SHOULD HE BE CALLED ABDAL OR GARIP: AN ANALYSIS OF NEŞET ERTAŞ

Kaan Baştepe

Makale detayları

SHOULD HE BE CALLED ABDAL OR GARIP: AN ANALYSIS OF NEŞET ERTAŞ

Yazarlar:

Kaan Baştepe

Yayıncı:

Ankara Hacı Bayram Veli University

Ana Başlıklar:

Müzik Antropolojisi | Müzik Sosyolojisi | Müzikoloji ve Etnomüzikoloji

Dergi:

Türk Kültürü ve Hacı Bektaş Veli Araştırma Dergisi Issue 113, pp.351-368

Belge Tipi:

Makale

Yayın Tarihi:

3/2025

Belge Dili:

Türkçe

Document ID (Org No.):

2001343224

pISSN:

1306-8253

Anahtar kelimeler:

Özet:

 Neşet Ertaş, who has an important place in regional Turkish music with the works he produces, is a versatile artist who both composes and writes the lyrics of these compositions, in addition to being a musician and singer. Ertaş, who reflects the musical understanding common in the Central Anatolia region, especially in Kırşehir, where he was born and raised, in his compositions, mentioned various subjects such as love, separation and death in his lyrics. In his album called Şirin Kırşehir, which consists of 10 works, he expressed an important social problem through his own life. This research was made to reveal Ertaşs feelings and thoughts in the context of this album by analyzing the works in the album Şirin Kırşehir. Within the scope of this study, survey model was preferred as the research model, and data was collected by document analysis method. The album review was made under two main headings. In each of these main headings, 5 different works were evaluated both in terms of subject and musicality and the findings were interpreted. It was determined during the work analysis that Neşet Ertaş, who is referred to as Abdal in many academic studies, had a different and negative opinion towards this definition. When we look at the expression Abdal, which is a word that covers many different meanings in the dictionary, from Ertaşs perspective and this album specifically, it is seen that it corresponds to meanings such as contempt and discrimination. According to the findings, it is thought that contrary to general acceptance and belief, Ertaş did not want to be identified as Abdal. If you want to be called Ertaş with a different word other than his own name, it is recommended to use the expression Garip, which he used as a pseudonym in his poems.

 Neşet Ertaş, who has an important place in regional Turkish music with the works he produces, is a versatile artist who both composes and writes the lyrics of these compositions, in addition to being a musician and singer. Ertaş, who reflects the musical understanding common in the Central Anatolia region, especially in Kırşehir, where he was born and raised, in his compositions, mentioned various subjects such as love, separation and death in his lyrics. In his album called Şirin Kırşehir, which consists of 10 works, he expressed an important social problem through his own life. This research was made to reveal Ertaşs feelings and thoughts in the context of this album by analyzing the works in the album Şirin Kırşehir. Within the scope of this study, survey model was preferred as the research model, and data was collected by document analysis method. The album review was made under two main headings. In each of these main headings, 5 different works were evaluated both in terms of subject and musicality and the findings were interpreted. It was determined during the work analysis that Neşet Ertaş, who is referred to as Abdal in many academic studies, had a different and negative opinion towards this definition. When we look at the expression Abdal, which is a word that covers many different meanings in the dictionary, from Ertaşs perspective and this album specifically, it is seen that it corresponds to meanings such as contempt and discrimination. According to the findings, it is thought that contrary to general acceptance and belief, Ertaş did not want to be identified as Abdal. If you want to be called Ertaş with a different word other than his own name, it is recommended to use the expression Garip, which he used as a pseudonym in his poems.

 Neşet Ertaş, who has an important place in regional Turkish music with the works he produces, is a versatile artist who both composes and writes the lyrics of these compositions, in addition to being a musician and singer. Ertaş, who reflects the musical understanding common in the Central Anatolia region, especially in Kırşehir, where he was born and raised, in his compositions, mentioned various subjects such as love, separation and death in his lyrics. In his album called Şirin Kırşehir, which consists of 10 works, he expressed an important social problem through his own life. This research was made to reveal Ertaşs feelings and thoughts in the context of this album by analyzing the works in the album Şirin Kırşehir. Within the scope of this study, survey model was preferred as the research model, and data was collected by document analysis method. The album review was made under two main headings. In each of these main headings, 5 different works were evaluated both in terms of subject and musicality and the findings were interpreted. It was determined during the work analysis that Neşet Ertaş, who is referred to as Abdal in many academic studies, had a different and negative opinion towards this definition. When we look at the expression Abdal, which is a word that covers many different meanings in the dictionary, from Ertaşs perspective and this album specifically, it is seen that it corresponds to meanings such as contempt and discrimination. According to the findings, it is thought that contrary to general acceptance and belief, Ertaş did not want to be identified as Abdal. If you want to be called Ertaş with a different word other than his own name, it is recommended to use the expression Garip, which he used as a pseudonym in his poems.

