The Relationship Between Modern Art and Children's Painting in the Context of the New Visual Perception Theory

Oğuz Dilmaç

Makale detayları

The Relationship Between Modern Art and Children's Painting in the Context of the New Visual Perception Theory

Yazarlar:

Oğuz Dilmaç

Yayıncı:

Ataturk University

Dergi:

Sanat ve Yorum Issue 41, pp.71-81

Belge Tipi:

Makale

Yayın Tarihi:

3/2023

Belge Dili:

Türkçe

Document ID (Org No.):

2001287224

pISSN:

2822-2865

Anahtar kelimeler:

Özet:

 Art has been the only shelter for artists against the alienation that came with Modernism, which covers a hundred-year period between 1860 and 1960. In modern art, instead of classical art rules, it is seen that the surface, form, and color are given importance in painting with the desire to reach the new, and basic forms gain value in line with the desire to reach the essence. However, childrens pictures have broken these rules as an innate feature. However, childrens pictures have broken these rules as an innate feature. Recognizing that children paint objects as they perceive them, not as a representational reality, and that they follow a very original way while doing this caused childrens paintings to be a source of modern art. Along with modern art, Manet deferred form by chasing light in the open air and did not refrain from deforming Cezanne forms with the help of geometric forms. The forms used in modern art, where the depth is reduced to two dimensions on the surface, are no longer imitating nature. For painters who chose the path of conveying their spiritual experiences and pure emotional intensities by moving away from the reality of the world seen in modern art, childrens paintings included a unique and rich visual language that took them to a metaphysical universe. The aim of this research is to emphasize the effect of childrens paintings on modern art by revealing similarities between childrens paintings and the works of artists such as Gris, Kandinsky, Klee, Cezanne, and Chirico, who are among the important names of modern art.

 Art has been the only shelter for artists against the alienation that came with Modernism, which covers a hundred-year period between 1860 and 1960. In modern art, instead of classical art rules, it is seen that the surface, form, and color are given importance in painting with the desire to reach the new, and basic forms gain value in line with the desire to reach the essence. However, childrens pictures have broken these rules as an innate feature. However, childrens pictures have broken these rules as an innate feature. Recognizing that children paint objects as they perceive them, not as a representational reality, and that they follow a very original way while doing this caused childrens paintings to be a source of modern art. Along with modern art, Manet deferred form by chasing light in the open air and did not refrain from deforming Cezanne forms with the help of geometric forms. The forms used in modern art, where the depth is reduced to two dimensions on the surface, are no longer imitating nature. For painters who chose the path of conveying their spiritual experiences and pure emotional intensities by moving away from the reality of the world seen in modern art, childrens paintings included a unique and rich visual language that took them to a metaphysical universe. The aim of this research is to emphasize the effect of childrens paintings on modern art by revealing similarities between childrens paintings and the works of artists such as Gris, Kandinsky, Klee, Cezanne, and Chirico, who are among the important names of modern art.

 Art has been the only shelter for artists against the alienation that came with Modernism, which covers a hundred-year period between 1860 and 1960. In modern art, instead of classical art rules, it is seen that the surface, form, and color are given importance in painting with the desire to reach the new, and basic forms gain value in line with the desire to reach the essence. However, childrens pictures have broken these rules as an innate feature. However, childrens pictures have broken these rules as an innate feature. Recognizing that children paint objects as they perceive them, not as a representational reality, and that they follow a very original way while doing this caused childrens paintings to be a source of modern art. Along with modern art, Manet deferred form by chasing light in the open air and did not refrain from deforming Cezanne forms with the help of geometric forms. The forms used in modern art, where the depth is reduced to two dimensions on the surface, are no longer imitating nature. For painters who chose the path of conveying their spiritual experiences and pure emotional intensities by moving away from the reality of the world seen in modern art, childrens paintings included a unique and rich visual language that took them to a metaphysical universe. The aim of this research is to emphasize the effect of childrens paintings on modern art by revealing similarities between childrens paintings and the works of artists such as Gris, Kandinsky, Klee, Cezanne, and Chirico, who are among the important names of modern art.

 18601960 yılları arasında yüz yıllık bir dönemi kapsayan Modernizm ile gelen yabancılaşmaya karşı sanatçıların tek sığınak alanı sanat olmuştur. Modern sanatta klasik sanat kuralları yerine, yeniye ulaşma arzusuyla resimde yüzeyin, biçimin ve rengin önemsendiği ve öze varma isteği doğrultusunda temel formların değer kazandığı görülmektedir. Oysa çocuk resimleri bu kuralları doğuştan gelen bir özellik olarak bozmuştur. Çocukların nesneleri temsili bir gerçeklik gibi değil algıladığı gibi resmetmesi bunu yaparken de son derece özgün bir yol izlediğinin farkına varılması, çocuk resimlerinin modern sanata kaynak olmasına neden olmuştur. Modern sanatla birlikte Manet açık havada ışığın peşine düşerek biçimin ötelemiş, Cezanne biçimlerini geometrik form yardımıyla deforme etmekten kaçınmamıştır. Yüzeyde derinliğin iki boyuta indirgendiği modern sanatta kullanılan biçimler artık doğa taklidinden uzaktır. Modern sanat içinde görülen dünyanın gerçekliğinden uzaklaşarak sanatçılar ruhsal deneyimlerini, saf duygu yoğunluklarını aktarma yolunu seçen ressamlar için çocuk resimleri onları metafizik bir evrene götüren eşsiz ve zengin bir görsel dili içermekteydi. Bu araştırmanın amacı çocuk resimleri ile Modern Sanatın önemli isimlerinden olan Gris, Kandinsky, Klee, Cezanne, Chirico gibi sanatçıların çalışmaları arasında benzerlikleri ortaya koyarak çocuk resminin modern sanata olan etkisi üzerinde durmaktır.

Makale detayları

The Relationship Between Modern Art and Children's Painting in the Context of the New Visual Perception Theory

Yazarlar:

Oğuz Dilmaç

Yayıncı:

Ataturk University

Dergi:

Sanat ve Yorum Issue 41, pp.71-81

Belge Tipi:

Makale

Yayın Tarihi:

3/2023

Belge Dili:

Türkçe

Document ID (Org No.):

2001287224

pISSN:

2822-2865

Art education

children

Cubism

modern art

visual perception

Çocuk resimleri

modern sanat

görsel algı

sanat eğitimi

Kübizm

Sayı

Makale detayları

Yazarlar: Oğuz Dilmaç

Yayıncı: Ataturk University

Dergi: Sanat ve Yorum Issue 41, pp.71-81

Belge Tipi: Makale

Yayın Tarihi: 3/2023

Belge Dili: Türkçe

Document ID (Org No.): 2001287224

pISSN: 2822-2865

Sayı

Yazarlar:

Oğuz Dilmaç

Yayıncı:

Ataturk University

Dergi:

Sanat ve Yorum Issue 41, pp.71-81

Belge Tipi:

Makale

Yayın Tarihi:

3/2023

Belge Dili:

Türkçe

Document ID (Org No.):

2001287224

pISSN:

2822-2865