Traces in Hafız in the context of love and rind in the Divan of Fâni (Ali Şir Nevâyî)

N.A.

Makale detayları

Traces in Hafız in the context of love and rind in the Divan of Fâni (Ali Şir Nevâyî)

Yazarlar:

N.A.

Yayıncı:

Yakup YILMAZ

Ana Başlıklar:

Dilbilim

Dergi:

RumeliDE Dil ve Edebiyat Araştırmaları Dergisi Issue 32, pp.663-694

Belge Tipi:

Makale

Yayın Tarihi:

2/2023

Belge Dili:

Türkçe

Document ID (Org No.):

2001284222

pISSN:

2148-7782

Anahtar kelimeler:

Özet:

 As in the world of Turkish literature, the most important poet of the Chagatay field and the Herat school is Ali Şir Nevâyî. The most important poet of the Chagatai field and the Herat, as the sources emphasize. He distilled soul-feeding drops from his humble personality to classical poetry, like clouds reflecting from his humble personality to classical poetry, and filled this vast ocean of poetry with his scholarly personality and wisdom. These wisdom features of him have aspects that are woven with artistic and rich inventions in love and rind being a man of spiritual love. These aspects took place in the Persian Divan, where he used the pseudonym Fânî, within the framework of the effects of Hâfız. Although it is stated that these poems, which are seen to be written as disquisition for Hâfız, are responses, the poet managed to process these effects in his personal style within the framework of new and different meanings and concepts. In such poems with amorous and rind tone, a discourse that resembles Hâfız, feelings of winsomeness woven with vast artistry and knowledge are evident. In this direction, Fânî also tried new styles such as vâ-suht and applied them to a rich world of concepts and associations to catch the effect of Hâfız in the context of words, concepts, and meanings. In this context, in this article, the poets understanding of love and rint were examined based on the Fanis Divan. These qualities have been compared with Hâfız, so that the nature of the poets poems in his Persian Divan has been revealed in detail.

 As in the world of Turkish literature, the most important poet of the Chagatay field and the Herat school is Ali Şir Nevâyî. The most important poet of the Chagatai field and the Herat, as the sources emphasize. He distilled soul-feeding drops from his humble personality to classical poetry, like clouds reflecting from his humble personality to classical poetry, and filled this vast ocean of poetry with his scholarly personality and wisdom. These wisdom features of him have aspects that are woven with artistic and rich inventions in love and rind being a man of spiritual love. These aspects took place in the Persian Divan, where he used the pseudonym Fânî, within the framework of the effects of Hâfız. Although it is stated that these poems, which are seen to be written as disquisition for Hâfız, are responses, the poet managed to process these effects in his personal style within the framework of new and different meanings and concepts. In such poems with amorous and rind tone, a discourse that resembles Hâfız, feelings of winsomeness woven with vast artistry and knowledge are evident. In this direction, Fânî also tried new styles such as vâ-suht and applied them to a rich world of concepts and associations to catch the effect of Hâfız in the context of words, concepts, and meanings. In this context, in this article, the poets understanding of love and rint were examined based on the Fanis Divan. These qualities have been compared with Hâfız, so that the nature of the poets poems in his Persian Divan has been revealed in detail.

 As in the world of Turkish literature, the most important poet of the Chagatay field and the Herat school is Ali Şir Nevâyî. The most important poet of the Chagatai field and the Herat, as the sources emphasize. He distilled soul-feeding drops from his humble personality to classical poetry, like clouds reflecting from his humble personality to classical poetry, and filled this vast ocean of poetry with his scholarly personality and wisdom. These wisdom features of him have aspects that are woven with artistic and rich inventions in love and rind being a man of spiritual love. These aspects took place in the Persian Divan, where he used the pseudonym Fânî, within the framework of the effects of Hâfız. Although it is stated that these poems, which are seen to be written as disquisition for Hâfız, are responses, the poet managed to process these effects in his personal style within the framework of new and different meanings and concepts. In such poems with amorous and rind tone, a discourse that resembles Hâfız, feelings of winsomeness woven with vast artistry and knowledge are evident. In this direction, Fânî also tried new styles such as vâ-suht and applied them to a rich world of concepts and associations to catch the effect of Hâfız in the context of words, concepts, and meanings. In this context, in this article, the poets understanding of love and rint were examined based on the Fanis Divan. These qualities have been compared with Hâfız, so that the nature of the poets poems in his Persian Divan has been revealed in detail.

 Türk edebiyat dünyasının en önemli şairlerinden biri olan Ali Şir Nevâyî, Çağatay sahasının ve Herat ekolünün de en önemli şairidir. O, şiir denizine gökten yansısı düşen bulutlar misali, klasik şiire mütevazı kişiliğinden ruh besleyen damlalar damıtmış, bu engin şiir deryasını âlim kişiliği ve irfanı ile doldurmuştur. Bu irfanî yönleri, aşk ve rintlik hususunda sanatkârca ve zengin buluşlarla örülü yönlerini yansıtır. Bu yönler, Fânî mahlasını kullandığı Farsça Divanında Hâfızî etkiler çerçevesinde yer etmiştir. Hâfıza tetebbu olarak yazıldığı görülen bu şiirlerin nazire olduğu belirtilse de şair, aldığı bu etkileri şahsi üslubu ile yeni, farklı anlam ve kavramlar çerçevesinde işlemeyi başarmıştır. Âşıkâne ve rindane edalı böyle şiirlerde Hâfızı aratmayacak bir söylem, engin bir sanatkârlık ve ilimle örülmüş letafet hisleri belirgindir. Fânî, bu doğrultuda vâ-suht gibi yeni tarzlar da denemiş, Hâfız etkisini kelime, kavram ve mana bağlamından çıkarmak için zengin bir kavram ve çağrışım dünyasına başvurmuştur. Bu bağlamda makalede Fânî Divanından hareketle şairin aşk anlayışı ve rintliği incelenmiştir. Bu nitelikler, Hâfızla mukayeseli ortaya konulmuş, böylece şairin Farsça Divanındaki şiirlerinin mahiyeti ayrıntılı olarak ortaya koyulmuştur.

Makale detayları

Yazarlar: N.A.

Yayıncı: Yakup YILMAZ

Ana Başlıklar: Dilbilim

Dergi: RumeliDE Dil ve Edebiyat Araştırmaları Dergisi Issue 32, pp.663-694

Belge Tipi: Makale

Yayın Tarihi: 2/2023

Belge Dili: Türkçe

Document ID (Org No.): 2001284222

pISSN: 2148-7782

Sayı

Yazarlar:

N.A.

Yayıncı:

Yakup YILMAZ

Ana Başlıklar:

Dilbilim

Dergi:

RumeliDE Dil ve Edebiyat Araştırmaları Dergisi Issue 32, pp.663-694

Belge Tipi:

Makale

Yayın Tarihi:

2/2023

Belge Dili:

Türkçe

Document ID (Org No.):

2001284222

pISSN:

2148-7782