EXAMINATION OF RÂUF YEKTA BEY'S SAZ SEMAİ FORM IN DÂRÜ’L- ELHAN PERIOD IN TERMS OF VARIOUS VARIABLES

Orhan Alkan; Yılmaz Kahyaoğlu

Makale detayları

EXAMINATION OF RÂUF YEKTA BEY'S SAZ SEMAİ FORM IN DÂRÜ’L- ELHAN PERIOD IN TERMS OF VARIOUS VARIABLES

Yazarlar:

Orhan Alkan | Yılmaz Kahyaoğlu

Yayıncı:

Inonu University

Dergi:

İnönü Üniversitesi Kültür ve Sanat Dergisi Vol.8 Issue 2, pp.203-212

Belge Tipi:

Makale

Yayın Tarihi:

11/2023

Belge Dili:

Türkçe

Document ID (Org No.):

2001281861

pISSN:

2458-7915

Anahtar kelimeler:

Özet:

 Dârül Elhân, known as the first official conservatory of the Ottoman Empire, was opened in 1917. With the establishment of Dârül Elhân, Râuf Yekta Bey started to teach music history and theory in this institution. As a result of Râuf Yekta Beys studies on the history and theory of music, academic studies were started for the first time and new musicians who were aware of the importance of the subject began to be trained. With this article, the analyzes of Râuf Yekta Bey, one of the composers who lived in the period of Dârül Elhân, in the form of instrumental works, were determined in terms of various variables. In this context, the composers two works in the form of saz semâisi were examined in terms of maqam, usûl, weighing pattern, motif and sentence structure. Within the scope of the examinations, it has been concluded that the works that reveal Râuf Yekta Beys composing side are suitable for the makams in which they were composed.

 Dârül Elhân, known as the first official conservatory of the Ottoman Empire, was opened in 1917. With the establishment of Dârül Elhân, Râuf Yekta Bey started to teach music history and theory in this institution. As a result of Râuf Yekta Beys studies on the history and theory of music, academic studies were started for the first time and new musicians who were aware of the importance of the subject began to be trained. With this article, the analyzes of Râuf Yekta Bey, one of the composers who lived in the period of Dârül Elhân, in the form of instrumental works, were determined in terms of various variables. In this context, the composers two works in the form of saz semâisi were examined in terms of maqam, usûl, weighing pattern, motif and sentence structure. Within the scope of the examinations, it has been concluded that the works that reveal Râuf Yekta Beys composing side are suitable for the makams in which they were composed.

 Dârül Elhân, known as the first official conservatory of the Ottoman Empire, was opened in 1917. With the establishment of Dârül Elhân, Râuf Yekta Bey started to teach music history and theory in this institution. As a result of Râuf Yekta Beys studies on the history and theory of music, academic studies were started for the first time and new musicians who were aware of the importance of the subject began to be trained. With this article, the analyzes of Râuf Yekta Bey, one of the composers who lived in the period of Dârül Elhân, in the form of instrumental works, were determined in terms of various variables. In this context, the composers two works in the form of saz semâisi were examined in terms of maqam, usûl, weighing pattern, motif and sentence structure. Within the scope of the examinations, it has been concluded that the works that reveal Râuf Yekta Beys composing side are suitable for the makams in which they were composed.

 Osmanlı Devletinin resmî ilk konservatuarı olarak bilinen Dârül Elhân, 1917 yılında açılmıştır. Dârül Elhânın kurulmasıyla birlikte Râuf Yektâ Bey bu kurumda mûsikî tarihi ve nazariyat dersleri vermeye başlamıştır. Râuf Yektâ Beyin mûsikî tarihi ve nazariyatı konularında yapmış olduğu incelemeler neticesinde ilk defa akademik anlamda çalışmalar başlatılmış ve konunun önemine vakıf yeni mûsikîşinaslar yetiştirilmeye başlanmıştır. Bu makale ile Dârül Elhân döneminde yaşamış olan Bestekârlardan Râuf Yekta Beyin Saz eseri formundaki eserleri çeşitli değişkenler açısından analizleri tespit edilmiştir. Bu bağlamda bestekârın saz semâisi formundaki iki eseri makam, usûl, tartım kalıbı, motif ve cümle yapısı açısından incelenmiştir. Yapılan incelemeler dahilinde, Râuf Yekta Beyin bestekârlık yönünü ortaya çıkaran eserlerin, bestelendiği makamlara uygun olduğu sonucuna varılmıştır.

Makale detayları

EXAMINATION OF RÂUF YEKTA BEY'S SAZ SEMAİ FORM IN DÂRÜ’L- ELHAN PERIOD IN TERMS OF VARIOUS VARIABLES

Yazarlar:

Orhan Alkan | Yılmaz Kahyaoğlu

Yayıncı:

Inonu University

Dergi:

İnönü Üniversitesi Kültür ve Sanat Dergisi Vol.8 Issue 2, pp.203-212

Belge Tipi:

Makale

Yayın Tarihi:

11/2023

Belge Dili:

Türkçe

Document ID (Org No.):

2001281861

pISSN:

2458-7915

Dârü’l Elhân

Traditional Turkish Music

Dârü’l Elhân, Râuf Yekta Bey, Traditional Turkish Music

Dârü’l Elhan

Râuf Yekta Bey

Geleneksel Türk Müziği

Dârü’l Elhân

Traditional Turkish Music

Sayı

Makale detayları

Yazarlar: Orhan Alkan | Yılmaz Kahyaoğlu

Yayıncı: Inonu University

Dergi: İnönü Üniversitesi Kültür ve Sanat Dergisi Vol.8 Issue 2, pp.203-212

Belge Tipi: Makale

Yayın Tarihi: 11/2023

Belge Dili: Türkçe

Document ID (Org No.): 2001281861

pISSN: 2458-7915

Sayı

Yazarlar:

Orhan Alkan | Yılmaz Kahyaoğlu

Yayıncı:

Inonu University

Dergi:

İnönü Üniversitesi Kültür ve Sanat Dergisi Vol.8 Issue 2, pp.203-212

Belge Tipi:

Makale

Yayın Tarihi:

11/2023

Belge Dili:

Türkçe

Document ID (Org No.):

2001281861

pISSN:

2458-7915