Architects’ Own Houses: The Case of Raimondo D’Aronco

Hatice Adıgüzel

Makale detayları

Architects’ Own Houses: The Case of Raimondo D’Aronco

Yazarlar:

Hatice Adıgüzel

Yayıncı:

Istanbul University

Ana Başlıklar:

Mimarlıkta Estetik

Dergi:

Sanat Tarihi Yıllığı Issue 32, pp.1-34

Belge Tipi:

Makale

Yayın Tarihi:

6/2023

Belge Dili:

Türkçe

Document ID (Org No.):

2001297444

pISSN:

0579-4080

Anahtar kelimeler:

Özet:

 Raimondo DAronco was a figure who made valuable contributions to shaping the late Ottoman Period and modern Italian architecture. While the buildings this architect designed in both the Ottoman Empire and Italy have been the subject of much research, his own private living spaces have generally been excluded from these studies. This article focuses on the architectural analysis of a mansion in Arnavutköy that DAronco restored and lived in during his Istanbul years, as well as the house he designed for himself and his family in Turin. This article evaluates these private living spaces in relation to the emergence and development of the concept of architects own houses. In this context, the article involves the individual approaches of architects who shaped their own houses, taking examples from the Western world and the Ottoman Empire during the period from the end of the 19th century to the first half of the 20th century. As an architect who was sensitive to the architectural transformations of his age, DAronco designed his house in Turin with inspiration from architectural trends originating in England, Central Europe and Ottoman lands; this house was known as Javelli-DAronco and was built between 1903-1906. The Ottoman housing tradition includes the mansion in which DAronco had lived in Arnavutköy since the early 1900s and also had an important place in his architectural formation. In parallel with his designs in Istanbul, the architect also adopted the Vienna Secession style for this building. He included some compositions in the interior decoration that would be precursors to the Art Deco style. With all these features, the architects own house in Turin represented a synthesis of his stylistic research reflecting a transition between East and West.

 Raimondo DAronco was a figure who made valuable contributions to shaping the late Ottoman Period and modern Italian architecture. While the buildings this architect designed in both the Ottoman Empire and Italy have been the subject of much research, his own private living spaces have generally been excluded from these studies. This article focuses on the architectural analysis of a mansion in Arnavutköy that DAronco restored and lived in during his Istanbul years, as well as the house he designed for himself and his family in Turin. This article evaluates these private living spaces in relation to the emergence and development of the concept of architects own houses. In this context, the article involves the individual approaches of architects who shaped their own houses, taking examples from the Western world and the Ottoman Empire during the period from the end of the 19th century to the first half of the 20th century. As an architect who was sensitive to the architectural transformations of his age, DAronco designed his house in Turin with inspiration from architectural trends originating in England, Central Europe and Ottoman lands; this house was known as Javelli-DAronco and was built between 1903-1906. The Ottoman housing tradition includes the mansion in which DAronco had lived in Arnavutköy since the early 1900s and also had an important place in his architectural formation. In parallel with his designs in Istanbul, the architect also adopted the Vienna Secession style for this building. He included some compositions in the interior decoration that would be precursors to the Art Deco style. With all these features, the architects own house in Turin represented a synthesis of his stylistic research reflecting a transition between East and West.

 Raimondo DAronco was a figure who made valuable contributions to shaping the late Ottoman Period and modern Italian architecture. While the buildings this architect designed in both the Ottoman Empire and Italy have been the subject of much research, his own private living spaces have generally been excluded from these studies. This article focuses on the architectural analysis of a mansion in Arnavutköy that DAronco restored and lived in during his Istanbul years, as well as the house he designed for himself and his family in Turin. This article evaluates these private living spaces in relation to the emergence and development of the concept of architects own houses. In this context, the article involves the individual approaches of architects who shaped their own houses, taking examples from the Western world and the Ottoman Empire during the period from the end of the 19th century to the first half of the 20th century. As an architect who was sensitive to the architectural transformations of his age, DAronco designed his house in Turin with inspiration from architectural trends originating in England, Central Europe and Ottoman lands; this house was known as Javelli-DAronco and was built between 1903-1906. The Ottoman housing tradition includes the mansion in which DAronco had lived in Arnavutköy since the early 1900s and also had an important place in his architectural formation. In parallel with his designs in Istanbul, the architect also adopted the Vienna Secession style for this building. He included some compositions in the interior decoration that would be precursors to the Art Deco style. With all these features, the architects own house in Turin represented a synthesis of his stylistic research reflecting a transition between East and West.

