Reflections on Sezai Karakoç’s Opinions About the Genre of Story in His Works

Yunus Emre Özsaray

Makale detayları

Reflections on Sezai Karakoç’s Opinions About the Genre of Story in His Works

Yazarlar:

Yunus Emre Özsaray

Yayıncı:

Istanbul University

Ana Başlıklar:

Edebi Çalışmalar (Diğer)

Dergi:

Türkiyat Mecmuası Vol.33 Issue 2, pp.865-880

Belge Tipi:

Makale

Yayın Tarihi:

12/2023

Belge Dili:

Türkçe

Document ID (Org No.):

2001311560

pISSN:

2651-3188

Anahtar kelimeler:

Özet:

 Sezai Karakoç was one of the leading poets of the İkinci Yeni poem and also produced important works in terms of story art. Although he had no intention of being known as a storyteller, his stories, just like his plays, can be shown among the exemplary texts of metaphysical sensibility in Turkish literature. The formal and thematic orientations he revealed in his stories exactly match the sensitivity in his poetry. Karakoç presented examples in his stories that could be an alternative to both existentialist literature and socialist realist literature. Sezai Karakoç presented a different perspective to the art of stories, not only with his stories but also with his views about stories. His approaches to stories can be found both in his articles titled Kasaba Edebiyatı and Romanla Hikâyenin Arası Açılıyor, as well as among the lines of his intellectual corpus. These approaches form the intellectual basis of his stories. He made proposals that drew on local sources while also taking into account universal artistic trends. He put these proposals into practice in his stories as well as in his poems. If one were to consider Sezai Karakoç to have had a thesis he conceptualized as Diriliş, his stories are among the parts that complete this thesis. If one accepts that the resurrection thesis is also a literary movement, the reflections of this movement in the art of storytelling need to be revealed. In this context, this article will compile Sezai Karakoçs views on stories that occur between the lines of his books while at the same time attempting to show how he had put these views into practice in his own stories.

 Sezai Karakoç was one of the leading poets of the İkinci Yeni poem and also produced important works in terms of story art. Although he had no intention of being known as a storyteller, his stories, just like his plays, can be shown among the exemplary texts of metaphysical sensibility in Turkish literature. The formal and thematic orientations he revealed in his stories exactly match the sensitivity in his poetry. Karakoç presented examples in his stories that could be an alternative to both existentialist literature and socialist realist literature. Sezai Karakoç presented a different perspective to the art of stories, not only with his stories but also with his views about stories. His approaches to stories can be found both in his articles titled Kasaba Edebiyatı and Romanla Hikâyenin Arası Açılıyor, as well as among the lines of his intellectual corpus. These approaches form the intellectual basis of his stories. He made proposals that drew on local sources while also taking into account universal artistic trends. He put these proposals into practice in his stories as well as in his poems. If one were to consider Sezai Karakoç to have had a thesis he conceptualized as Diriliş, his stories are among the parts that complete this thesis. If one accepts that the resurrection thesis is also a literary movement, the reflections of this movement in the art of storytelling need to be revealed. In this context, this article will compile Sezai Karakoçs views on stories that occur between the lines of his books while at the same time attempting to show how he had put these views into practice in his own stories.

 Sezai Karakoç was one of the leading poets of the İkinci Yeni poem and also produced important works in terms of story art. Although he had no intention of being known as a storyteller, his stories, just like his plays, can be shown among the exemplary texts of metaphysical sensibility in Turkish literature. The formal and thematic orientations he revealed in his stories exactly match the sensitivity in his poetry. Karakoç presented examples in his stories that could be an alternative to both existentialist literature and socialist realist literature. Sezai Karakoç presented a different perspective to the art of stories, not only with his stories but also with his views about stories. His approaches to stories can be found both in his articles titled Kasaba Edebiyatı and Romanla Hikâyenin Arası Açılıyor, as well as among the lines of his intellectual corpus. These approaches form the intellectual basis of his stories. He made proposals that drew on local sources while also taking into account universal artistic trends. He put these proposals into practice in his stories as well as in his poems. If one were to consider Sezai Karakoç to have had a thesis he conceptualized as Diriliş, his stories are among the parts that complete this thesis. If one accepts that the resurrection thesis is also a literary movement, the reflections of this movement in the art of storytelling need to be revealed. In this context, this article will compile Sezai Karakoçs views on stories that occur between the lines of his books while at the same time attempting to show how he had put these views into practice in his own stories.

