The Problem Of Reality and Aesthetic Debates In The Simulation Universe

Elif Pınar Kılınç

Makale detayları

The Problem Of Reality and Aesthetic Debates In The Simulation Universe

Yazarlar:

Elif Pınar Kılınç

Yayıncı:

Bursa Uludağ University

Ana Başlıklar:

Görsel Sanatlar (Diğer)

Dergi:

Uluslararası Sanat Tasarım ve Eğitim Dergisi Vol.5 Issue 2, pp.112-125

Belge Tipi:

Makale

Yayın Tarihi:

11/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001330099

pISSN:

2979-9775

Anahtar kelimeler:

Özet:

 While answering the question What is beauty?, aesthetics tries to reassemble the world shattered by modernity, and for this reason, it is a controversial concept closely related to modern reality. Aesthetics is the search for the universal that the bourgeois individual, the knowing subject, who constructs modern reality, wants to create from its particularity with the ecstasy of absolute knowing, and which will never be possible. However, this search proves to be in vain, because it is not possible for a generally valid standard to emerge that everyone can bow to with respect. However, modern philosophy has tried this, especially through aesthetics. In Germany, where the concept was first articulated, many modern philosophers, from Baumgarten and Kant to Hegel, have made aesthetics the central subject of their philosophies and proposed ways to overcome the contradictions of this new world through aesthetics. In this article, the controversial status of aesthetics in the reality of the simulation universe is discussed. It seeks to answer the question of whether it is possible for aesthetics to fulfill its function in line with the basic purpose that brought it into being in the reality of such a universe, and aims to reveal the functional place of aesthetics in todays reality, which Baudrillard explains with simulation, by tracing the efforts to overcome the fragmentation caused by modern reality. In this direction, firstly, the relationship between reality, reality, modern reality and aesthetics is examined, and then the relationship between aesthetics and the reality that is built on modern reality, its reproduction or its opposite, the reality that has emerged in the universe of simulation, no matter how it is defined, is discussed. This article is a qualitative research article in which the data is obtained through literature review method.

 While answering the question What is beauty?, aesthetics tries to reassemble the world shattered by modernity, and for this reason, it is a controversial concept closely related to modern reality. Aesthetics is the search for the universal that the bourgeois individual, the knowing subject, who constructs modern reality, wants to create from its particularity with the ecstasy of absolute knowing, and which will never be possible. However, this search proves to be in vain, because it is not possible for a generally valid standard to emerge that everyone can bow to with respect. However, modern philosophy has tried this, especially through aesthetics. In Germany, where the concept was first articulated, many modern philosophers, from Baumgarten and Kant to Hegel, have made aesthetics the central subject of their philosophies and proposed ways to overcome the contradictions of this new world through aesthetics. In this article, the controversial status of aesthetics in the reality of the simulation universe is discussed. It seeks to answer the question of whether it is possible for aesthetics to fulfill its function in line with the basic purpose that brought it into being in the reality of such a universe, and aims to reveal the functional place of aesthetics in todays reality, which Baudrillard explains with simulation, by tracing the efforts to overcome the fragmentation caused by modern reality. In this direction, firstly, the relationship between reality, reality, modern reality and aesthetics is examined, and then the relationship between aesthetics and the reality that is built on modern reality, its reproduction or its opposite, the reality that has emerged in the universe of simulation, no matter how it is defined, is discussed. This article is a qualitative research article in which the data is obtained through literature review method.

 While answering the question What is beauty?, aesthetics tries to reassemble the world shattered by modernity, and for this reason, it is a controversial concept closely related to modern reality. Aesthetics is the search for the universal that the bourgeois individual, the knowing subject, who constructs modern reality, wants to create from its particularity with the ecstasy of absolute knowing, and which will never be possible. However, this search proves to be in vain, because it is not possible for a generally valid standard to emerge that everyone can bow to with respect. However, modern philosophy has tried this, especially through aesthetics. In Germany, where the concept was first articulated, many modern philosophers, from Baumgarten and Kant to Hegel, have made aesthetics the central subject of their philosophies and proposed ways to overcome the contradictions of this new world through aesthetics. In this article, the controversial status of aesthetics in the reality of the simulation universe is discussed. It seeks to answer the question of whether it is possible for aesthetics to fulfill its function in line with the basic purpose that brought it into being in the reality of such a universe, and aims to reveal the functional place of aesthetics in todays reality, which Baudrillard explains with simulation, by tracing the efforts to overcome the fragmentation caused by modern reality. In this direction, firstly, the relationship between reality, reality, modern reality and aesthetics is examined, and then the relationship between aesthetics and the reality that is built on modern reality, its reproduction or its opposite, the reality that has emerged in the universe of simulation, no matter how it is defined, is discussed. This article is a qualitative research article in which the data is obtained through literature review method.