 Raimondo DAronco geç Osmanlı Dönemi ve modern İtalyan mimarisinin şekillenmesinde önemli katkıları olan bir figürdür. Mimarın gerek Osmanlı Devletinde gerekse İtalyada tasarladığı yapılar pek çok araştırmanın konusu olurken özel yaşam alanları genellikle bu kapsamın dışında kalmıştır. Bu makale onun İstanbul yıllarında, Arnavutköyde restore edip yaşadığı köşk ve Torinoda kendisi ve ailesi için tasarladığı evin mimari açıdan incelenmesine odaklanmaktadır. Söz konusu özel yaşam alanları mimarların kendi evleri kavramının ortaya çıkışı ve gelişimiyle ilişkilendirilerek değerlendirilmiştir. Bu kapsamda yazıda, 19. yüzyıl sonundan 20. yüzyılın ilk yarısına kadar olan süreçte, Batıdan ve Osmanlı dünyasından örneklerle mimarların kendi evlerini şekillendiren bireysel yaklaşımlara yer verilmiştir. Çağının mimari dönüşümlerine duyarlı bir mimar olarak DAronco Torinoda, 1903-1906 arasında inşa edilen, Javelli-DAronco olarak anılan evini İngiltereden, Orta Avrupa kaynaklı mimari eğilimlerden ve Osmanlı topraklarından aldığı ilhamlarla tasarlamıştır. 1900lerin başından itibaren Arnavutköyde yaşadığı köşkün de içinde olduğu, Osmanlı konut geleneği bu biçimlenmede önemli bir yer tutmuştur. Mimar İstanbuldaki tasarımlarıyla paralel olarak, Viyana Secession üslubunu bu yapıda da benimsemiştir. İç dekorasyonda ise Art Deconun habercisi olan bazı kompozisyonlara yer vermiştir. Bütün bu özellikleriyle mimarın Torinodaki kendi evi onun Doğu ve Batı arasında geçiş yapan üslup araştırmalarının bir sentezini sunmaktadır.

Makale detayları

Architects’ Own Houses: The Case of Raimondo D’Aronco

Yazarlar:

Hatice Adıgüzel

Yayıncı:

Istanbul University

Ana Başlıklar:

Mimarlıkta Estetik

Dergi:

Sanat Tarihi Yıllığı Issue 32, pp.1-34

Belge Tipi:

Makale

Yayın Tarihi:

6/2023

Belge Dili:

Türkçe

Document ID (Org No.):

2001297444

pISSN:

0579-4080

Raimondo D’Aronco

Late Ottoman Architecture

Arnavutköy

Turin

Art NouveauRaimondo D’Aronco

Geç Dönem Osmanlı Mimarisi

Arnavutköy

Torino

Art Nouveau

Sayı

Makale detayları

Yazarlar: Hatice Adıgüzel

Yayıncı: Istanbul University

Ana Başlıklar: Mimarlıkta Estetik

Dergi: Sanat Tarihi Yıllığı Issue 32, pp.1-34

Belge Tipi: Makale

Yayın Tarihi: 6/2023

Belge Dili: Türkçe

Document ID (Org No.): 2001297444

pISSN: 0579-4080

Sayı

Yazarlar:

Hatice Adıgüzel

Yayıncı:

Istanbul University

Ana Başlıklar:

Mimarlıkta Estetik

Dergi:

Sanat Tarihi Yıllığı Issue 32, pp.1-34

Belge Tipi:

Makale

Yayın Tarihi:

6/2023

Belge Dili:

Türkçe

Document ID (Org No.):

2001297444

pISSN:

0579-4080