 İkinci Yeni şiirinin öncü şairlerinden Sezai Karakoç, hikâye sanatı açısından da önemli eserler ortaya koymuştur. Hikâyeci olarak anılmak yönünde özel bir çabası olmasa da hikâyelerini tıpkı piyesleri gibi Türk edebiyatında metafizik duyarlığın örnek metinleri arasında gösterebiliriz. Hikâyelerinde ortaya koyduğu biçimsel ve tematik yönelişler, onun şiir sanatının duyarlılığıyla birebir örtüşür. Sezai Karakoç, hikâyelerinde hem varoluşçu edebiyat hem de sosyalist gerçekçi edebiyata alternatif olabilecek numuneler ortaya koymuştur. Sezai Karakoç, sadece hikâyeleriyle değil, hikâyeye dair görüşleriyle de hikâye sanatına farklı bir bakış açısı sunmuştur. Hem Kasaba Edebiyatı ve Romanla Hikâyenin Arası Açılıyor isimli yazılarında hem de bunlardan ayrı olarak düşünsel külliyatının satır aralarında kendisinin hikâyeye dair yaklaşımlarını bulabiliriz. Bu yaklaşımlar, onun hikâyelerinin fikrî zeminini oluşturur. Yerli kaynaklardan beslenen fakat evrensel sanat akımlarını hesaba katan teklifler sunar. Bu tekliflerini tıpkı şiirlerinde olduğu gibi hikâyelerinde de pratiğe döker. Sezai Karakoçun Diriliş olarak kavramlaştırdığı bir tezinin olduğunu dikkate aldığımızda, hikâyeleri de bu tezi tamamlayan parçalardandır. Diriliş tezinin aynı zamanda bir edebiyat akımı olduğunu kabul edersek, bu akımın hikâye sanatındaki yansımalarını da ortaya koymak gerekmektedir. Bu bağlamda, Sezai Karakoçun Diriliş tezi çerçevesindeki yaklaşımlarının yeni bir bakış açısı getirebileceği düşüncesiyle, kitaplarının satır aralarında kalmış hikâyeye dair görüşleri derlenecek, aynı zamanda bu görüşleri kendi hikâyelerinde nasıl pratiğe döktüğü gösterilmeye çalışılacaktır.

Makale detayları

Reflections on Sezai Karakoç’s Opinions About the Genre of Story in His Works

Yazarlar:

Yunus Emre Özsaray

Yayıncı:

Istanbul University

Ana Başlıklar:

Edebi Çalışmalar (Diğer)

Dergi:

Türkiyat Mecmuası Vol.33 Issue 2, pp.865-880

Belge Tipi:

Makale

Yayın Tarihi:

12/2023

Belge Dili:

Türkçe

Document ID (Org No.):

2001311560

pISSN:

2651-3188

Sezai Karakoç

Sait Faik

Short Story

Ikinci Yeni

Metaphysical StorySezai Karakoç

Sait Faik

Kısa Hikâye

II. Yeni

Metafizik Hikâye

Sayı

Makale detayları

Yazarlar: Yunus Emre Özsaray

Yayıncı: Istanbul University

Ana Başlıklar: Edebi Çalışmalar (Diğer)

Dergi: Türkiyat Mecmuası Vol.33 Issue 2, pp.865-880

Belge Tipi: Makale

Yayın Tarihi: 12/2023

Belge Dili: Türkçe

Document ID (Org No.): 2001311560

pISSN: 2651-3188

Sayı

Yazarlar:

Yunus Emre Özsaray

Yayıncı:

Istanbul University

Ana Başlıklar:

Edebi Çalışmalar (Diğer)

Dergi:

Türkiyat Mecmuası Vol.33 Issue 2, pp.865-880

Belge Tipi:

Makale

Yayın Tarihi:

12/2023

Belge Dili:

Türkçe

Document ID (Org No.):

2001311560

pISSN:

2651-3188