 Ortaya koyduğu eserlerle yöresel Türk müziğinde önemli bir yere sahip olan Neşet Ertaş, saz ve ses icracılığının yanında hem beste yapan hem de bu bestelerin sözlerini yazan çok yönlü bir sanatçıdır. Doğup büyüdüğü Kırşehir başta olmak üzere İç Anadolu bölgesinde yaygın olan müzik anlayışını bestelerine yansıtan Ertaş, yazdığı sözlerde ise aşk, ayrılık, ölüm gibi çeşitli konuları ele almıştır. Şirin Kırşehir adı verilen ve 10 eserden oluşan albümünde ise önemli bir toplumsal sorunu kendi yaşantısı üzerinden dile getirmiştir. Bu çalışma, Şirin Kırşehir albümünde yer alan eserlerin incelenerek, Ertaşın bu albüm özelindeki duygu ve düşüncelerini ortaya çıkarmak amacıyla yapılmıştır. Bu çalışma kapsamında tarama modeli araştırma modeli olarak tercih edilirken veriler ise belgesel tarama yöntemiyle toplanmıştır. Albüm incelemesi iki ana başlıkta ele alınmıştır. Bu ana başlıkların her birinde 5 farklı eser hem konu hem de -sınırlı da olsa- müzikal açıdan değerlendirilerek elde edilen bulgular yorumlanmıştır. Birçok akademik çalışmada Abdal olarak anılan Neşet Ertaşın bu tanımlamaya karşı farklı ve olumsuz bir düşüncede olduğu yapılan eser incelemeleri sırasında tespit edilmiştir. Sözlükte birçok farklı anlamı karşılayan bir kelime olarak Abdal ifadesine Ertaş açısından ve bu albüm özelinde bakıldığında, hor görme ve ayrımcılık gibi anlamlara karşılık geldiği görülmüştür. Elde edilen bulgulara göre, genel kabul ve sanılanın aksine Ertaşın Abdal olarak anılmak istemediği sonucuna ulaşılmıştır. Ertaşın kendi adı dışında farklı bir isimle anılmak istenmesi durumunda ise şiirlerinde mahlas olarak kullandığı Garip ifadesinin kullanılması önerilmiştir.

Makale detayları

SHOULD HE BE CALLED ABDAL OR GARIP: AN ANALYSIS OF NEŞET ERTAŞ

Yazarlar:

Kaan Baştepe

Yayıncı:

Ankara Hacı Bayram Veli University

Ana Başlıklar:

Müzik Antropolojisi | Müzik Sosyolojisi | Müzikoloji ve Etnomüzikoloji

Dergi:

Türk Kültürü ve Hacı Bektaş Veli Araştırma Dergisi Issue 113, pp.351-368

Belge Tipi:

Makale

Yayın Tarihi:

3/2025

Belge Dili:

Türkçe

Document ID (Org No.):

2001343224

pISSN:

1306-8253

Neşet Ertaş

Garip

Abdal

Kırşehir

Bard Monument.Neşet Ertaş

Garip

Abdal

Kırşehir

Ozan Anıtı.

Sayı

Makale detayları

Yazarlar: Kaan Baştepe

Yayıncı: Ankara Hacı Bayram Veli University

Ana Başlıklar: Müzik Antropolojisi | Müzik Sosyolojisi | Müzikoloji ve Etnomüzikoloji

Dergi: Türk Kültürü ve Hacı Bektaş Veli Araştırma Dergisi Issue 113, pp.351-368

Belge Tipi: Makale

Yayın Tarihi: 3/2025

Belge Dili: Türkçe

Document ID (Org No.): 2001343224

pISSN: 1306-8253

Sayı

Yazarlar:

Kaan Baştepe

Yayıncı:

Ankara Hacı Bayram Veli University

Ana Başlıklar:

Müzik Antropolojisi | Müzik Sosyolojisi | Müzikoloji ve Etnomüzikoloji

Dergi:

Türk Kültürü ve Hacı Bektaş Veli Araştırma Dergisi Issue 113, pp.351-368

Belge Tipi:

Makale

Yayın Tarihi:

3/2025

Belge Dili:

Türkçe

Document ID (Org No.):

2001343224

pISSN:

1306-8253