Irony in Russian literature of the 19 century from the point of view of functional linguistics

Sevda Polat

Makale detayları

Irony in Russian literature of the 19 century from the point of view of functional linguistics

Yazarlar:

Sevda Polat

Yayıncı:

Ayla KAŞOĞLU

Ana Başlıklar:

Dilbilim (Diğer)

Dergi:

Avrasya Uluslararası Araştırmalar Dergisi Vol.12 Issue 41, pp.197-211

Belge Tipi:

Makale

Yayın Tarihi:

11/2024

Belge Dili:

Rusça

Document ID (Org No.):

2001333276

pISSN:

2147-2610

Anahtar kelimeler:

Özet:

 As a linguistic phenomenon, irony manifests itself in various forms in human life - from a means of oral communication or a component of worldview to a way of representing the world in art, including literature. Such variability naturally leads to the study of irony in the framework of different scientific paradigms, including functional linguistics. The article considers the peculiarities of romantic and realistic irony, as well as specific themes that emerged in the 19th century, reflecting both the multidimensionality of the Russian language and allowing a deeper understanding of the culture of this nation, and the means used to convey irony, including the meta-language. The article emphasizes the use of irony as a meta-language by Russian writers of the 19th century. Examples are given from Vladimir Fedorovich Odoyevskys philosophical novel Russian Nights; Fyodor Mikhailovich Dostoyevskys story The Double; Lev Tolstoys Sevastopol Stories, the novel-epic War and Peace, the novel Anna Karenina and Resurrection. Attention is drawn to the place of irony in these works written in the romantic and realistic periods of Russian literature. It is emphasized how skillfully the authors present irony in these works. On the basis of the study, it is concluded that in the historical period to which these works refer, there existed not the traditional, overt manifestations of irony in the European tradition, but a deeply hidden irony, the essence of which can be understood only by knowing the history of Russian literature.

 As a linguistic phenomenon, irony manifests itself in various forms in human life - from a means of oral communication or a component of worldview to a way of representing the world in art, including literature. Such variability naturally leads to the study of irony in the framework of different scientific paradigms, including functional linguistics. The article considers the peculiarities of romantic and realistic irony, as well as specific themes that emerged in the 19th century, reflecting both the multidimensionality of the Russian language and allowing a deeper understanding of the culture of this nation, and the means used to convey irony, including the meta-language. The article emphasizes the use of irony as a meta-language by Russian writers of the 19th century. Examples are given from Vladimir Fedorovich Odoyevskys philosophical novel Russian Nights; Fyodor Mikhailovich Dostoyevskys story The Double; Lev Tolstoys Sevastopol Stories, the novel-epic War and Peace, the novel Anna Karenina and Resurrection. Attention is drawn to the place of irony in these works written in the romantic and realistic periods of Russian literature. It is emphasized how skillfully the authors present irony in these works. On the basis of the study, it is concluded that in the historical period to which these works refer, there existed not the traditional, overt manifestations of irony in the European tradition, but a deeply hidden irony, the essence of which can be understood only by knowing the history of Russian literature.

 As a linguistic phenomenon, irony manifests itself in various forms in human life - from a means of oral communication or a component of worldview to a way of representing the world in art, including literature. Such variability naturally leads to the study of irony in the framework of different scientific paradigms, including functional linguistics. The article considers the peculiarities of romantic and realistic irony, as well as specific themes that emerged in the 19th century, reflecting both the multidimensionality of the Russian language and allowing a deeper understanding of the culture of this nation, and the means used to convey irony, including the meta-language. The article emphasizes the use of irony as a meta-language by Russian writers of the 19th century. Examples are given from Vladimir Fedorovich Odoyevskys philosophical novel Russian Nights; Fyodor Mikhailovich Dostoyevskys story The Double; Lev Tolstoys Sevastopol Stories, the novel-epic War and Peace, the novel Anna Karenina and Resurrection. Attention is drawn to the place of irony in these works written in the romantic and realistic periods of Russian literature. It is emphasized how skillfully the authors present irony in these works. On the basis of the study, it is concluded that in the historical period to which these works refer, there existed not the traditional, overt manifestations of irony in the European tradition, but a deeply hidden irony, the essence of which can be understood only by knowing the history of Russian literature.