 Estetik, güzel nedir? sorusuna cevap verirken, modernitenin parçaladığı dünyayı yeniden bir araya getirmeye çalışır ve bunun için de modern gerçeklikle yakından ilişkili, tartışmalı bir kavramdır. Estetik, modern gerçekliği inşa eden burjuva bireyin, bilen öznenin, mutlak bilmenin esrikliği ile kendi tikelliğinden hareketle yaratmak istediği ve hiçbir zaman mümkün olamayacak tümelin arayışıdır. Oysa bu arayışın boşuna olduğu görülür; çünkü bilen özneden hareketle kurulan böyle bir gerçeklikten, herkesin önünde saygıyla eğileceği genel geçer bir standardın ortaya çıkması mümkün değildir. Estetiğin, Tanrısal bir serzenişle moderniteye karşı şekillendirilmiş simülasyon evreninde işe yaraması olası değildir. Bugün, estetik kavramlarının aynı anda, yan yana ve yaygın biçimde kullanılabiliyor olmasının; nedeni de budur. Ancak modern felsefe, özellikle estetik yoluyla bunu denemiştir. Kavramın ilk kez dillendirildiği Almanya özelinde, Baumgartendan ve Kantdan Hegele birçok modern filozof, estetiği kendi felsefelerinin temel konusu haline getirmiş; estetik ile bu yeni dünyanın çelişkilerini aşmanın yollarını önermiştir. Bu makalede, simülasyon evreninin gerçekliği içinde, estetiğin tartışmalı durumu konu edilmektedir. Böyle bir evrenin gerçekliği içinde estetiğin, onu ortaya çıkaran temel amaç doğrultusunda işlevini yerine getirmesinin mümkün olup olmadığı, sorusuna cevap aramaya çalışmakta ve modern gerçekliğin neden olduğu parçalanmayı aşmaya yönelik çabaların da izini sürerek, Baudrillardın simülasyon ile açıkladığı günümüz gerçekliğinin içinde estetiğin işlevsel olarak yerini ortaya koymayı amaçlamaktadır. Bu doğrultuda öncelikle gerçek, gerçeklik, modern gerçeklik ve estetik ilişkisi incelenmekte ve sonrasında ise, modern gerçekliğin üzerine inşa olmuş, onun yeniden üretimi ya da karşıtı, nasıl tanımlanırsa tanımlansın simülasyon evreninde ortaya çıkmış gerçekliğin, estetik ile ilişkisi tartışılmaktadır. Verilerin literatür taraması yöntemi ile elde edildiği bu makale, nitel bir araştırma makalesidir.

Makale detayları

The Problem Of Reality and Aesthetic Debates In The Simulation Universe

Yazarlar:

Elif Pınar Kılınç

Yayıncı:

Bursa Uludağ University

Ana Başlıklar:

Görsel Sanatlar (Diğer)

Dergi:

Uluslararası Sanat Tasarım ve Eğitim Dergisi Vol.5 Issue 2, pp.112-125

Belge Tipi:

Makale

Yayın Tarihi:

11/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001330099

pISSN:

2979-9775

Real

Reality

Modern reality

Simulation universe

AestheticsGerçek

Gerçeklik

Modern gerçeklik

Simülasyon evreni

Estetik.

Sayı

Makale detayları

Yazarlar: Elif Pınar Kılınç

Yayıncı: Bursa Uludağ University

Ana Başlıklar: Görsel Sanatlar (Diğer)

Dergi: Uluslararası Sanat Tasarım ve Eğitim Dergisi Vol.5 Issue 2, pp.112-125

Belge Tipi: Makale

Yayın Tarihi: 11/2024

Belge Dili: Türkçe

Document ID (Org No.): 2001330099

pISSN: 2979-9775

Sayı

Yazarlar:

Elif Pınar Kılınç

Yayıncı:

Bursa Uludağ University

Ana Başlıklar:

Görsel Sanatlar (Diğer)

Dergi:

Uluslararası Sanat Tasarım ve Eğitim Dergisi Vol.5 Issue 2, pp.112-125

Belge Tipi:

Makale

Yayın Tarihi:

11/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001330099

pISSN:

2979-9775