during the period in which he was in production, based on the idea that directors who are considered auteurs present a personal approach to cinema as well as addressing the era they witnessed within the framework of their originality; it will be stated that he is a creative documentary film director whose films have been recognized in Turkey and internationally. The study, which is based on a historical analysis, finds that Suha Arın, one of the most important figures of Turkish documentary cinema, brought a breath of fresh air to the field in terms of form and content, and changed the flow of Turkish documentary cinema. Suha Arın evaluated documentary cinema not only as an informative tool but also as a form of aesthetic and artistic expression. In terms of the development of documentary cinema in Turkey and the limited interest of the audience compared to fiction cinema, it is foreseen that a detailed examination of the films of a pioneer in this field with a historical perspective will make a significant contribution to the literature.

 Makalede, Suha Arının belgesel sinemadaki auteur kimliği ile Türk belgesel sinemasına katkıları incelenecektir. Çalışmanın amacı, Arının filmlerindeki özgün anlatım dili ile tematik çeşitliliğin ve sinematografik ustalığın irdelenerek, kültür elçisi konumunu ve hikâye anlatıcısı olarak neden sonsuzlaştığını örnekler üzerinden ortaya koymaktır. Nitel bir araştırma olan çalışmada, auteur olarak değerlendirilen yönetmenlerin kişisel bir sinema yaklaşımı sunmalarının yanı sıra tanık oldukları çağı, özgünlükleri çerçevesinde ele aldıkları düşüncesinden hareketle, Suha Arının üretimde olduğu dönem Türkiyesine projeksiyon tutulacak; yaşadığı topluma sırt dönmeyen bir auteur olarak Türk sinemasının belleğindeki silinmez izler bırakmış yaratıcı bir belgesel sinema yönetmeni olduğu ifade edilecektir. Tarihsel bir inceleme ile gerçekleştirilen çalışmada, Türk belgesel sinemasının önemli figürlerinden Arının, biçimsel ve içeriksel açıdan bu alana yeni bir soluk getirdiği; Türk belgesel sineması anlayışının akışını değiştirdiği, çalışmanın bulguları arasındadır. Arın, belgesel sinemayı sadece bilgilendirme aracı olarak değil, estetik ve sanatsal bir ifade biçimi olarak da değerlendirmiş; biçim, içerik ve öz anlamında auteur kuram ile örtüşen birçok özgün yaklaşımı benimsemiştir. Filmlerindeki tematik çeşitlilik, sinematografik ustalık, belgesel sinemanın sınırlarını genişletmiş; bu türün sanatsal değerini artırmıştır. Belgesel sinemanın Türkiyedeki gelişimi ve izleyici ilgisinin kurmaca sinemaya kıyasla oldukça sınırlı olması bakımından, bu alana yön vermiş bir ismin tarihsel perspektifle filmlerinin ayrıntılı olarak incelenmesinin, literatüre önemli katkı sağlayacağı öngörülmektedir.

Makale detayları

An Aesthetic Narrative Language from Local to Universal: Suha Arın with his Auteur Identity in Turkish Documentary Cinema

Yazarlar:

Elif Pınar Kılınç

Yayıncı:

Van Yuzuncu Yıl University

Ana Başlıklar:

İletişim ve Medya Çalışmaları (Diğer)

Dergi:

Yüzüncü Yıl Üniversitesi Sosyal Bilimler Enstitüsü Dergisi Issue 65, pp.54-64

Belge Tipi:

Makale

Yayın Tarihi:

9/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001329099

pISSN:

1302-6879

Suha Arın

Turkish documentary cinema

auteur cinema.Suha Arın

Türk belgesel sineması

auteur sinema.

Sayı

Makale detayları

An Aesthetic Narrative Language from Local to Universal: Suha Arın with his Auteur Identity in Turkish Documentary Cinema

Yazarlar: Elif Pınar Kılınç

Yayıncı: Van Yuzuncu Yıl University

Ana Başlıklar: İletişim ve Medya Çalışmaları (Diğer)

Dergi: Yüzüncü Yıl Üniversitesi Sosyal Bilimler Enstitüsü Dergisi Issue 65, pp.54-64

Belge Tipi: Makale

Yayın Tarihi: 9/2024

Belge Dili: Türkçe

Document ID (Org No.): 2001329099

pISSN: 1302-6879

Suha Arın

Turkish documentary cinema

auteur cinema.Suha Arın

Türk belgesel sineması

auteur sinema.

Sayı

Yazarlar:

Elif Pınar Kılınç

Yayıncı:

Van Yuzuncu Yıl University

Ana Başlıklar:

İletişim ve Medya Çalışmaları (Diğer)

Dergi:

Yüzüncü Yıl Üniversitesi Sosyal Bilimler Enstitüsü Dergisi Issue 65, pp.54-64

Belge Tipi:

Makale

Yayın Tarihi:

9/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001329099

pISSN:

1302-6879