 Dilsel bir olgu olarak ironi, insan yaşamında sözlü iletişimin bir aracı veya dünya görüşünün bir bileşeninden, edebiyat da dâhil olmak üzere sanatta dünyayı temsil etmenin bir yoluna kadar çeşitli biçimlerde kendini gösterir. Bu değişkenlik doğal olarak ironinin işlevsel dilbilim de dâhil olmak üzere farklı bilimsel değerler çerçevesinde incelenmesine yol açmaktadır. Makale, romantik ve gerçekçi ironinin özelliklerinin yanı sıra, hem Rus dilinin çok boyutluluğunu yansıtan ve bu ulusun kültürünün daha derinlemesine anlaşılmasını sağlayan 19. yüzyılda ortaya çıkan belirli temaları hem de üst-dil de dâhil olmak üzere ironiyi iletmek için kullanılan araçları ele almaktadır. Makale, ironinin 19. yüzyıl Rus yazarları tarafından bir üst-dil olarak kullanımını vurgulamaktadır. Vladimir Fedoroviç Odoyevskinin felsefi romanı Rus Gecelerinden; Fyodor Mihailoviç Dostoyevskynin Öteki öyküsünden; Lev Tolstoyun Sivastopol Öykülerinden, epik romanı olan Savaş ve Barıştan, Anna Karenina ve Diriliş romanlarından örnekler verilmektedir. Rus edebiyatının romantik ve gerçekçi dönemlerinde yazılmış olan bu eserlerde ironinin yerine dikkat çekilmektedir. Yazarların bu eserlerde ironiyi ne kadar ustaca sundukları vurgulanmaktadır. Yapılan araştırmaya dayanarak, bu eserlerin atıfta bulunduğu tarihsel dönemde, Avrupa geleneğinin geleneksel, açık ironi tezahürlerinin değil, özü ancak aktarım sürecinde söylenen kelimelerin ikinci, üçüncü ve hatta dördüncü anlamlarının bilinmesiyle anlaşılabilecek derinlemesine gizli bir ironinin olduğu sonucuna varılmıştır.

Makale detayları

Irony in Russian literature of the 19 century from the point of view of functional linguistics

Yazarlar:

Sevda Polat

Yayıncı:

Ayla KAŞOĞLU

Ana Başlıklar:

Dilbilim (Diğer)

Dergi:

Avrasya Uluslararası Araştırmalar Dergisi Vol.12 Issue 41, pp.197-211

Belge Tipi:

Makale

Yayın Tarihi:

11/2024

Belge Dili:

Rusça

Document ID (Org No.):

2001333276

pISSN:

2147-2610

irony

Russian literature

functional linguistics

romantic irony

realistic irony.ironi

Rus edebiyatı

işlevsel dilbilim

romantik ironi

gerçekci ironi.

Sayı

Makale detayları

Yazarlar: Sevda Polat

Yayıncı: Ayla KAŞOĞLU

Ana Başlıklar: Dilbilim (Diğer)

Dergi: Avrasya Uluslararası Araştırmalar Dergisi Vol.12 Issue 41, pp.197-211

Belge Tipi: Makale

Yayın Tarihi: 11/2024

Belge Dili: Rusça

Document ID (Org No.): 2001333276

pISSN: 2147-2610

Sayı

Yazarlar:

Sevda Polat

Yayıncı:

Ayla KAŞOĞLU

Ana Başlıklar:

Dilbilim (Diğer)

Dergi:

Avrasya Uluslararası Araştırmalar Dergisi Vol.12 Issue 41, pp.197-211

Belge Tipi:

Makale

Yayın Tarihi:

11/2024

Belge Dili:

Rusça

Document ID (Org No.):

2001333276

pISSN:

2147-2610